Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…ately we all made it to super-market where we loaded up with money, mobile phone cards and other sundries and headed out. The William car stopped to pick up Akello, a lovely Ugandan singer/songwriter, who is joining the group as our Influences artist. The Emmanuel car headed into Kampala to pick up our press badges. We then headed off to Gulu at around 2PM (yes, we tend to spend a lot of time getting mobile phone cards!) and headed out on a 360 km…
The Tribal and Musical Structure of East Africa – Worldmap Research News
To help us gain as much insight into the role of music in the areas we visit, we want to know as much as possible about the tribal and musical structure of East Africa. Over the last few months The Abubilla Music Foundation worked with Tati Kalveks and Rosie Balfour-Lynn to do this research. It was directed using WorldMap, an interesting way of visually displaying data. Here is a shot of the map below, the highlighted regions are the areas in whi…
African Strings: The Nyatiti and The Adungu News
…ere originally from the Nile River Valley and migrated down the River Nile to the Lake Victoria region after the Nubian peoples. In Egypt (particularly around the valley) you can find many instruments that date back over 5000 years, many, like the nyatiti, are also found in Egyptian hieroglyphs (right). The Luo people are related to the Acholi people of Uganda, a tribe we will come across in our next field visit. They play a similar instrument cal…
Northern Uganda: Day 0 – London to Entebbe Story
…bags were gratefully recovered and we took a taxi for an 8 minute journey to the Airport Guesthouse Entebbe, where we were greeted by our old friends, Jan Willem Van De Kamp (the owner of this hotel and the Travelers Rest in Kisoro), Charles and Simba (the Rottweiler who feast on Kisoro locusts during our locust attack). They ran a lovely hotel and greeted us warmly with Nile Specials! We handed off a pile of Batwa DVD’s for them to take back to…
Day 9: Ketebul Studios with Ben Kisinja Story
…(we run a very tight shop, thanks to Steve’s leadership), we welcome Ben into the studio to record. The Otacho Young Stars stayed the morning as well. We had a full crew to support Ben – Johnnie and Bishop on guitar, Nina and Winyo on vocals. Watch this space. We also continued our work to capture new artists for Missing – Global Remix, our 2012 fund raising song. We had Prasad Velankar, a wonderful Indian percussionist join us to put on new percu…
Background on the Music of Northern Uganda News
…gu and Agwara but also the Ndara, one of the traditional giant Ugandan xylophones, however this type are unique as they’re mounted over a large pit dug out in the ground: 1. Alur Kingdom Troupe – these are our first musical performers, who have traveled and performed in various East Africa Cities, are state champions and take part in a variety of state functions. Here they are playing the Agwara and performing the Agwara dance which is for a Kings…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…cians we were discovering were often so good, we needed to bring them back to the Nairobi studio. That led to 10 Batwa musicians and 5 Batwa babies travelling from Kisoro to Kampala to Nairobi and recording some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we r…
Lugbara Tribe Profile – Music of Northern Uganda News
…00 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly alliances with neighbouring chiefdoms to ensure their security against attacks from ot…
Day 6: Recording the Tugen & back to Nairobi Story
…e from the two hotels (Eldoret Club and Pine Tree) from 8am to about 9.30am. The tyre had a damaged tube that just wore out. We reassembled and headed off for a spectacular trip from an altitude of 2,800m down to 1,114m at one of the floors of the Great Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which made it all feel safer….
Day 5: Recording the Marakwet Story
…. In addition, over 300 foreigners train here, mostly from Europe. We went to the main training centre and interviewed a project manager about why so many people travel all this way to train on the red dirt roads around Iten. She answered: “First, the altitude (roughly 2300 meters) is perfect – right at the peak of natural altitude where you can still train hard, but so high that the lungs are pushed to the limit. Second, for such high altitudes,…
Day 4: the Pokot Tribes Story
…an influences session. The dancers were already pretty amused by the microphones and the video cameras. But they were far more amused by the computer on a table during their dance, playing guitar. Third key event: we travelled back to Eldoret and are staying at the Eldoret Club. This gave Jimmy time to do detailed interviews with Eddie and Nick. There are separate blogs here, which provide some more observations on what Ketebul Music and and now…
Day 3 continued – an interview with Steve Kivutia Story
…reat opportunity to interview Steve, the Singing Wells Project Manager, on the way to our first session. Interview with Steve Kivutia Steve was born in 1982 in Nairobi but his ‘home’ is the village of Kakamenga; his father moved villages to Moi’s Bridge (names after Kenyan President at the time). He was born in Mata Hospital and sent to Maseno Highschool, graduating in 2000. During school he loved Alpha Blondy, a reggae artist from the Ivory Coast…
Day 3: Kitale to Kapsokwony, Kenya Story
…hoot of the trip – Kapsokwony Kenya, 56 kilometers from Kitale. We drove onto the athletic grounds of Chesamis High School to record four groups. Our fixer was ’50 Cows’ – clearly taken from 50 Cent, but taking the Kalenjin love of cattle to a new level. 50 Cows is a local journalist and student at United States International University (USIU). The Music Groups Ben Kisinja First up for recording was Ben Kisinja, a wonderful guitarist in the typica…
Singing Wells – Origins News
…s for the whole group to perform, singing and dancing in front of ten microphones and three digital cameras.’ Video engineer, Patrick Ondiek, adds, ‘I love producing the final videos and getting phone calls from my friends asking me ‘how did you find these musicians?’ I feel like I’m on the cutting edge of music, bringing these talented musicians to my Nairobi friends.’ We have developed a three year plan to record a wide selection of important…
Day 2: Nairobi to Kitale & an interview with Pato Story
…2006 and built up the video department there. While there, he was exposed to the Spotlight Series. He began to really love tribal music and so when we started developing the Singing Wells project he jumped on it, keen to head up the video recording department . We asked him what he liked most about the project and he gave two answers: “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, ev…