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The origins of Singing Wells Story

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…ic labels on two separate continents. Tabu Osusa founded Ketebul Music in 2007 with a goal to record and promote traditional East African music. Tabu laments the fact that the music heritage of the region is being eroded. He says, ‘For reasons I can’t fully explain, contemporary East African music has lost touch with its tribal roots. Our most popular musicians find far more inspiration in western music than they do with East African music. I worr…

Hannah interviews Sabina – Acet, Northern Uganda News

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…serious operation 4 years ago. I can’t dig, dance or do anything physical, so I play the horn. This is a blessing and a gift from God because I could never play it before the war or before the operation, it is a gift from Him to help me heal. We also have the Rigi Rigi (tube fiddle, similar to the Orutu) the Bul (drums) and the Agwara (similar to a calabash) but mainly, as you saw, we sing and we dance. Hannah December 2012…

Returning to Uganda in Autumn 2013 Story

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…ical community, singing with Jessie in the grounds of our hotel. Everyone stopped to listen and it remains one of our most inspiring tracks… Or the leader singer of the Rubanga Kingom Awach boys of Northern Uganda, Wokorach Walter. Have you ever heard anything like this? 2. The Collective Voices: We will never forget Jovah and Winyo, singing with the Mperwa Dancers in Kisoro. 3. The Exotic Instruments: You’ve heard the Likembe, but what about the…

‘Missing’ – Singing Wells fundraising song for 2013 News

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…March 2013 saw the release of an original track from Abubilla Music, re-mixed for the Influences series. The song is called (The only thing that’s) Missing and it was first recorded for the Abubilla Music album Misery Marmalade and other Spanish Jams. Here is the video of the new ‘Influences’ version, featuring musicians from Kenya, Uganda and the UK collaborating in this a unique song to celebrate and support Singing Wells….

Day 10: File Management at Ketebul Studios Story

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…’ of all and then work with Camera 2 to keep a log of all songs/takes and times. This also requires us to keep all watches and computers/cameras on same time. Agree to do an audio mix in the field and bounce immediately for videos. The ‘field’ audio becomes the input recording for videos (they need to be topped and tailed but no other editing) – we then will go back and do more detailed mixes on audio that we want to include in DVD’s and CD’s. Thi…

Day 9 (AM): Ketebul Studio – Influences session for Cheri Story

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…involves about 9 days in the field recording new groups AND then we return to Nairobi to work in the studio with tribal musicians discovered previously. Yesterday we worked with Mwenzele-Nyerere wa Konde Music Club on five studio songs. Today, we brought them back in to work with Stanley on his song Cheri, featuring Macadem. Here’s how the process worked today: Jaybee first worked with Stanley, Bishop and Johnnie to get the basic song structure do…

Meet our ‘Influences’ artists News

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…ng to Winyo an almost heavenly experience. Winyo is also a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big Foot productions, which has produced several local TV shows. His goal is to take African music all over the world and enliven people to dance and sing to the sweet and melodic sounds of African songs and music. Winyo’s debut album ‘Benga Blues’ has recently…

Day 8: Entebbe to Nairobi and Ketebul Studios Story

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…ed, but the steps are worth recounting: Drove 8 minutes to Airport. About 600 meters outside airport we had to stop and all get out of van and go through a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fa…

Akello sings ‘Influences’ songs for Singing Wells News

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…ing contemporary and world music greats such as Kaweesa, Susan Kerunen, Myko Ouma, Tshila and Kinobe Herbert..she is indeed a rare talent with a rich textured organic voice. Akello begins a new journey of performing her own music compositions that she chooses to call “Hybrid” a simple cross between urban and local sounds back home.          …

Promotion of Batwa cultural music: UOBDU report March 2013 News

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…d promising because they have made savings which has accumulated to UGX 80,000/= from the performance carried out when UOBDU was requested to select the Batwa group to entertain people in Kanungu district which is one of UOBDU operation areas. This cultural performance took place during the launch of water project by Bwindi Mgahinga Conservation Trust where the Prime Minister of the Republic of Uganda was the Chief Guest of Honour. In addition, th…

Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story

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…ally beaten a number of strokes depending on your age, in his case it was 300. Odika called it the ‘bush mind’, and sometimes even once soldiers returned that mind would come back again, in nightmares or in daily life. To help returning soldiers they were taken to Gulu Children of War Rehabilitation Centre for 6 months before going home, partly to make sure the rebels couldn’t find you in your home village but also to help the returning soldiers a…

Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…kum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watm…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…ion by the government. We then hinted at problems. Rather than leave at 13:00 to travel to Kampala, we were forced back to Soroti with a broken wheel and only managed to hit the road again at 15:30. So we knew we were in for one of those ‘African Night Drives’ we so often do and so often swear we’ll never do again. We’ve decided night driving in Africa is like child birth. While you’re in the throws of it, you’re swearing to the lord almighty that…

An Evening with Mserego Mwatela Group News

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…nally performed with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa :   Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young…

Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story

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…he second half of the day was, well, not so good. We needed to leave at 13:00 to get to Kampala before nightfall. No night driving is a Singing Wells rule given how scary the roads are. We actually left at 12:45 and got about 20 minutes outside of Soroti only to have a car breakdown. So we had to turn around and get back to Soriti for a quick welding (by a guy on the street in flip flops..). We didn’t leave Soroti until about 15:30, knowing we now…

How music archives can help communities News

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…tylistic traditions of old. The Klaus Wachsmann collection is being repatriated to Uganda at the Makerere University in Kampala. The curator of the music archive is Dr. Sylvia Antonia Nannyonga-Tamusuza who we will be meeting while we are in Uganda next week. Click here to link to the Klaus Wachsmann Music Archive.   References Ethnomusicology in East Africa: Perspectives from Uganda and Beyond Published in 2012 by Fountain Publishers, Kampala. Ed…