Listen to more ‘Influences’ tracks from Singing Wells News
…unity, a small settlement of families just outside Kisoro. Read our report from the trip here. This next track is called Amahoro – a Batwa song from the Birara Dancers of Kisoro, accompanied here by Jesse Bukinda on guitar and Winyo on vocals. This track was recorded live at the Traveller’s Rest Hotel in Kisoro, Uganda. This is a track from ‘Tiny Moses’ who is also a Batwa from the Micyingo community living near Kisoro. Tiny Moses plays a small, h…
Music of the Batwa: video playlist News
…ational Education….
The First Singing Wells Influences Session Story
…the ‘Influence’ session was born. The recording is here for you to listen to, and to buy on the Mijikenda of Kenya album The father, Nyerere wa Konde was very gracious and offered us coconuts as a thanks for visiting and recording, which he, with the help of other villages prepared for us, using his knife. He was pleased and proud that we had journeyed to his village to record his music with his group. After which, the team packed up the equipmen…
Music of Northern Uganda: video playlist News
…In December 2012 the Singing Wells team travelled to Uganda to record the music of the northern tribes, including the Alur, Acholi, Iteso and Langi. To read the daily field reports from this trip, click here. The trip was facilitated by the generous support of donors to our charity the Abubilla Music Foundation. Video playlist…
The origins of Singing Wells Story
…t will soon die out, leaving videos and songs in the archives. We also had to work to make this music relevant and important to contemporary artists. A key part of a field visit, therefore, is to bring contemporary African musicians with us to perform with the tribal groups and to write new music influenced by these sessions. Winyo, a wonderful singer/songwriter with Ketebul Music, is one of our Influences artists and has been with us on three Sin…
Returning to Uganda in Autumn 2013 Story
…a to continue tribal recording in the Autumn 2013. We’ve had extraordinary trips to Kisoro to record the Batwa and Northern Uganda to record the Nilotic tribes (Alur, Acholi, Iteso, Langi and Lugbara). For this upcoming trip we will focus on Central and Eastern Uganda which is home of the Bantu tribes (the Baganda, the Basoga, the Bagisu and the Banyoro to mention a few). Here’s an example of Basoga music – as always with Uganda music, amazing ene…
Winyo performs with Batwa musicians for ‘Influences’ News
…ntemporary musicians and the music groups we have discovered during our field recording visits. When the Singing Wells team visited Kisoro in SW Uganda (Nov 2011), we were joined by Winyo, a singer/songwriter from Kenya. Here is a video from that trip and the music is performed by Winyo collaborating with Tiny Moses, a wonderfully talented musician from the Micyingo Batwa community. The track was recorded at the Ketebul Music studios in Nairobi….
Day 10: File Management at Ketebul Studios Story
…’ of all and then work with Camera 2 to keep a log of all songs/takes and times. This also requires us to keep all watches and computers/cameras on same time. Agree to do an audio mix in the field and bounce immediately for videos. The ‘field’ audio becomes the input recording for videos (they need to be topped and tailed but no other editing) – we then will go back and do more detailed mixes on audio that we want to include in DVD’s and CD’s. Thi…
Meet our ‘Influences’ artists News
…ith Ben Kisinja Eddie joined the Singing Wells team on the field recording trip to Kenya (Great Rift Valley). Akello Akello Jackie is a young Ugandan singer who writes and performs both African contemporary and urban music in languages like Acholi (her mother tongue), luganda, abit of Kiswahili and English, among other languages. Akello started her musical journey as a young girl in her junior school leading in school musicals. Later on at 13 ye…
Akello sings ‘Influences’ songs for Singing Wells News
During our last field trip to Uganda we were joined by singer/songwriter ‘Akello’. Originally from a small village near Gulu, Akello now lives in Kampala. She travelled with us back to the north of the country and was not only invaluable acting as a translator when we visited the Acholi communities in the area, but also performed some of her songs for the Influences series, accompanied by the local music groups. ‘Wan Wilobo’ performed with the…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…nting: Drove 8 minutes to Airport. About 600 meters outside airport we had to stop and all get out of van and go through a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fairly straightforward except we ha…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…kum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watm…
An Evening with Mserego Mwatela Group News
…have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance an…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…he weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village that h…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…Uganda Army then re-took control of the area. One of their first acts was to go to each village and accuse them of collaborating, typically killing the men under the assumption that they must have fought with the rebels. For Joshua, this was a terrifying moment because the band was known to have played to the rebels. Again, a group of soldiers came into their village and again their mission was to kill the men and boys of the village. And again,…