Bigwala Cultural Group Group
…from the village of Bukoona and travelled to the Gately on the Nile Hotel in Jinja for the recording session. The Bigwala is the name of the trumpets they play. Song Meanings “Muwe Bwobona Asaba”: When someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else. “Mwene Wamwenda”: When you love someone even if they are poor, lame, sick…
Buganda Music Ensemble Group
…g. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their neighbours is a witch. “Ssewaswa”: This is about twins Wasswa and Kato, and praising twins. “Anamwinganga”: This was a piece composed by Albert’s father in 1945 and recorded in the 1960’s. It talks about who will attack the king. He has all the security and people are there to protect him so he shou…
Page
…hat are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global Influences Project Loop Library Here you will find a selection of musical loops by artists such as Otacho Young Stars, Adungu Cultural Troupe, Watmon Cultural Group…
Hannah Calascione Staff Profile
…tarts her degree in Anthropology at Cambridge University in 2013. She is joining the Singing Wells team for the field visit to Northern Uganda 2012 and has researched the area in great detail, writing reports on the tribal groups and their music and traditional instruments. Hannah will be armed with a microphone as she interviews the musicians and documents their oral histories, providing the all important context for the songs and dances we will…
Maisha Bora Suba Group
…ty. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandusbi (beads) an…
Royal Entenga Drummers Group
…trumpets, strings and xylophones, the Entenga were part of a set of ‘royal instruments’ and much of the music was lost in 1966 when the palace of the Buganda Kingdom was attacked by government troops. The palace and instruments were destroyed, the King exiled, the royal musicians disbanded and much of the music forgotten. But in 2015 James discovered the sixty-something Musisi, possibly the last surviving drummer. Musisi was just a teenager at the…
Zam Zam Group
…thers and two sons (youngest is 10) in this group. Songs: Mzuri Sana Nabia – About the Prophet Mohamed Yaa Nabia Salamu Alaika – Greeting for the Prophet Mohamed sung in Arabic. Hongera Bwana Harusi – Congratulations to the bride and groom Ilifurahika – The whole world is rejoicing after the battle of the prophets Ndoa Ni Sunna Adhimu – Perfect Marriage…
Bigilia Group Group
…Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They played 12 songs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kusema kasi naogopa: I would like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utal…
1. Introducing the Naizungwe drums Story
…entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeavours and will be posting about the project’s development, which has been under way for a month now. James gives some background about his inspiration for starting this project: “I led the revival of entenga royal…
Day 7: Friday, February 24th, 2017 Story
…reservation role’ is more physical – she is working to preserve all the physical recordings of Tanzania musicians, many of which are rotting away on dusty reel to reel recordings. And that is it. We then rushed to the airport to depart to Nairobi for a weekend of recording at Ketebul Studios. And thus ends our first Field Visit to Tanzania. Enjoy the videos as we produce them. …
Day 6: Thursday, February 23rd, 2017 Story
…About a child going back to his village after a while and being accepted. Rushwa: about harvests, but also uses a metaphor of a broken chicken leg to say that even if love is broken, it will mend, the ‘girlfriend will come back.’ Rushwa Magic Moment 1: just vocals Magic Moment 2: percussion Malalanga: this is about being quiet because a performance is starting Magic Moment 3: Francis singing ‘Alelewani’ solo. Alelewani with full group Mikocheni M…
Day 4: Tuesday, February 21st, 2017 Story
Recording at the Bagamoyo Country Club Early in the morning we return to the village Boma to collect musicians from the group Chibite, who we had recorded the day before. We love their energy and musicianship and wanted to record a fuller album. Three members were the same as yesterday: the brother/sister combo of Ndekwa and Ndahani and Ndahani’s daughter Grace. We then added Tabu and Estelle, two other sisters of Ndahani and Ndekwa. This was an…
Day 3: Monday, 2017 February 20th Story
…rse twice a week and play in wedding and other ceremonies. We are also training young kids in our style but we are very worried that the traditional music is dying.” Just as we were blown away by the Snake Dance in the Morris Compound, we were fascinated by Mama Ni Mama, a rite of passage song celebrating that a young girl is ready to be married. Briefly: The basic song, starts with an old women sitting down against a tree. Between her legs is a…
Day 2: Sunday, 2017 February 19th Story
…Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They played 12 songs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kusema kasi naogopa: I would like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utal…
Day 1: Saturday, 2017 February 18th Story
…ar es Salaam we talked to Daudi Fernando Joseph, drummer for the Umoja Wa Kusini dance troupe about how Mzee Morris inspired his music: “I met him at 10 years old but had listened to his drums all my life – his drums are used to announce the news on Tanzania Broadcast Corporation (TBC) hourly news bulletins. At 14 years old, I would sit at my drums just trying to recreate that one riff. It took me three months of non-stop listening to get it dow…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…ses on the indigenous teaching methods used with the young people involved in the project, what this meant for the sustainability for the instruments future, and how this impacted the young people’s identity and associations with the Bigwala-playing community. You can find the full report on the Sage website here: https://journals.sagepub.com/eprint/EBNMQEBVD9ECYMFJF8EP/full Professor Isabirye’s extensive work in reviving lost instruments so that…