FAQ’s Page
…preserve the music traditions of East Africa and make this music relevant to the next generation of musicians and fans. Who works for the Singing Wells project? Our team is made up of audio and video engineers from both Ketebul Music and Abubilla Music. You can read about members of the team if you click here. Influences artists are professional musicians who collaborate with us on field and studio recordings. Click here to find out about these m…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandusbi (beads) and the men carried O…
Day Three: 9 March 2022 (Kisumu) Story
…a for Kisumu at 10:00am and made a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journey. Our location for recording that day was Dunga Hill Ca…
Day Two: 8 March 2022 (Ilesi) Story
…the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long day, some of the Ketebul Music team decided to accompany our host, Jack Songwa, to unwind at a local pub, at the nearby Ilesi center. We returned to the Josephine Garden just in time for the last orders that evening. Profile: Obasie Palyang Band The Obasie Palnyang Band was founded by the…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well! We recorded three performances: Tamasha la kumi: a song about ten principal rules on how to live a meaningful and productive life within society. Mapambano: a song against FGM and early girl child marriage. Vibibi Viwili: a warning song on alcohol and drug abuse. Group Four: Hiari Ya Moyo: This group was formed in 1957 b…
Elgon Ngoma Troupe Group
…vantaged youths. Julius helps these students develop their natural talents to the next level, in the hope of finding work with their skills. He struggled through his teens with no support, but found his way gradually as a musical performer, working with the National Theatre and various troupes around Mbale. He was always extremely proud of his tribe, the Bagisu, and always wanted to do something musically building off his own culture. He also want…
Imachina Group
…g bulls are not the ones preening around the village, but rather they keep to themselves until the fight. And then they win. The Shiselelo procession – this is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together for the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bri…
Watmon Cultural Group Group
…d on the farm. He lived in Awedi until 1991, when he moved to Kampala, due to the rebel fighting. He started a small group of dancers, performing Acholi traditional dance which he had learnt when he was young, both from grandfather in his village and from watching dancers at village events. He went around his district in Kampala, telling people he would like to start a dance troupe, and was met with a positive reaction. Eventually he had people co…
Aynu Traditional Group Group
…00 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly alliances with neighbouring chiefdoms to ensure their security against attacks from ot…
Recording, archiving and sharing the traditional music of East Africa Page
…sic heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new music…
Stories Page
…ork that we do at Singing Wells. Use the links below to delve into some of the stories behind the scenes of the field trips, our ongoing projects and some of the incredible people we have met. Music Read some of our articles and stories behind the Music of East Africa. Dive into musical genres, different instruments and the musicians keeping these traditions alive. Picture We manage to take some beautiful photos on our trip. Find out the stories b…
Ayub Ogada Group
…form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, whic…
Eridat Makwiri Group
…ep the food away from the lazy wife and the lazy wife would go complaining to the husband. The message in the song is to not wait for everything to be done for you. “Paulo Wawanyera”: This is someone’s name, meaning Paul, son of Wawanyera. Paul was a chief. He visited certain places and found they had made him party with lots of food and drink. He actually visited his brother in law who was jealous of him as a chief. So he decided to poison him. T…
Tarajazz Group
…ibal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the group: Suleiman Makame (keyboard, direct…
Buganda Music Ensemble Group
…It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their neighbours is a witch. “Ssewaswa”: This is about twins Wasswa and Kato, and praising twins. “Anamwinganga”: This was a piece composed by Al…
Day Five: January 22, 2019 Mwanza Continued Story
…drove eight hours to Sigiir. We woke and spend January 23rd driving onward to the New Dodoma Hotel. That evening we had a private meeting with Dr. Harrison G. Mwakyembe (MP), Minister, Ministry of Information, Culture, Arts and Sports, The United Republic of Tanzania. Dr. Harrison G. Mwakyembe (MP) We also met with Mizengo Kayanza Peter Pinda. He was the Prime Minister of the United Republic of Tanzania, from 2008-2015. He is now a Patron of th…