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The Tribal and Musical Structure of East Africa – Worldmap Research News

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…ation of where ankle bells are generally used in East Africa: broadly in Uganda and in specific parts of Kenya. Interestingly, the distribution of broad musical styles are distinctively different. While one would assume that Kenyan music is dominated by percussion, it is clear from the maps (above and below) that actually string and wind instruments are most prominent, and, largely, string and wind instruments are played together: Distribution of…

Northern Uganda: Day 0 – London to Entebbe Story

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…, where we boarded our flight and left pretty much on time. Jimmy sat next to Andrew who lives in Kampala and married to a Uganda woman with whom he’s had a one year old son. He was passionate about West African music and did a paper on drumming in Ghana. So Vicki switched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all settled down to watch Ted before landing about 8 hours later in Entebbe. All bags…

African Strings: The Nyatiti and The Adungu News

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…ns made functional. The harp is constantly evolving, and while in the past tortoise shell was used to make it, it is now largely made out of wood. They come in a variety of different sizes and are often played as an ensemble: Tradition: Traditionally, the harpist was the only musician ever allowed to play in the room of the royal ladies, whilst there would often have been a harpist situated in the Kabaka’s palace (the chief of the Baganda tribe in…

Day 9: Ketebul Studios with Ben Kisinja Story

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…at the speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Singing Wells musicians into the studio. Hunter and Jimmy will board our flight at about 11PM and with a 12 midnight wheels up, we will officially end…

Day 8: Ketebul Studios with the Otacho Young Stars Story

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…musicians we were discovering were often so good, we needed to bring them back to the Nairobi studio. That led to 10 Batwa musicians and 5 Batwa babies travelling from Kisoro to Kampala to Nairobi and recording some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician…

Day 6: Recording the Tugen & back to Nairobi Story

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…reat Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which made it all feel safer. The Journey Jimmy was in the Jeep with the GPS and kept the table below and felt strongly it should be published! Please note how we hit a ‘floor’ and the climbed back up almost immediately: The lower we went the hotter we became, which means we were deligh…

Day 5: Recording the Marakwet Story

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to us for coming. A welcome blessing in which grass is given as a blessing and to honour us. ‘Kirongo’: part of a blessing to say good-bye and come again. Used in initiation rights for men. https://youtu.be/zdA6j78RZjU https://youtu.be/LpcsgT8LRUg https://youtu.be/GCbYevDBGBA   Embolot The second group were the Embolot from village Kamogo. They live in the forest as farmers. Honey from the forest is an important part of their diet. The white paint…

Day 4: the Pokot Tribes Story

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…g her arms to the beat. Then she would begin to sing, and then she would stand and sway, and then she would begin to dance around and gradually would join the band. She simply couldn’t help herself. That is the power of music. We will try to put together a video clip of her best moments. Lomuke Group We recorded 9 songs: Anya Kar, Chepo Laleiyo, Kirap, Kiter, Kiyuar, Asoiyen, Adong’o and Montonyo. The women were dressed in white, carrying sticks a…

Music of Northern Uganda News

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…nsforming a former colonial golf club to a place for training and exchange and to promote and celebrate local cultural achievements. Joyce and David aim to engage people in post-conflict Northern Uganda in the creative arts; resuscitate local arts, crafts and arts education and recover, heal and develop local cultural traditions.   With Joyce Laker Director TAKS Centre in Gulu   Although Steve and Patrick were not able to meet any local music grou…

Day 3 continued – an interview with Steve Kivutia Story

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…d. All the cows were soaked. 50 Cows was soaked. A deluge. It meant we had to abandon the day, leaving a separate village and two groups stranded and wet. As we write this we are working out how to see them this week. Chelagat Lebo – ‘Chela’ Finally, we have been joined by Chela. She’s amazing and was there taking down the tent during the deluge. It should be noted that most of the Singing Wells crew were in the vans by this time. Chela is a profe…

Singing Wells – Origins News

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…g contemporary African musicians with us to perform with the tribal groups and to write new music influenced by these sessions. Winyo, a wonderful singer/songwriter with Ketebul Music, is one of our Influences artists and has been with us on three Singing Wells field visits. His first album ‘Benga Blues’ (released by Ketebul Music and Abubilla Music in September 2012) is rooted in traditional music. Of Singing Wells, he says, ‘What we find in thes…

Day 3: Kitale to Kapsokwony, Kenya Story

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…viving bull, Sigerer, was re-taken and brought back to Kitale. In celebration, the owner slaughtered poor Sigerer to feed the posse. As Kathy pointed out to Teriet, the real hero of the song was the dog, not poor Sigerer, who’s sole role was really to walk to Uganda and back and die. Masirtarit Finally, we recorded the ill-fated Masirtarit, a wonderful female folk choir with great songs. They had waited all day for their turn only to find the rain…

Day 2: Nairobi to Kitale & an interview with Pato Story

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…all love the music I bring home – it is so different from what they listen to and so much like ‘home.’ In Kenya, no matter where you live, your village is always ‘home.’ I was never raised there, but it is where I will retire. And the focus of Singing Wells is village music. It is about home. And my friends love that.” We asked Pato his favourite Singing Wells moment and he said it was Jovah singing Ye Warararaye with Jessie at the studio last Dec…

Bill Odidi reporting on Singing Wells from London News

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…50’ music documentary. He teamed up with Andy Patterson while he was here and together they conducted a number of interviews with Kenyan musicians who are now based in the UK. They also had the chance to visit Kenya House in Stratford as a guest of our friends at the Kenya Tourist Board. Here’s Bill’s article published in Business Daily Africa: http://www.businessdailyafrica.com/Where+the+world+got+real+flavour+of+Kenya+in+London/-/1248928/148086…

Day 1: In Nairobi, packing and talking to Tabu Story

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…a lot of effort into finding the true traditional music. He feels politics and tourism have affected the music we usually hear from the tribes. He wants to hear how they really are at their most natural, where their roots are. Sometimes it is difficult to convince the tribes that this is what we really want to hear. The tribes often think we want to hear gospel, rap or songs performed for tourists. He wants to archive the traditional music because…