Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
First, a caveat: this blog does not claim to be historically accurate and we can’t verify all the events told here. It reports on the memories of a former royal drummer, who is reflecting back on his time at the Buganda palace, on the night the palace was attacked and on the importance of seeing his craft revived. And there is something quite beautiful in the way he remembers his own story. Musisi being recorded on camera telling his story We are…
The Entenga Drums: Part 1 Story
…le for the drums’ revival. James Isabirye met with Musisi and they set out together to revive the drums. They worked with Shaban, a professional drummer, and John and Albert Ssempeke, who have kept many royal instruments alive, to relaunch the drums. Essentially, this took four major steps: Rebuild the drums: they needed to re-assemble the drum kit, building each of the 15 drums and re-making the Enga, the sticks used to play the drums (named afte…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…we lost? We’ve lost the connection that comes with all generations singing together, with laughter and joy. We sang every song we knew. We sang the whole night. We were learning about our cultures and rituals as we sang but we didn’t know that. We were just singing. I was reminded on Day 3 that this is their way of life and it is pure joy. This was very deep. SW: What most concerned you? GT: What really concerns me is that the resources we have at…
The History Of Benga Music: A Report by Ketebul Music Story
…genre and Ketebul has kindly given us permission to publish in full their history of Benga music. Here it is: Retracing the Benga Rhythm From simple traditional village entertainment to a national and regional music genre, this is the story of the making of benga music. Setting the Background A characteristic of popular music the world over is the element of mystery surrounding the origins of the genre and sometimes also, the real meaning of its n…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…for Singing Wells in Nairobi. Ketebul and Abubilla Music personnel joined together to record some of the most important ‘bridge’ artists in Kenya – a group of musicians that build a connection between the music of their villages and modern music. These were the founders of Benga, the African Twist, ‘Luhya Omutibo’ and the ‘Yoodle sound’ and represent the Luo, Luhya and Kikuyu ethnic communities. We dedicated six days of studio time at Ketebul Mus…
Naizungwe Drums News
…s partner Prof. James Isabirye about an exciting new project he was hoping to undertake – the revival of the naizungwe drums of the Basoga people in Uganda. James led our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeavours and will be posting a…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…rd and dies with it. In the song he calls for those who will really listen to what he has to say (this is the wonderful refrain at outset) Magic Moment: Simon doing gospel interpretation of Mariri. Magic moment: Arabamba mwarone as vocal solo with lead vocalist Their costumes were wonderful: Before we left we gave everyone Singing Wells t-shirts: We then broke down the set and as we were departing the group led the van off the site and wished us g…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…we hit the road. We met our local contact, Jane Kagai, and then travelled to the KCC area, a lovely field about 100 meters below the road. While a lot easier than the hill we faced in Kisoro (SW Uganda), we nonetheless had to take our 44 bags down to the site. We set up under a tree and recording 4 separate groups, all of whom stayed for the day. The 80 or so band members, all in full costume, were scattered across our 100 meter field. Unfortunat…
A Tanzanian Effort to Salvage the Music of the Past News
…h it certainly is); it’s also an essential part of the country’s cultural history. When Tanzanian independence leader Julius Nyerere took over from the British in 1961, he worked hard to foster a local musical style that the new country could call its own. We spoke to Rebecca Corey, who started the project in 2010 and still coordinates it today. “They started phasing out all foreign music from the local stations” in the 1960s, she told us. “So to…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…d in 1971 in Polygram studios in Nairobi. His peers include Dan Mugula, Christopher Ssebaduko, Vincent Muwunge, Sulayiman Mayanja. Dan influenced him hugely. Matia stayed with us all day to play lots of songs, but for his ‘set’, he played 5 songs; these were: Abapangisa, featuring Passy Nassonko from the Kiki Boys Cultural Troupe. The song talks about challenges you face when you’re renting a house. Someone should work so hard to build his or her…
Central Uganda: Day 6: Kampala to Entebbe Story
…d the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. The Lead vocalist is Jane Babirye. Akabira (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are not always well cared for and they then tend to cause havoc with the rest of family members (please note simi…
Central Uganda: Day 5 – Jinja to Kampala Story
…he condition, however: that she should never play in the rain. Amagombe: This is a song about the death of the leader’s father. He wrote it after his father’s death. 95% of the song is about what his father told him before he died. Ebibira: This song talks about the dangers of deforestation. The forest is where the spirits of the fore fathers can rest. If you destroy the forests, you destroy their homes so they will be loitering around and the liv…
Interview: fusion band Ndoto Afrika News
…one famous Kenyan writer keeps saying that a story is good, until another is told. We are here to share with the world how wonderful it is to be born and raised in Africa. Sadly, the urban African youths are so consumed with the modern technology that they no longer are willing to sit by the evening fire and listen to stories. So we will have to transmit these stories to their iPhones and iPads in the form of music, the universal language. Where…
Central Uganda: Day 4 – Jinja Story
…ing areas. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala, the big Ugandan trumpet, to Ugandan musical culture. According to our local musical expert, James Isabirye, it was close to dead, but a Unesco project has helped to draw attention to the group by pointing out the instruments and its players are threatened with extinction. He also says there is a horn shortage because people don’t grow the right ki…
Before They Pass Away News
…behind. From London to Nairobi, Rio de Janeiro to Cape Town, people flock to the cities and leave behind their cultural traditions. But in some pockets of the world, there are still tribes that have preserved centuries-old traditions. Singing Wells records, archives and shares some of this cultural heritage that is at risk of fading out – East Africa’s music. Not only do we want to sustain the musical heritage of East Africa, we want to promote i…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
The Journey To Site From the Mt Egon Hotel of Mbale, we drove to the Elgon Ngoma Troupe Centre, a short 20 minute drive. The Recording Site We were greeted there by Julius Wolimbwa, the founder of the Elgon Ngoma Troupe. We were recording at his youth centre, which was a fairly large single story building in the middle of a field just off a small road in Mbale. The field was filled with drummers and dancers. The field was also filled with a large…