Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…, as Watmon is originally from Kitikum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour d…
An Evening with Mserego Mwatela Group News
…et your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…g to a clapper board and keep recording through the whole take. We learned to get all the computer and cameras on the same time signature. We learned the roles of each camera (1 is stationary, full group, 2 is politely called fingers/feet and faces and 3 is context and overcoming the weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…Uganda Army then re-took control of the area. One of their first acts was to go to each village and accuse them of collaborating, typically killing the men under the assumption that they must have fought with the rebels. For Joshua, this was a terrifying moment because the band was known to have played to the rebels. Again, a group of soldiers came into their village and again their mission was to kill the men and boys of the village. And again,…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…teed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying baskets of nuts and spices, water jugs, charcoal, thatched bundles, etc…. This, of course, gives them a ram rod straight posture, giving them a majectic air and a very practical crown. Before talking about the markets, let’s now talk about the middle of the road, where the vehicles are. There are two types of African roads. r oads in the day. An…
ATTA is following Singing Wells News
…representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa. It seems Nigel liked what I told him! Operations Manager…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…he day, Cieng Dwong, to travel to us from their village Alebtong. All well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters, from very big grasshoppers to fairly intimi…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…is professional, touring Kampala and other parts of Uganda, sponsored by NGO’s and typically campaigning for things like HIV Awareness, Cultural preservation, etc… Except for the fact they wear clothes under their animal skins, they work very hard to be as traditional as possible. The performers are picked from the top villages around the area. Their leader is Cwinyaai Atya, Richard. Their first song was Tambara, in the Osegu style. It is all abo…
A day in the field with Singing Wells News
…way we can always work out exactly where each audio file has been recorded and when. At the end of the day it is important to backup the files. Each night, back at our accommodation, we backup the audio and video data to multiple mobile hard disks so we can re-use the memory cards again the next day. After a debrief on the day’s activities, we run through the times for breakfast and departure on the next day of recording. An early night usually fo…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…en and their stories during and after the war, as they keep their families together through work dawn to dusk. Ker Kal Kwaro In complete contrast to our first band, the second and fourth band were all dance and percussion. First, Ker Kal Kwaro was a full dance band with amazing percussion, similar to some of the groups we met yesterday. The great thing about this band was its youth, with most of the dancers and percussionists under the age of 15….
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…All the time, the high rises of Kampala were in view but it felt like an altogether not very nice place. The harsh divide between wealth and poverty is alarmingly clear, and the architecture spells it out. Ultimately we all made it to super-market where we loaded up with money, mobile phone cards and other sundries and headed out. The William car stopped to pick up Akello, a lovely Ugandan singer/songwriter, who is joining the group as our Influen…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…s are most prominent, and, largely, string and wind instruments are played together: Distribution of all string instruments Distribution of all wind instruments What was most difficult about this field of research? Tati handled most of the primary research, and, naturally, this was difficult as information on the subject is fairly scarce and sometimes contradictory. However, the beauty of the map (as with search engines and onlin…
Northern Uganda: Day 0 – London to Entebbe Story
…, where we boarded our flight and left pretty much on time. Jimmy sat next to Andrew who lives in Kampala and married to a Uganda woman with whom he’s had a one year old son. He was passionate about West African music and did a paper on drumming in Ghana. So Vicki switched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all settled down to watch Ted before landing about 8 hours later in Entebbe. All bags…
Day 9: Ketebul Studios with Ben Kisinja Story
…speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Singing Wells musicians into the studio. Hunter and Jimmy will board our flight at about 11PM and with a 12 midnight wheels up, we will officially end the ‘fi…