Northern Uganda: Day 1 – Entebbe to Gulu Story
…ut 5 ‘brushes with death’, any one of which would be a lifetime of stories for London. We drove. We ate our packed lunch. We drove. We drove. And we raced faster and faster to make it to Gulu before DARK, our true horrible enemy on drives. Darkness just fell as we hit Gulu, which was fine, as we slowed right down and joined the chaos of the Gulu city center. We pulled into our hotel at around 1910, only 10 minutes or so after our target time. We p…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…ult of a platform developed by Harvard University. WorldMap is a great platform for a project like this for several reasons. It is free and open source which means any researcher can work with the source code to extend and improve its functionality, so it is constantly developing and improving. It’s also web-based so it’s easy to access and share, which is exactly what we want in order to carry on building the Singing Wells community. Rosie has ma…
African Strings: The Nyatiti and The Adungu News
…‘Nyatiti’, Available: http://anyango.com/e/nyatiti/ ‘Kaypacha’, Musical Instruments, Crafts, Aboriginal and Ethnic, Available: http://www.kaypacha.com.ar/en/instruments/nyatiti Wachsmann, K. Trowell, M. (1953). Tribal Crafts of Uganda. 1st. ed. Oxford: Oxford University Press. ‘Traditional Instruments’ of the Uganda People’ (2012), Face Music, Available: http://www.face-music.ch/ ‘EgpytSearch Forums’, Wysinger, M. (2008), REAL Ancient Egyptian Mu…
Northern Uganda: Day 0 – London to Entebbe Story
…ched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all settled down to watch Ted before landing about 8 hours later in Entebbe. All bags were gratefully recovered and we took a taxi for an 8 minute journey to the Airport Guesthouse Entebbe, where we were greeted by our old friends, Jan Willem Van De Kamp (the owner of this hotel and the Travelers Rest in Kisoro), Charles and Simba (the Rottweiler who fe…
Day 9: Ketebul Studios with Ben Kisinja Story
…o put on new percussion. He plays the Tabla at the speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Singing Wells musicians into the studio. Hunter and Jimmy will board our flight at about 11PM and with a 12…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the Otacho Young Stars. Let’s remind you who they are – here are two clips: We focused our recording time on Mr Manager, their quite sincere thank you song…
Lango Tribe Profile – Music of Northern Uganda News
…the Atekerin family in Uganda. Customs: The Lango have a cultural distaste for witchcraft, and a strong work ethic. They live in small groups, and recognise no tribal chief, except those chosen to defend the common interest in the time of war. Hutchinson in “The Living Races of Mankind” adds, ‘The Lango are specially noted for the care bestowed on their elaborate and highly fantastic head-dress. The prevailing fashion may be described as a kind of…
Day 7: In Nairobi – sponsors, blogs and strategy Story
…over our remaining three days and will be a key issue we address as we put forward the next draft of our 2012-2014 Strategy. We worked the afternoon on writing blogs for all the interviews and field visits, including all our song translations. Kathy brought back a full work book of notes. We have realised the growing importance of our ‘field interviewer’ who now spends as much time with the groups before and after their recording sessions as we sp…
Day 6: Recording the Tugen & back to Nairobi Story
…rap Oloo’ : about a wife who thinks her husband is lost. She wants to look for him because she can’t be responsible for all her children and animals without him. ‘Chang’komen’ : about a woman who is married to a man in a different village. She comes home bringing specialities to eat and drink. ‘Nerekan Evyline’ : Evyline was left by a man who flew away. The song is asking about what she’s going to do. She’ll tell her father to build a house. About…
Day 5: Recording the Marakwet Story
…s such as weddings, births, circumcisions and funerals. They are also used for passing information on from generation to generation. The younger generation also sing but they did not come today. They mainly have older members in their group. The group have never been recorded before today and they were very excited about others hearing their traditional music. Kathy spoke to them about their dress and its significance. The white paint in lines and…
Day 4: the Pokot Tribes Story
…terviews with Eddie and Nick. There are separate blogs here, which provide some more observations on what Ketebul Music and and now Singing Wells has done to the team’s view of modern music and more importantly, African music. For the record, the Ketebul crew all reported that the meal at the Eldoret Club, where we are staying, was the first great meal they had on the trip. Singing Wells team 6th March 2012…
Day 3 continued – an interview with Steve Kivutia Story
…e with Iwdi Aching, a lovely female vocalist who, he says, showed him that African tribal music didn’t need to be ‘old.’ He feels that Singing Wells is the next part of his musical journey. He talks about it as ‘discovering the source’ and ‘training his ears.’ He pointed out that Francis Sembagare from the Birara Dancers (Music of the Batwa) was closer to Hip Hop than much of today’s music. And he also points out the Joginda Boys (recorded for Sin…
Singing Wells – Origins News
…Tanzania and Burundi in 2013, returning to Nairobi in Autumn 2013 in time for the celebrations for Kenya’s 50 years since independence. In addition to our field visits, we have developed an online Music Map of East Africa that charts the tribes of the region, their music, their instruments and influences. The map also shows where we have travelled with the Singing Wells project and features audio tracks and videos of the songs and dances that we…
Day 3: Kitale to Kapsokwony, Kenya Story
…h some wonderful dancing using shields and spears. Again, Eddie stepped in for an Influences session with a subgroup to record. Please click here to read the meaning behind the songs of the Chebonet group: Song translations of Chebonet Teriet We then recorded Teriet, a guitarist with a wonderful acoustic guitar with a lot of miles. His best song was ‘Sigerer’. Kathy interviewed him about all his songs and this is a classic (to go to Kathy’s Blog o…
Day 2: Nairobi to Kitale & an interview with Pato Story
…ible and didn’t care about the music and performed songs which are just performed for tourists. Not real music and not good. I knew the second it started. I was so glad it started raining and we could get out of there.” [Editor note: we did not include this group in any Singing Wells materials.] So here is Pato’s favourite Singing Wells track – Jovah from the Mperwa Batwa community in Kisoro performing with Jesse on piano at the Ketebul Music stud…
Day 1: In Nairobi, packing and talking to Tabu Story
…nt to hear. The tribes often think we want to hear gospel, rap or songs performed for tourists. He wants to archive the traditional music because otherwise it will be lost. Young Kenyans in the cities are ignorant of the traditional music and are surprised when they hear quality and uniqueness of the tribal music. In addition to archiving the music, Tabu feels Ketebul’s role is to make the music widely accessible and to empower the tribes. If the…