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Day 7: Friday, February 24th, 2017 Story

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…dita. While at Nafasi Art Space, we met Rebecca Corey, who is the Director of the Tanzanian Heritage Project. This project is similar to Singing Wells, but as she said, the ‘preservation role’ is more physical – she is working to preserve all the physical recordings of Tanzania musicians, many of which are rotting away on dusty reel to reel recordings. And that is it. We then rushed to the airport to depart to Nairobi for a weekend of recording at…

Day 6: Thursday, February 23rd, 2017 Story

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…oja Wa Kusini is about 13 years old and is a very experienced dance troupe of the Mdomdu style. They are originally from the village of Msanga and the Wanyamwezi. All the dancers where a necklace called Simbi, made of cowry shells and a ‘skirt’ around the waist called a Kibwaya. Their smaller drums are Dali Dali and larger drums are Mapipa. They also use the marimba. They played 9 songs, 5 regular performances and four ‘magic moments’: Mkwaju Ngom…

Day 4: Tuesday, February 21st, 2017 Story

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…lage Boma to collect musicians from the group Chibite, who we had recorded the day before. We love their energy and musicianship and wanted to record a fuller album. Three members were the same as yesterday: the brother/sister combo of Ndekwa and Ndahani and Ndahani’s daughter Grace. We then added Tabu and Estelle, two other sisters of Ndahani and Ndekwa. This was an album of two halves: we first recorded 5 songs just with them and then added musi…

Day 3: Monday, 2017 February 20th Story

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…y “Lay down your heart” in Swahili. Two potential reasons. One is the role of the town in the Slave Trade. The alternative is simply that this is where the porters who were carrying massive loads to be shipped finally got to stop and rest. Near Bagamoyo is the village of Kimara Ngombe where we recorded Toroka Uje, a drum and dance band. Toroka Uje Toroka UjeWe arrived just as they were tuning their drums, by fire, and quickly interviewed a band me…

Day 2: Sunday, 2017 February 19th Story

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…ehave as a wife, and how to be a mother. The women invited Sophie into one of the huts to watch their dance in private. In Uganda and Kenya we have a lot of recordings of rites of passage, mostly around male and female circumcision rituals – happily the songs survive but not the rituals in the places we visited! But we have far less on the theme of ‘women for women’ songs of instruction, or the rites of passages of women preparing for adulthood. W…

Day 1: Saturday, 2017 February 18th Story

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…up on YouTube (see our current video collection here), as we prepare each of the videos. We will go back to these reports and provide hot links to all of these, but that will take a couple months or so, so please be patient. This is our first trip to Tanzania. For those of you that have followed Singing Wells, you will know that we’ve been working for seven years now in Kenya and Uganda. We thought we would have covered more countries by now, but…

A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News

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…e Bigwala, his report focuses on the indigenous teaching methods used with the young people involved in the project, what this meant for the sustainability for the instruments future, and how this impacted the young people’s identity and associations with the Bigwala-playing community. You can find the full report on the Sage website here: https://journals.sagepub.com/eprint/EBNMQEBVD9ECYMFJF8EP/full Professor Isabirye’s extensive work in reviving…

Fundraiser for Matthew Watmon News

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Published in: News & Views

…e to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project, will match these contributions up to £1000 so we greatly appreciate your support at…

Ketebul Music presents Shades of Benga Online News

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…ir book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here.   Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itineran…

Our journey to the Royal Drums: in the words of James Isabirye Story

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…g at all… Centre: James Isabirye, Left: Tabu (Ketebul), Right: Musisi (one of the last remaining Royal Drummers) Here is James’s story about how we ended up recording the Royal Drums of the Buganda Kingdom: “Let’s first just consider the state of our traditional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t supp…

Central & Eastern Uganda: Day 4, Part 2 – Flutes Story

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Dec 30th: the flutes and the closing of the circle with Albert Ssempeke This is our final day in the field in Uganda. Tomorrow we head back to Nairobi to record in the Ketebul Studios: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instrument…

Singing Wells Approaches 5 Million Views News

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…iews on our Youtube channel and are now approaching 5 million total views across our videos. When we started Singing Wells almost ten years ago, we set an aim to bring the traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage an…

Central & Eastern Uganda: Day 4, Part 1 – Reflections Story

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…ail some of our observations from our time exploring the royal instruments of the kingdoms of Uganda 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we wanted to end this field visit with his recordings Part one: reflections We are sitting on the grounds of the Kampala Museum, surrounded by examples of grass huts from the various regions…

Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story

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…ield we focused on two things: 1) Understanding better how the royal drums of the Buganda Kingdom are made 2) Interviewing other surviving musicians from the Buganda Palace Here’s our summary of part two: We travelled to two separate villages to meet four other surviving members of the royal palace musicians: a flute player, a trumpeter and two members of a xylophone-drumming team. A note here on surviving musicians: James Isabirye continues in hi…