Mariene Traditional Dancers Group
…of respect and authority. Their costumes include Lesos, necklaces, face painting, spears, fly whisks, gourds, and head gear, called Nkoroimade out of cow skin, with Monkey hide. The women cover themselves with green head scarves. The group uses the Kibere (shaker), performed by Jeremiah M’Mbiwiriaft, and the Coro (the flute), played by Simon Muriuki. The group played five songs, plus performed three magic moments: Arabamba Mwarone Mpandi mautine…
Field Recording Report by Kahithe Kiiru Story
…tick; LISANDUKU – a box shaped percussive instrument played with a wooden brush; MUTUNGI – a water container used as a drum; EFURIMBI – a metal whistle. Mahindu, who was noticed for his extravagant 1970s disco style outfit, and his group of elderly musicians played for us five original compositions. We also recorded an Infuences session with Fadhilee on one of the guitars. After Omutibo Benga, the same location was used to record Isilia’s group ca…
Day Four: January 21 2019 Mwanza Story
…erforming since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to sing…
Day 6: Thursday, February 23rd, 2017 Story
…About a child going back to his village after a while and being accepted. Rushwa: about harvests, but also uses a metaphor of a broken chicken leg to say that even if love is broken, it will mend, the ‘girlfriend will come back.’ Rushwa Magic Moment 1: just vocals Magic Moment 2: percussion Malalanga: this is about being quiet because a performance is starting Magic Moment 3: Francis singing ‘Alelewani’ solo. Alelewani with full group Mikocheni M…
Day 4: Tuesday, February 21st, 2017 Story
Recording at the Bagamoyo Country Club Early in the morning we return to the village Boma to collect musicians from the group Chibite, who we had recorded the day before. We love their energy and musicianship and wanted to record a fuller album. Three members were the same as yesterday: the brother/sister combo of Ndekwa and Ndahani and Ndahani’s daughter Grace. We then added Tabu and Estelle, two other sisters of Ndahani and Ndekwa. This was an…
Day 3: Monday, 2017 February 20th Story
…rse twice a week and play in wedding and other ceremonies. We are also training young kids in our style but we are very worried that the traditional music is dying.” Just as we were blown away by the Snake Dance in the Morris Compound, we were fascinated by Mama Ni Mama, a rite of passage song celebrating that a young girl is ready to be married. Briefly: The basic song, starts with an old women sitting down against a tree. Between her legs is a…
Day 1: Saturday, 2017 February 18th Story
…ar es Salaam we talked to Daudi Fernando Joseph, drummer for the Umoja Wa Kusini dance troupe about how Mzee Morris inspired his music: “I met him at 10 years old but had listened to his drums all my life – his drums are used to announce the news on Tanzania Broadcast Corporation (TBC) hourly news bulletins. At 14 years old, I would sit at my drums just trying to recreate that one riff. It took me three months of non-stop listening to get it dow…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…ses on the indigenous teaching methods used with the young people involved in the project, what this meant for the sustainability for the instruments future, and how this impacted the young people’s identity and associations with the Bigwala-playing community. You can find the full report on the Sage website here: https://journals.sagepub.com/eprint/EBNMQEBVD9ECYMFJF8EP/full Professor Isabirye’s extensive work in reviving lost instruments so that…
Fundraiser for Matthew Watmon News
…rt him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wel…
Ketebul Music presents Shades of Benga Online News
…lar Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can…
Our journey to the Royal Drums: in the words of James Isabirye Story
…: James Isabirye, Left: Tabu (Ketebul), Right: Musisi (one of the last remaining Royal Drummers) Here is James’s story about how we ended up recording the Royal Drums of the Buganda Kingdom: “Let’s first just consider the state of our traditional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t support it and we ar…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…s and the closing of the circle with Albert Ssempeke This is our final day in the field in Uganda. Tomorrow we head back to Nairobi to record in the Ketebul Studios: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the Kingdoms of…
Singing Wells Approaches 5 Million Views News
We are so excited to see that our hard work is paying off – in the last few months we have almost doubled our views on our Youtube channel and are now approaching 5 million total views across our videos. When we started Singing Wells almost ten years ago, we set an aim to bring the traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to b…
Recce to Tanzania for our 2020 Field Visit News
The Singing Wells team has been travelling through Tanzania in search of the best groups to record during our upcoming field visit in February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contact…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…fore it dies? What part of our efforts should focus on reviving the music, using it to inspire new generations to build on it in their own way, as thousands of generations did before? This has always been the core tension of Singing Wells. We have always had two missions. First, and sadly, we must preserve elements of a dying culture. And sadly, we have dozens of the only or last great village performances of musicians who have died after our visi…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…he good news is that there are some. The bad news is that the group is declining rapidly. In some cases, we refer to musicians as the ‘last surviving’ musician. This is based on James’ best reckoning, having tried for years to find others. Neither James nor the musician involved wants the title of ‘last surviving’ and we would love to be proven wrong. Musisi is looking for more drummers and the ones we talked to today are desperate to find others…