Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandusbi (beads) and the men carried O…
Elgon Ngoma Troupe Group
…vantaged youths. Julius helps these students develop their natural talents to the next level, in the hope of finding work with their skills. He struggled through his teens with no support, but found his way gradually as a musical performer, working with the National Theatre and various troupes around Mbale. He was always extremely proud of his tribe, the Bagisu, and always wanted to do something musically building off his own culture. He also want…
Day Two: 8 March 2022 (Ilesi) Story
…the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long day, some of the Ketebul Music team decided to accompany our host, Jack Songwa, to unwind at a local pub, at the nearby Ilesi center. We returned to the Josephine Garden just in time for the last orders that evening. Profile: Obasie Palyang Band The Obasie Palnyang Band was founded by the…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…d by two men playing shakers) Muziki: A song to gain support of the people for the music and dance Muziki: Freestyle Muhongwa: another song from the circumcision ceremony, named after the instrument used (the wooden trough) Group 2: Nyati Muchoya (also spelt Mchoya): From Nzali, the group is from the Wagogo Tupu community and was formed in 1966 by the grandfathers of the current performers. Their instruments include: Nindo (jingles), Njuga (Sh…
Watmon Cultural Group Group
…d on the farm. He lived in Awedi until 1991, when he moved to Kampala, due to the rebel fighting. He started a small group of dancers, performing Acholi traditional dance which he had learnt when he was young, both from grandfather in his village and from watching dancers at village events. He went around his district in Kampala, telling people he would like to start a dance troupe, and was met with a positive reaction. Eventually he had people co…
Day One: February 16, 2020 (Ngawala Hotel) Story
…e style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if called out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The singers come from the Wagindo people, who came from Malawi to Zanzibar, probably through the slave trade. When the British stopped the slave trade t…
Lomut Traditional Dancers Group
…Music of the Kalenjin Kapenguria, Kenya Song translations – Lomut Traditional Dancers…
Recording, archiving and sharing the traditional music of East Africa Page
…sic heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new music…
Buganda Music Ensemble Group
…It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their neighbours is a witch. “Ssewaswa”: This is about twins Wasswa and Kato, and praising twins. “Anamwinganga”: This was a piece composed by Al…
Royal Entenga Drummers Group
…f the music forgotten. But in 2015 James discovered the sixty-something Musisi, possibly the last surviving drummer. Musisi was just a teenager at the time of attack and barely survived the night of the attack itself (more on this here). James met him and realised that together they could begin to build the drums. Working closely with Albert and Shaban, a professional drummer who now leads the new band, they built a new set of Royal Drums, recruit…
Mariene Traditional Dancers Group
…nger wears Murungi, an ornament on both sides of the arms which is worn by the initiator/circumciser; it signifies a man of respect and authority. Their costumes include Lesos, necklaces, face painting, spears, fly whisks, gourds, and head gear, called Nkoroimade out of cow skin, with Monkey hide. The women cover themselves with green head scarves. The group uses the Kibere (shaker), performed by Jeremiah M’Mbiwiriaft, and the Coro (the flute), pl…
Bigwala Cultural Group Group
…is Nabirye Irene. The group are from the village of Bukoona and travelled to the Gately on the Nile Hotel in Jinja for the recording session. The Bigwala is the name of the trumpets they play. Song Meanings “Muwe Bwobona Asaba”: When someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else. “Mwene Wamwenda”: When you love someone ev…
Tarajazz Group
…ibal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the group: Suleiman Makame (keyboard, direct…
Ayub Ogada Group
…form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, whic…
Page
…s and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global…
Unyago Group
…e style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if called out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The singers come from the Wagindo people, who came from Malawi to Zanzibar, probably through the slave trade. When the British stopped the slave trade t…