Day 6: Thursday, February 23rd, 2017 Story
…ting Magic Moment 3: Francis singing ‘Alelewani’ solo. Alelewani with full group Mikocheni Makongwe Malowe Magic Moment 4: Daudi Fernando Joseph plays the drums in style of Mzee Morris We then interviewed Daudi about Mzee Morris: “I met Mzee Morris when I was younger and saw him play. I loved his style from the first moment I heard it. I also listened to him on the Tanzania Broadcast Corporation, because his drums was used hourly to announce the…
Day 5: Wednesday, February 22nd, 2017 Story
…kuni Village to visit the Makonde tribe, to record the group Liwambwe. The Group Leader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. Here’s the set: In the dance they…
Day 4: Tuesday, February 21st, 2017 Story
…in the morning we return to the village Boma to collect musicians from the group Chibite, who we had recorded the day before. We love their energy and musicianship and wanted to record a fuller album. Three members were the same as yesterday: the brother/sister combo of Ndekwa and Ndahani and Ndahani’s daughter Grace. We then added Tabu and Estelle, two other sisters of Ndahani and Ndekwa. This was an album of two halves: we first recorded 5 songs…
Day 3: Monday, 2017 February 20th Story
…er brother, his sister Ndekwa and two daughters Grace and Leah. Here’s the group: The group is a family group, with all members related to Msafiri Zawose, a very famous Tanzanian singer. He plays in the Gogo style of music which relies on the Zeze (stringed instruments made from gourds) and Ilimba (a lamellophone, or modified thumb piano). We will spend a lot of time with Chibite over the next two days and meet many different family members. For t…
Day 2: Sunday, 2017 February 19th Story
…The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They played 12 songs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kusema kasi naogopa: I would like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utalinywa: If you mix it, you’ll drink it. Tueheze Zembwela (local dialect) Bonanza Nat…
Day 1: Saturday, 2017 February 18th Story
…nment. Because he was blind, he was invited to perform with specific women groups, of songs for women by women, of songs that no males could see. Every day we will tell more about Mzee Morris and his music (see picture below). We will also talk about his legacy and the attempts of his family and fans to keep his name and his music alive. Like all Singing Wells stories, this will be a celebration of music but also a shout of concern: are the great…
Our journey to the Royal Drums: in the words of James Isabirye Story
…mes Lugolole is helping train the new musicians and we now have 4 separate groups. Slowly, we think we are reviving this instrument. I felt we had a model that would work: find a surviving musician, assemble students, build new instruments, build new groups, find opportunities for them to perform. From my conversations with Singing Wells, we are now calling this the ‘Bigwala Model’, although that sounds a bit grand, and sounds like we had a perfec…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…at we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we wanted to end this field visit with his recordings. Part two: the flutes So, let’s close this chapter of Singing Wells with music and here we’ve come full circle. We are back with Albert Ssempeke. His father was one of the last royal flutists of the Buganda kingdom, and Albert has dedicated his life to rediscovering Buganda music through his Buganda Music…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…song-writing. Are all instruments the same? Here we are less sure. The xylophone is extraordinary and continues to thrive outside of palace life. Xylophones didn’t disappear in Uganda village life after the fall of the kingdoms in 1966 because they were part of village life. We don’t need to rediscover the xylophone and we are fairly sure it is not on the endangered list. Contemporary Ugandan musicians are incorporating the xylophone into contempo…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…w if you play the music the children will come. I know if you set up a xylophone in a village and play good music, the children will come. We can’t blame them for not liking the music – they don’t hear it. When they hear it, they come and dance. Kopoliano Kyobe Finally, we had a brief discussion with Kopliano Kyobe: “I was born in Ggavu on the main road. I learned to play the xylophone (Amadinda) as a young boy and they took me to the palace in 19…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…o the pentatonic scale and like the royal drums are often tuned to the xylophone. Our group had five trumpets: The Enhana: meaning ‘calf’ — this is the largest trumpet, lowest in pitch and the one tuned initially to the xylophone The Empala: meaning ‘leopard’ and tuned one tone up from the Enhana Endhasasi: meaning ‘the one in the middle’, or ‘the one that slices the group in half’, the cutter The Endeesi: meaning ‘the starter of the song’ Endumir…
Support for the Elgon Ngoma Troupe News
…gon Ngoma’s gofundme page here! And you can watch one of their brilliant performances, recorded on our 2014 field trip, here: https://www.youtube.com/watch?v=mkyDtBXfunI Watch Julius, the leader of the group, explain who the Elgon Ngoma troupe is, and their mission: https://www.youtube.com/watch?v=d5Wk0YnbByk&fbclid=IwAR27BBeDBEx-5jMqkKxFTL9vtS5NxBwun0psDF9hCNmfQe0PQodki2Cns3U…
The Entenga Drums: Part 1 Story
…cks much thicker than the Enga. These drums are tuned like the Ugandan xylophone, each with a different note, following the pentatonic scale. Within the set of 12 drums, the third drum from right, the third smallest, is the home note, the ‘1’ for any key. Initially, tuning requires endless adjustments of the ropes that tie down the drum skins. But on a minute by minute basis, the drummers are fine tuning through a combination of water on the skins…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…ople come on influences. We could have rehearsed performances and help the groups reach a far higher level of performance. And in every location, we could have recorded another 20 groups. It is all out there and it is all amazing but fading fast, and we are two teams in two cars chasing after it, trying to capture as much as we can. But as a Kenyan I am frightened that we are devoting so little to this. Where is the supply of talent to help us go…
The Return of Bigwala News
…er with Bigwala was when we captured a performance by the Bigwala Cultural Group in late 2013. https://www.youtube.com/watch?v=H2HnP36EVK4 The story of bigwala is a fascinating one, and quite unique in its association with the political history of the country. The gourd and musical style were for hundreds of years an integral part the kingdom of Busoga, and would be played at coronations and other royal ceremonies. When Prime Minister Milton Obote…
The History Of Benga Music: A Report by Ketebul Music Story
…recruitment of Nelson Ochieng’ Orwa two years later, Ogara transformed his group into a three-piece acoustic and vocal group. Ochieng’ Orwa was a young and extremely talented guitarist who would come to be known by the stage name of Ochieng’ Nelly. He must be distinguished from another accomplished performer bearing a similar name, Ochieng Nelly Mengo, who was one of the founders of the 1970s Victoria Kings Band. Other pioneers and contemporaries…