Northern Uganda: Day 2 – from Gulu to Acet Story
…s they were 350 strong at the peak. The Music Groups The main theme of the day was dance. All groups featured wonderful female dancers and two ladies in particular were stunning. The best our Singing Wells team have seen. In Acholi dance it’s all about the head, hips and feet. The second theme was percussion. Most of the groups were supported by: Bul (drums), Gara (ankle shakers) and the Gwara (calabash or tambourin with Samba drumming, in this ca…
ATTA is following Singing Wells News
…guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa. It se…
Reporting back on recording trip to Kisoro, SW Uganda News
…obi and were able to interact with the Ford Foundation. During this trip the Batwa benefitted from some materials such as clothes, shoes and money which improved on their social status by dressing like dominant tribes here. This gave them confidence and changed their behaviour. Today the non-Batwa believe and agree that Batwa can look smart if they are given the chance to compete with others in many different fields. All the best, Henry. For a f…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…ately we all made it to super-market where we loaded up with money, mobile phone cards and other sundries and headed out. The William car stopped to pick up Akello, a lovely Ugandan singer/songwriter, who is joining the group as our Influences artist. The Emmanuel car headed into Kampala to pick up our press badges. We then headed off to Gulu at around 2PM (yes, we tend to spend a lot of time getting mobile phone cards!) and headed out on a 360 km…
A day in the field with Singing Wells News
…rd the performances. Takes are logged by the day, so the first take of the day becomes take number one. Note taking and logging is incredibly important as one recording trip can involved eight or more groups over a four-day period. Once we have finished recording the first group we assess whether we want to record any ‘Magic Moments’. These are where we film and record a musician performing solo on his or her instrument and are notable by the inte…
Northern Uganda: Day 0 – London to Entebbe Story
…The London gang travels to Entebbe and reunites with some friends from Kisoro……
Day 9: Ketebul Studios with Ben Kisinja Story
Today is the final day of the full team working on the Kalenjin Field visit. Of course, all of us will continue in London and Nairobi to produce songs and videos of the trip. In addition to writing blogs, organising strategy through 2014, sorting through about 10,000 receipts of expenses (we run a very tight shop, thanks to Steve’s leadership), we welcome Ben into the studio to record. The Otacho Young Stars stayed the morning as well. We had a f…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…Kampala to Nairobi and recording some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the Otacho Young Stars. Let’s remind you who they are – here are two clips: We focused our recording time on Mr Manager, th…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…his is why we often use charts and diagrams rather than bodies of text nowadays. Most people’s brains aren’t able to see patterns in data easily, especially when the data set is huge, so representing it in this manner means you can understand it easily. Looking at a map of where an instrument is used makes a lot more sense than looking at a table of regions and what instruments are used there. As we’ve put the data on a map where you can choose wh…
African Strings: The Nyatiti and The Adungu News
…ir culture. The lower four strings of the nyatiti represent the first four days of his birth, and the upper four strings represent the four days after his death. Anyango, a Japanese woman who now lives in Kenya has become the world’s first female nyatiti player, performing infront of thousands at the 2007 STOP AIDS Concert in Kenya. She speaks native Luo and has become famous for her originality all over Kenya.. The Adungu: Origins: The bow-harp i…
Day 7: In Nairobi – sponsors, blogs and strategy Story
…em. This topic became a major topic of discussion over our remaining three days and will be a key issue we address as we put forward the next draft of our 2012-2014 Strategy. We worked the afternoon on writing blogs for all the interviews and field visits, including all our song translations. Kathy brought back a full work book of notes. We have realised the growing importance of our ‘field interviewer’ who now spends as much time with the groups…
Background on the Music of Northern Uganda News
…ls dance to attract the young boys, so the dance is usually held on bright days, when the sun is out. In all of these dances we are likely to record the Adungu instrument (a traditional Ugandan bow-harp) and the Agwara (a wooden trumpet). Pakwach and Nebbi: Next we visit the Alur and Lugbara tribes in Nyaravuru and Pakwach. Click here to learn more about these tribes through our Alur Profile and Lugbara Profile on the Singing Wells website. Here w…
Day 6: Recording the Tugen & back to Nairobi Story
…of their own they benefit from our learning. The Scenery This was our last day of recording and we all thought it was one of the best. The drive down the Rift Valley and along its floor was beautiful. Long windy roads, going straight down the hills, with hills looming tall above us from behind and the valley sinking low in front of us, through a series of canyon steps. We arrived at the bottom of our step, with a canyon still to the right going do…
Day 5: Recording the Marakwet Story
…on to generation. The younger generation also sing but they did not come today. They mainly have older members in their group. The group have never been recorded before today and they were very excited about others hearing their traditional music. Kathy spoke to them about their dress and its significance. The white paint in lines and crosses on the men’s arms represents the River Nile and where the tribe originated from. They came from Israel to…
Day 4: the Pokot Tribes Story
…km of hard night time driving), long after darkness fell, we added up the day, in wonder at the numbers of songs we recorded: 5 groups, 33 songs, 3 Influences Sessions and 2 Magic Moments. Pokot music is all about the dance and vocal harmonies – most music with origins in nomadic tribes is about the dance/vocals not the instruments, because at best you could carry a horn during your endless movement. Sila Dancers Lomut Traditional Dancers This gr…
Day 3 continued – an interview with Steve Kivutia Story
…ia) were amazing and more modern than most music today. The Clapperboard Today was the first day we used the ‘clapperboard’. First a little background to this…… Singing Wells has always been about the music so our initial focus was on audio recording. We invested in first class audio equipment and can record using 8 mics directly into Pro Tools. But during the March Pilot programme, we realised that the visual experience was as important as the au…