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Day 8: Ketebul Studios with the Otacho Young Stars Story

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…of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the Otacho Young Stars. Let’s remind you who they are – here are two clips: We focused our recording time on Mr Manager, their quite sincere thank you song to a factory manager that came to

Day 6: Recording the Tugen & back to Nairobi Story

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…at this recording business and have learned a lot. We have divided things into seven key roles, 3 on audio, 3 on video and one interviewer. All play secondary roles, the most important of which is our Influences artist who must be either a second assistant for audio or video. We have written a second blog on lessons – we felt it is important that if others want to launch a Singing Wells project of their own they benefit from our learning. The Sce…

Day 5: Recording the Marakwet Story

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…1,000 Kenyan runners train here and the roads are filled with athletes training for London 2012. In addition, over 300 foreigners train here, mostly from Europe. We went to the main training centre and interviewed a project manager about why so many people travel all this way to train on the red dirt roads around Iten. She answered: “First, the altitude (roughly 2300 meters) is perfect – right at the peak of natural altitude where you can still t…

Day 4: the Pokot Tribes Story

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…s. The songs were: Kinyakar, Kamatakar, Chepo Nandi, Kamitoi, Kaperwo, Chemining Tie, Chepo Chepkai, Kimnakiy Mitinge, Kisech. Click here to go to Song Translations Everything Else Everything else from today can be divided into three key events. First, we survived the drive. There were a few scary moments, the first being driving to the village for the shoot – straight up a very steep hill. This was not a hill for most humans and certainly wasn’t…

Day 3 continued – an interview with Steve Kivutia Story

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…bu because of his legendary status within Kenyan music. Tabu invited Steve into a meeting where he brought some songs he had worked on. Steve was still a big Hip Hop fan and loved R Kelley. He also liked Salif Keita, an afro-pop singer/songwriter from Mali, his only ‘African music’ influence. Steve’s first job at Ketebul was as an intern working with Jesse and Gabriel on the Spotlight on Kenyan Music series. His feature artist was Makedem who ‘ble…

Singing Wells – Origins News

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…mals have had their fill the herdsmen climb from their wells and disappear into the bush. The songs tell stories of Samburu traditions and help the herdsmen keep a steady rhythm while they lower and raise their buckets. These ‘singing wells’ illustrate the importance of traditional songs in the life of the Samburu tribes people. We think that Singing Wells is a very good name for our project which aims to preserve, celebrate and share the unique m…

Day 3: Kitale to Kapsokwony, Kenya Story

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…enjin style. Tabu describes this style as very traditional and the way of singing is very unique to the Sabaot clan of the Kalenjin. The guitar is called a burkandit, and is a homemade guitar somewhat resembling the Nyatiti of the Luo. He was joined by a percussionist who played the karachimek, which is essentially two sticks on the ground played by two sticks. Tabu first met Ben in 2007, when working on Spotlight on Kenya Music Vol.4. He sang a s…

Day 2: Nairobi to Kitale & an interview with Pato Story

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…sic and not good. I knew the second it started. I was so glad it started raining and we could get out of there.” [Editor note: we did not include this group in any Singing Wells materials.] So here is Pato’s favourite Singing Wells track – Jovah from the Mperwa Batwa community in Kisoro performing with Jesse on piano at the Ketebul Music studios This track is also on our album Best of Singing Wells 2011 Jovah – Ye Warararaye by singingwells We ask…

Day 1: In Nairobi, packing and talking to Tabu Story

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…s and naturally join in when others are singing. There isn’t any formal training in tribal music. It is mother to child.” Tabu goes on to describe the role of tribal music,” Their music is a ‘way of life’. They use music for communication, passing on information and entertainment. Music is always present when there is a birth, a death, a wedding or other ceremony. Each tribe will have unique stories to tell of their history, of war, of famine etc…

How to Map 3: Prepare Your Data News

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…anised and formatted so it’s worth sorting that out first. Import the data into ArcMap. Join the data to the country outline shapefile. Export the joined data and shapefile as a new shapefile. Display the data. Prepare the data To demonstrate I’ll be using some nonsense data about the number of unicorns in each county of Britain, but if you’ve been following along using a different country and your own data then carry on with that. If you want to

Victoria’s reflections on the music of the Batwa Story

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…part of the trip to take on that role; on Wednesday we changed the flights into my name and on Sunday I found myself on a plane to Nairobi to meet Jimmy and Andy who had flown out the day before. It’s midnight in Nairobi when I arrive at the Fairview Hotel – in torrential rain. Jimmy and Andy have been working in the Ketebul Studio all day and are ready to retire for the night. We say a quick hello and arrange to meet for breakfast at 7.00am. Tomo…

How to Map 2: The Map Outline News

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…saved is now: C:\How To Map\Country Outlines\UK. Getting your map outline into ArcMap Open ArcMap and select Cancel – you want to create a new map rather than opening an existing one. This will give you the completely blank ArcMap screen. Before we do anything else, we’re going to save our map. Like all your other GIS files it needs to be saved on the C: drive. It’s also a good idea to put it in a folder of its own because it will start to collec…

Return of the Batwa @ Ketebul Music Studios Story

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…dj Mbirikimu Mbarushimana – “Challenger” The magic bass player (beat boxes into a pot) with Tiny Moses. Great backing vocals as well. Mbirikimu Mbarushimana Gaudancia (and baby Stella) A wonderful singer from the group ‘Togetherness’ who we recorded in the empty (good news) refugee camp outside of Kisoro. She sang with each of the groups over the weekend. Gaudancia Kampire And here were the results of our efforts!   The Singing Wells Team 4 Decemb…

Day 3: Homa Bay and the Kochia Dancers Story

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…of opportunities to wash and you’ll notice a lot shots of us in the same Singing Wells t-shirt – but luckily not yet fish. Fish would turn their noses at us. Our set, below, with recording equipment set up under the bar and the dancers ready to do their stuff… The Kochia Dancers Today is all about dances, so our videos will be much better than still photographs. Let us introduce you to the dancers; here in full glory are the Kochia Dancers who da…