The Boy with the Headphones Story
…with the headphones. It was on our second day in Kisoro when we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town. At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly str…
The First Singing Wells Influences Session Story
…drive up the coast road to Malindi. The next day however, we were treated to the sight of the coast road by daylight. The lush greenery and bustling activity of traders along the roadside not apparent the night before. We turned off the main road, and picked up our fixer Ndeche. We journeyed further from the main road past a school and into the village of Sila. The welcome we received from the villagers was warm and kind, and we began recording,…
The origins of Singing Wells Story
…groups’. At Ketebul Music, Tabu recruits and develops musicians committed to the rich musical cultures of East Africa. His goal is not simply to preserve this music, but bring it back to life with contemporary musicians putting a modern stamp on traditional music. A few thousand miles north of Nairobi, our band of musicians at Abubilla Music in London had similar concerns. Some of us had travelled through East Africa and we were astounded by the…
Day 9 (AM): Ketebul Studio – Influences session for Cheri Story
…requiring a different bass and guitar for part of the song. They rushed into the control booth to offer something (remember, the leader is someone we discovered in the coast and recorded for the first time in March 2011 and now he is re-writing bass and guitar lines in Pro Tools). Their words are mainly about love so strong that they are willing to give her anything. They see her and want to give her the clothes offer her back. Macadem was then i…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…This is really important. The key is that the traditional songs are taught to the children in the villages and then that the traditional music permiates into popular music. Northern Uganda is doing a great job at the former at least. We spent the afternoon working with Mwenzele-Nyerere wa Konde Music Club, who we first met during our March 2011 Pilot. We recorded the lead singer and group leader Nyerere wa Konde, backed by some basic percussion an…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…stantly we could see he was incredibly talented, so we brought him with us to the hotel in Entebbe with his son, Odika Constantine. Recording at the Airport Guesthouse, Entebbe It was a lovely afternoon on the hotel grounds and a load of German guests just back from safari became the rather surprised audience. Throughout the recording we competed with some very loud bird, a lovely school choir across the street, planes from the airport nearby and…
Promotion of Batwa cultural music: UOBDU report March 2013 News
…who are to perform to different occasions. All in all the staff performed to their expectations, thanks to them for their seriousness and dedication. BIRARA group This is one of the communities that is still cherishing music and dance as the Batwa culture it is still leading and very creative. The community members also share the knowledge on culture and pass on the knowledge to the young ones in order to promote and preserve the Batwa culture wh…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…enough homage to it, you will be rewarded. After the massive contributions to the spirit last night we were given two great troupes in Naguru. Naguru is a suburb of Kampala and we forced our two big vans through the crowded urban streets to a little square where we set up for recording. Exactly 24 hours ago we set up to record in Northern Uganda in the village of Obuell-Lira. This was the most idyllic rural scene we’ve experience – with picture pe…
Hannah interviews Evelyn Ojok – Acet, Northern Uganda News
…ayer is that we will be able to become professional performers and be able to buy proper costumes, more instruments and better equipment to keep authenticity. Why do you like to perform? I am a woman’s leader for a local parish and my work has now spread to four different parishes, this gives me strength and hope. Working in this group has influenced women, they now have guidance and work to earn money for themselves. It is not only a musical grou…
An Evening with Mserego Mwatela Group News
…i. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa : Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…ica is like child birth. While you’re in the throws of it, you’re swearing to the lord almighty that you won’t go through this again. And then you find yourself right back at it. Well, we’re going for one big happy family because we did it again. (As this blog has been edited with the team, there has been a strong attempt by our female members to point out that our male members have no right to equate anything to child birth. But we read, people….
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…this, why don’t you play the Magic Moment of the band as a good soundtrack to their story? During the civil war these villages were under rebel control from 1989-1992. The rebels came into the village to kills the men and seize the boys to take into the bush to fight. But the Macedonia band began to play Uganda Land of Freedom and the rebels started to gather round, starved for music and a chance to relax. An argument broke out amongst the rebels…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…he road scenes of Northern Uganda … On the road The road connects villages to their local markets and therefore is covered on either side by economic activity. There are the ‘thatch’ cutters, teams of women armed with knives and machetes cutting down the tall grasses on either side of the road. The long grasses are then laid down to dry, looking like long carpets. They are then bundled up into long packets, about 6 feet long and 18 inches thick. T…
Singing Wells – The Story So Far News
…Wells book at the Blurb Bookstore – just click this link: Singing Wells – The Story So Far The profits we receive from the sale of each book go directly to our UK charity The Abubilla Music Foundation which supports the Singing Wells project. Your donation will help give much needed financial support to tribal music groups in East Africa. By supporting these artists, we can help them keep their cultural music traditions alive and give them opport…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…s, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters, from very big grasshoppers to fairly intimidating beetles. Our recording sessions were part Singing Wells and part BBC wildlife documentary. We reassured ourselves that at least the bugs that whacked into you were unlikely to be mosquitos. But the night gave us a new insight as well. Many of the songs w…
ATTA is following Singing Wells News
…Wells, introducing us to interesting and interested people who we can talk to about the project. Earlier this month I was their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association a…