Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…o or a drum and all claimed they were members of Macedonia. The Macedonia band and the song Uganda, Land of Freedom was known by everyone and served dozens of times to spare someone a fast execution as a collaborator. We then arrived at Joshua’s village. It was the most beautiful we’ve seen with four-five small thatched huts, each painted with patterns. There was a large clay oven in the middle of the village and the whole grounds were landscaped…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…of cows, sheep, goats and chickens found along the road, somehow connected and protected by a distant owner. And then there are the bikes, generally falling into two categories. There’s the rideable load, where the bike is carrying simple things like doors, coffins, gates or water bottles and the bike rider is still able to pedal. Then there’s the un-rideable bike. Here the owner is more aggressive and the bike might be carrying a bed, a large gat…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…the case and it shouldn’t be surprising. Most good musicians play off the band and if you ask them to play the song just with their part find it all a bit strange. So too for African village groups. They don’t go into studios and ‘lay down their track’ in some great over-dubbing session. They perform with a troupe, and they feed off of and help drive the dancing and the other instruments. The song Apako Oranga had an amazing Ndara riff and we want…
Reporting back on recording trip to Kisoro, SW Uganda News
…doing so learned a great deal about their history and their lifestyle in Uganda today. The following week, we invited ten of the Batwa performers to the Ketebul Music studios in Nairobi to record more songs, and in particular, collaborate with contemporary music artists to generate new material for ‘Influences’ – a series of new songs influenced and inspired by traditional themes. Our aim is to provide a lasting benefit for the Batwa community in…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…s the celebration of the chief. It features the spectacular Ndara, the Bul and Agwara and involves a lot of rolling around. We loved it so much we recorded a ‘magic moment’ – there was even more rolling around then usual and the 150 kids around us had a great time. We then took the time to solo each instrument given the quality of the musicians. The started with the Rigi Rigi, where Owach Tartizio sang Obimo. We then featured the Adungu, with Okum…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…ghting (and it is a pretty good tussle) before they are encouraged by the band and woman dancers to calm down, solve their differences and forgive. Given the recent wars in Uganda and given that we are in formally held Kony territory, this song is pretty important. https://youtu.be/_u4-hVbcVV0 In the same vein, their second song was Lweny Dong Pee, a message to the government to bring back the children of conflict, many of whom remain displaced or…
Northern Uganda: Day 2 – from Gulu to Acet Story
…ring and exiting this rather large ‘Set’ and performing the chorus. Akello and Andy then led the 350 singers through ‘We Are All One’ as a backing chorus. Very fun! As we were closing down we were greeted by the Chairman of Acet who was very gracious in welcoming us. He walked away with lots of photos and a Singing Wells 2012 shirt! He also got one of our Polaroid pictures. This is a new innovation for us – every group gets to listen to their song…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…ation of where ankle bells are generally used in East Africa: broadly in Uganda and in specific parts of Kenya. Interestingly, the distribution of broad musical styles are distinctively different. While one would assume that Kenyan music is dominated by percussion, it is clear from the maps (above and below) that actually string and wind instruments are most prominent, and, largely, string and wind instruments are played together: Distribution of…
Northern Uganda: Day 0 – London to Entebbe Story
…c and did a paper on drumming in Ghana. So Vicki switched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all settled down to watch Ted before landing about 8 hours later in Entebbe. All bags were gratefully recovered and we took a taxi for an 8 minute journey to the Airport Guesthouse Entebbe, where we were greeted by our old friends, Jan Willem Van De Kamp (the owner of this hotel and the Travelers Rest…
African Strings: The Nyatiti and The Adungu News
…the Luo peoples, an ethnic group now situated in Western Kenya, Eastern Uganda and Northern Tanzania. They were originally from the Nile River Valley and migrated down the River Nile to the Lake Victoria region after the Nubian peoples. In Egypt (particularly around the valley) you can find many instruments that date back over 5000 years, many, like the nyatiti, are also found in Egyptian hieroglyphs (right). The Luo people are related to the Ach…
Day 9: Ketebul Studios with Ben Kisinja Story
…rs stayed the morning as well. We had a full crew to support Ben – Johnnie and Bishop on guitar, Nina and Winyo on vocals. Watch this space. We also continued our work to capture new artists for Missing – Global Remix, our 2012 fund raising song. We had Prasad Velankar, a wonderful Indian percussionist join us to put on new percussion. He plays the Tabla at the speed of light and transformed the song. He was so good, we decided to put together a m…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…d to bring them back to the Nairobi studio. That led to 10 Batwa musicians and 5 Batwa babies travelling from Kisoro to Kampala to Nairobi and recording some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the…
Day 7: In Nairobi – sponsors, blogs and strategy Story
…rying to attract. Like kids everywhere, they tend to reject their parents’ and grandparents’ music, hoping to discover new music they can uniquely own. If we spent too much of our time showing only the videos of the few groups we think can be fed into more mainstream music, we are abandoning our mission to record all the styles of East Africa, so others can rediscover them. This topic became a major topic of discussion over our remaining three day…
Day 6: Recording the Tugen & back to Nairobi Story
…ollection of women from little villages scattered around the Kabarnet area and they want to promote good values of culture and education. They were all dressed in brown, almost terracotta, outfits looking like the red clay we love so much. They make all their own costumes and sew on all their own beadwork. They wear a belt of 5 rows of cowry shells sewn on, symbolising peace. When a woman lays it down on the ground it means a ceasefire (see Kathy’…
Day 5: Recording the Marakwet Story
…ve older members in their group. The group have never been recorded before today and they were very excited about others hearing their traditional music. Kathy spoke to them about their dress and its significance. The white paint in lines and crosses on the men’s arms represents the River Nile and where the tribe originated from. They came from Israel to Egypt along the Nile to the Sudan. This occurred in the 18th century. The women have white dot…
Day 4: the Pokot Tribes Story
…g her arms to the beat. Then she would begin to sing, and then she would stand and sway, and then she would begin to dance around and gradually would join the band. She simply couldn’t help herself. That is the power of music. We will try to put together a video clip of her best moments. Lomuke Group We recorded 9 songs: Anya Kar, Chepo Laleiyo, Kirap, Kiter, Kiyuar, Asoiyen, Adong’o and Montonyo. The women were dressed in white, carrying sticks a…