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Day 3: Kitale to Kapsokwony, Kenya Story

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…ally two sticks on the ground played by two sticks. Tabu first met Ben in 2007, when working on Spotlight on Kenya Music Vol.4. He sang a song called ‘Kiseete’ on the album. (Interestingly, our second group today, Chebonet, played Kiseete, which is clearly a communal song of this community). Ben recorded 8 tracks with us, including a fantastic Influences track with Eddie Grey, a musician who joined Ketebul Music in 2011. https://youtu.be/ot3xNHqm7…

Day 2: Nairobi to Kitale & an interview with Pato Story

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…rough Nakuru and Eldoret on the way. Last night, we agreed a late fee of 1,000 bob a minute for anyone arriving at the studio after 9 am. Money talks and the whole crew were there by 09.00. Everyone. That‘s the good news. The bad news was no one brought a key for the studio, forcing Tabu to have to drive home and back. We left an hour later. Drive good, but long (roughly 400 kms) with a few little thunder storms and the normal fun with roadworks a…

Day 1: In Nairobi, packing and talking to Tabu Story

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…The plan tomorrow is to travel up the Great Rift Valley to Kitale, about 400 km northwest of Nairobi. In Kitale we’ll record the Sabaot. The next day we will drive to Kapenguira to record the Pokot. After that we go to Eldoret then onto Iten and Kapsowar to record the Marakwet and Keiyo. The last day to go to L Baringo to record the Tugen. Tabu is not sure what to expect of the tribal music in the villages we are visiting but he is always surpris…

Victoria’s reflections on the music of the Batwa Story

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…for the night. We say a quick hello and arrange to meet for breakfast at 7.00am. Tomorrow we are off to Uganda. MONDAY Tabu, Ketebul Music’s founder, arrives at the Fairview to meet us. He’s made the last minute arrangements for my flight to Kigali today, so I’m very grateful to him. We’ve never met before, only spoken on the phone and emailed, but he’s so welcoming I feel I know him already. The complete Singing Wells team congregates at Nairobi…

Return of the Batwa @ Ketebul Music Studios Story

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…arranged all travel papers by the 30th. They then left the morning of the 30th and travelled by private van from Kisoro to Kampala, arriving in Kampala the same evening. They spent the night in Kampala and left the morning of the 1st of December and arrived in Nairobi in the afternoon of the second. ‘They’ were five ladies and five babies and three men, plus Henry. 14 people drove for roughly 48 hours to sing. Second, let’s introduce the team. Eac…

Day 4: Discovery of the Young Stars… Story

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…ing three very different groups: the Otacho Young Stars, The Kanindi Jazz Band and Jose Kokeyo himself. The Music Groups The Otacho Young Stars The first group were four young men, playing in the Orutu style. First, let’s introduce them: from left to right, they were playing the Sanduku (Luo: Nyangile, which literally means ‘box’) Orutu, the metal ring (Kengele in Swahili and Ongeng’ in Luo) and a very happy backing vocalist (who also played the N…

Day 2: Focus on the Nyatiti, Orutu and DRUMS! Story

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…tps://youtu.be/RfDGq0WpDMk https://youtu.be/CyAm45yHzE0 https://youtu.be/JY0a4W0-8ME https://youtu.be/8canGj0fxXo The Village as ‘set’ We try hard to bring you a sense of the beautiful villages that serve as our recording studios. Our recordings are delightfully accompanied by cows and chickens expressing their inner musical selves. And that’s okay, because that is how the music is played and enjoyed. The audience gather round the ‘stage’ with a t…

From Kisoro to Nairobi to Lake Victoria Story

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…en, however, but arrived about 7:10. We exited and then walked across the 100 metre ‘no man’s land’ to the Rwandan side, leaving the cars to come through separately. We check in with police and then go to Rwanda passport control to enter. This is now 7:20 or so and a big crowd is forming but luckily, as we were so early arriving,we got through okay. By about 7:40 we were done, but the cars were not yet allowed to pass, as the Uganda exit border ha…

Day 6: The Studio @ Traveller’s Rest Hotel, Kisoro Story

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…Kamuntu Moses Group. They only performed two songs for us but each lasted 20 minutes and involved frenetic dancing follows by a set of ‘James Brown style’ falls to the floor from the principal dancers, only to be revived again by the drummers. Simply amazing. Their drums were the key to their style – reviving them each time they fell from ‘James Brown’ exhaustion:   https://youtu.be/1et4E7lKojA https://youtu.be/1BvCwhX2ctM The Kabahena Group had a…

Day 5 (much later): The Micyingo Group – guitar and bass! Story

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…d song. But then, they switched gears and set up a smaller group of ‘bass’ and guitar and absolutely blew us away… They started as wonderful large group moving through a set of songs, including ‘Imparake Yagahinga’, the National Park song, which is a staple of the Batwa singing groups… This man was a wonderful dancer and he took centre stage. For us, he symbolised the essence of how life is for the Batwa today – a very hard life, but a life full o…

Gary Barlow, Ayub Ogada and our very own global song News

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…sic venue in Nairobi, to celebrate the launch of the Singing Wells project and the collaboration between Ketebul Music and Abubilla Music. Tabu Osusa, Ketebul’s founder, had organised an evening of music and Ayub was one of the performers. He played his signature instrument, the traditional nyatiti and sang his most celebrated track, Kothbiro which featured on the soundtrack to The Constant Gardener. So, Ayub is one of the many musicians from arou…

Day 5 (PM): The ‘Togetherness Group’ from Kanyabukunga Story

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…he energy of each vigorous tribal dance. While the audio team for the day, Andy and Willie, deploy the essential sun shield for the mixing desk. They also found an additional use for the Pelicases, and Winyo’s guitar case, as mixing table and chairs! This little girl sensibly brought an umbrella for a sunshade……and happily accepted some much needed water: And here’s a very special young lady from this community – Fiona Nyiraguhirwa. Fiona has been…

Day 4 (later): Recording for ‘Influences’ with the Birara Dancers Story

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…e region. Most of the music is ‘trapped’ in remote villages – everyday in 100’s of villages across East Africa wonderful performances occur as the community celebrates, mourns and remembers through music. But few peopele are there to listen and each performance runs the risks of being forever lost. With our mobile studios, we are able to take the studio to them, working in their environment to capture as best we can the music and dance of their co…