Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…outu.be/eH1v-kwvvaQ Their third song was Songa Mbele, a song about ‘moving forward’ symbolized by all the performers swaying their heads back and forth. https://youtu.be/_ViFUMIwN4k?list=PL6jxUA468Mq-LufC_AhbsGyC-pvBWlmTe They did a final song called Kanyaga Mbele. https://youtu.be/zyeH-PvP7-E We loved this group and they rank in our Top 10 so far for Singing Wells. We loved them so much we recorded a ‘magic moment’ with them and also an Influence…
Northern Uganda: Day 2 – from Gulu to Acet Story
…i style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drums… They are all female dancers, with whistles and Gara (ankle shakers). They played all four of their songs one after another without a break: Oluma Lareku (a war dance celebrating the tribal chief), Talebero Koda Akoda, Odokomi Dek Owic, Lar Wodo Dwok Cen. Here’s a selection: Ribbe Ber…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…ult of a platform developed by Harvard University. WorldMap is a great platform for a project like this for several reasons. It is free and open source which means any researcher can work with the source code to extend and improve its functionality, so it is constantly developing and improving. It’s also web-based so it’s easy to access and share, which is exactly what we want in order to carry on building the Singing Wells community. Rosie has ma…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…ut 5 ‘brushes with death’, any one of which would be a lifetime of stories for London. We drove. We ate our packed lunch. We drove. We drove. And we raced faster and faster to make it to Gulu before DARK, our true horrible enemy on drives. Darkness just fell as we hit Gulu, which was fine, as we slowed right down and joined the chaos of the Gulu city center. We pulled into our hotel at around 1910, only 10 minutes or so after our target time. We p…
Northern Uganda: Day 0 – London to Entebbe Story
…ched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all settled down to watch Ted before landing about 8 hours later in Entebbe. All bags were gratefully recovered and we took a taxi for an 8 minute journey to the Airport Guesthouse Entebbe, where we were greeted by our old friends, Jan Willem Van De Kamp (the owner of this hotel and the Travelers Rest in Kisoro), Charles and Simba (the Rottweiler who fe…
African Strings: The Nyatiti and The Adungu News
…‘Nyatiti’, Available: http://anyango.com/e/nyatiti/ ‘Kaypacha’, Musical Instruments, Crafts, Aboriginal and Ethnic, Available: http://www.kaypacha.com.ar/en/instruments/nyatiti Wachsmann, K. Trowell, M. (1953). Tribal Crafts of Uganda. 1st. ed. Oxford: Oxford University Press. ‘Traditional Instruments’ of the Uganda People’ (2012), Face Music, Available: http://www.face-music.ch/ ‘EgpytSearch Forums’, Wysinger, M. (2008), REAL Ancient Egyptian Mu…
Background on the Music of Northern Uganda News
…Larakarak courtship dance in Pawili. This is one for the youth, and, lucky for us, is usually performed in the dry months of December and January. When the young people in a particular village are ready for marriage, they organize a big ceremony where all potential partners meet. As a sign of friendship, food and alcoholic drinks are served during this ceremony. Only the best dancers will get partners, so there is a lot of competition during the d…
Day 9: Ketebul Studios with Ben Kisinja Story
…o put on new percussion. He plays the Tabla at the speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Singing Wells musicians into the studio. Hunter and Jimmy will board our flight at about 11PM and with a 12…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the Otacho Young Stars. Let’s remind you who they are – here are two clips: We focused our recording time on Mr Manager, their quite sincere thank you song…
Lango Tribe Profile – Music of Northern Uganda News
…hino). Amuka is independent, strong, and peaceful unless disturbed. References Curley, Richard T. (1973). Elders, Shades, and Women: Ceremonial Change in Longo, Uganda. Berkeley and Los Angeles: University of California Press. Otiso, Kefa M. (2006). Culture and Customs of Uganda. Ohio: Greenwood Press. (Lango at everculture – 2012) Lango – http://www.everyculture.com/Africa-Middle-East/Lango.html#ixzz2AhrHntF4 …
Day 7: In Nairobi – sponsors, blogs and strategy Story
…over our remaining three days and will be a key issue we address as we put forward the next draft of our 2012-2014 Strategy. We worked the afternoon on writing blogs for all the interviews and field visits, including all our song translations. Kathy brought back a full work book of notes. We have realised the growing importance of our ‘field interviewer’ who now spends as much time with the groups before and after their recording sessions as we sp…
Day 6: Recording the Tugen & back to Nairobi Story
…rap Oloo’ : about a wife who thinks her husband is lost. She wants to look for him because she can’t be responsible for all her children and animals without him. ‘Chang’komen’ : about a woman who is married to a man in a different village. She comes home bringing specialities to eat and drink. ‘Nerekan Evyline’ : Evyline was left by a man who flew away. The song is asking about what she’s going to do. She’ll tell her father to build a house. About…
Day 5: Recording the Marakwet Story
…s such as weddings, births, circumcisions and funerals. They are also used for passing information on from generation to generation. The younger generation also sing but they did not come today. They mainly have older members in their group. The group have never been recorded before today and they were very excited about others hearing their traditional music. Kathy spoke to them about their dress and its significance. The white paint in lines and…
Acholi Tribe Profile – Music of Northern Uganda News
…erent purposes. The top left image is of the Bwola royal dance which we will record during the Music of Northern Uganda Field trip of December 2012. For more information about the tribes of Uganda, this website is useful….
Day 4: the Pokot Tribes Story
…terviews with Eddie and Nick. There are separate blogs here, which provide some more observations on what Ketebul Music and and now Singing Wells has done to the team’s view of modern music and more importantly, African music. For the record, the Ketebul crew all reported that the meal at the Eldoret Club, where we are staying, was the first great meal they had on the trip. Singing Wells team 6th March 2012…
Day 3 continued – an interview with Steve Kivutia Story
…e with Iwdi Aching, a lovely female vocalist who, he says, showed him that African tribal music didn’t need to be ‘old.’ He feels that Singing Wells is the next part of his musical journey. He talks about it as ‘discovering the source’ and ‘training his ears.’ He pointed out that Francis Sembagare from the Birara Dancers (Music of the Batwa) was closer to Hip Hop than much of today’s music. And he also points out the Joginda Boys (recorded for Sin…