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Kenya (Coast): Day 4 – the road back to Nairobi Story

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…he evening we went to slippers to watch Winyo. We pumped some Tuskers into Andy and then relaxed a bit. He opened up more and we liked him. Andy now jumps in with a little more detail… AP: To be clear, that was the first time I’d been out of Europe and I was definitely nervous. The first night in the hotel, I practically curled myself up in the corner with a chair barring the door! I’m from the North and came south in 2001 and spend four years at…

Kenya (Coast): Day 3 – our final recording day Story

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…n the Kayamba style (which is also the name of the wonderful percussion). It was our first ‘harvest dance’ (Mavuno), which celebrated the harvest and the arrival of the new baby. Lots of ‘props’ including a baby doll, hay stack and lots of bowls of water and spices.   Some final shots at our last village. Enjoy…. Winyo and the kids… That’s enough for now. There’s 150 pictures more for every one we show, but the internet is too slow to keep posting…

Kenya (Coast): Day 2 continued…. Story

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…d town, Junda. We drove into this very densely back ‘village’ going deeper and deeper into the urban jungle on very potted roads, packed with pedestrians, bikes and frankly, a lot of suspicious folks somewhat unwelcoming of our two big trucks. None of us could imagine setting up recording equipment here and we weren’t sure how much we’d end up with if tried… But after a lot of false turns, we met our hosts who gradually led us through the town and

Kenya (Coast): Day 2 – recording in the village of Kibarani Story

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…then start the first song and by the end of the session we are generally surrounded by 50-100 kids… Behind the Scenes We have good routines now: We set up our little tent (right) We set up mic stands We set up mics and while folks are setting up, Pato interviews the group leaders That’s it. We’ll follow up with this afternoon’s action in the next blog… Jimmy…

Day 1: The very first field recording day for Singing Wells Story

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…There are about 7 houses, two cows, lots of chickens, groves of pea trees and lots and lots of children. All smiling all the time. The Music Groups We arrived and set up our tent, our two tables, our recording kit and our six mics. Andy ran the desk, supported by Jessie, Steve and Willie. Jimmy and Pato handled video, Winyo did a lot of photography and Tabu and Maddo watched (having retired after driving 10 hours the day before). Mwenzele – Nyere…

On the eve of our very first field recording trip….. Story

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…tures: Winyo warms up with the Swiss Bone Guitar The Legendary Ayub Ogado …and his legendary goatee …and his legendary Nyatiti From left to right, Joyce, Alfred and Tabu. Joyce is from the Ford Foundation and supports Ketebul. Alfred helped introduce Ketebul and Abubilla This was an evening to represent everything Ketebul is about – bringing new East African artists to the world, but rooting them in the generations of music that came before. This…

May 2011 – Jimmy reports back on the pilot phase News

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…ect is jointly led by two organisations: Ketebul Music and Abubilla Music, and its sister organisation, the Abubilla Music Foundation. Simply put, the Singing Wells Project seeks to record the vast musical traditions of East Africa, while also making these traditions relevant to contemporary artists, starting with East African musicians. Maddo (aka Paul Kelemba — see his website: It’s A Madd Madd World), Chairman of Ketebul, describes the Singing…

Discovering music roots with SWP News

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…nres of music. Tabu and I were at the airport to receive James Jimmy Allen and Andy Patterson from Abubilla. I’d met Andy towards the end of 2010 on his first visit to Africa and we’d gotten on fine. I was looking forward to meeting Jimmy. Tall, burly American now domiciled in the UK. One look at him and I saw a professional we could do business with. I immediately loved his good nature too. We ferried them to their hotel and let them recover from…