ATTA is following Singing Wells News
Our friends at Hills Balfour and the Kenya Tourist Board continue to be wonderful ambassadors of Singing Wells, introducing us to interesting and interested people who we can talk to about the project. Earlier this month I was their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our fie…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
Another amazing start to the day. Today it was all about music of the Alur tribe. We drove from Pakwach across the Albert Nile Bridge into the Nebbi district to the village of Widyanga. The Music Alur Kingdom Troupe We set up amongst the ‘five layered’ thatched roof huts, settled down around the cows, goats and a really music loving chicken and recorded one single band, The Alur Kingdom Troupe, with every instrument imaginable: The Flute (yep, a…
Reporting back on recording trip to Kisoro, SW Uganda News
…opportunity for some Batwa who had exposure to the outside life when they visited Nairobi and were able to interact with the Ford Foundation. During this trip the Batwa benefitted from some materials such as clothes, shoes and money which improved on their social status by dressing like dominant tribes here. This gave them confidence and changed their behaviour. Today the non-Batwa believe and agree that Batwa can look smart if they are given the…
A day in the field with Singing Wells News
…ubilla Music. We are invariably joined by a local ‘fixer’ who will take us to the village and introduce us to the music groups who are expecting us. Once we arrive in our location, we liaise with the local musicians to find the best space to record. If possible we will record more than one of groups in each location, as it reduces the setup and breakdown time and maximizes the time for recording. We decide on two or three different ‘backdrops’ for…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…ildren settled under the same tree our sound crew was using and sang along to the songs. There was only one set of shrieks, when a 4 foot grass snake slithered through the kids, over our equipment and through performers Part of our routine now is to have Vicki on top of one of the vans to get a good 3rd angle (much of the Acholi dancing involves circling a drummer, meaning you can’t see said drummer unless from above…) The Music Groups Rubanga Kin…
Northern Uganda: Day 2 – from Gulu to Acet Story
…nd the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drums……
The Tribal and Musical Structure of East Africa – Worldmap Research News
…styles. This could go on, such as with information about dress, language, history of conflict, customs etc. Below is an example of how the layers on the map can be used.. Distribution of all percussion instruments Distribution of melodic percussion instruments Distribution of only ankle bells The map above gives an indication of where ankle bells are generally used in East Africa: broadly in Uganda and in specific parts of Kenya….
Northern Uganda: Day 1 – Entebbe to Gulu Story
…lot of time getting mobile phone cards!) and headed out on a 360 km drive to the town of Gulu in Northern Uganda. Within minutes we were deeply immersed in the ‘classic’ East African road scene: big tall white bags of coal, with grass helmets, bricks in various stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near the road side to pick at a fresh patch of gras…
African Strings: The Nyatiti and The Adungu News
…made functional. The harp is constantly evolving, and while in the past tortoise shell was used to make it, it is now largely made out of wood. They come in a variety of different sizes and are often played as an ensemble: Tradition: Traditionally, the harpist was the only musician ever allowed to play in the room of the royal ladies, whilst there would often have been a harpist situated in the Kabaka’s palace (the chief of the Baganda tribe in Ug…
Northern Uganda: Day 0 – London to Entebbe Story
…bags were gratefully recovered and we took a taxi for an 8 minute journey to the Airport Guesthouse Entebbe, where we were greeted by our old friends, Jan Willem Van De Kamp (the owner of this hotel and the Travelers Rest in Kisoro), Charles and Simba (the Rottweiler who feast on Kisoro locusts during our locust attack). They ran a lovely hotel and greeted us warmly with Nile Specials! We handed off a pile of Batwa DVD’s for them to take back to…
Background on the Music of Northern Uganda News
…fight and during actual tribal conflict that occurred according to Acholi history. 3. The next style we will record is the Larakarak courtship dance in Pawili. This is one for the youth, and, lucky for us, is usually performed in the dry months of December and January. When the young people in a particular village are ready for marriage, they organize a big ceremony where all potential partners meet. As a sign of friendship, food and alcoholic dri…
Day 9: Ketebul Studios with Ben Kisinja Story
Today is the final day of the full team working on the Kalenjin Field visit. Of course, all of us will continue in London and Nairobi to produce songs and videos of the trip. In addition to writing blogs, organising strategy through 2014, sorting through about 10,000 receipts of expenses (we run a very tight shop, thanks to Steve’s leadership), we welcome Ben into the studio to record. The Otacho Young Stars stayed the morning as well. We had a f…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…cians we were discovering were often so good, we needed to bring them back to the Nairobi studio. That led to 10 Batwa musicians and 5 Batwa babies travelling from Kisoro to Kampala to Nairobi and recording some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we r…
Day 6: Recording the Tugen & back to Nairobi Story
…part when her mother sings her praises. ‘Rirenech’ : a prayer from mass. This is started by the song Kim about God being great and strong. He has created mighty things. ‘Ribwech’ : about handing over responsibility from older to younger generations. The walking stick is handed over from oldest to youngest during the song. Photo Gallery Kewamoi Women Dancers Our second group was called Kewamoi Women Dancers from the same area. These women have been…
Day 5: Recording the Marakwet Story
…nity between the Marakwet and Pokot tribes. They are also about important historical events and praising ceremonies such as weddings, births, circumcisions and funerals. They are also used for passing information on from generation to generation. The younger generation also sing but they did not come today. They mainly have older members in their group. The group have never been recorded before today and they were very excited about others hearing…
Day 4: the Pokot Tribes Story
…the location picked by 50 Cows, the fixer, but we decided it was too close to the road and asked to be taken to a more secluded spot near a village or homestead. We got what we asked for and were rewarded with a 4 km drive straight up one of the hills through homestead after homestead until we arrived at the top of hill with 360 views. The little homestead had a lovely round house with thatched roof, a rectangular hour and a couple hen houses. Cow…