Day 8: Entebbe to Nairobi and Ketebul Studios Story
…had a chance to interview Tabu about the Uganda trip: Q: What did you want to get out of the trip?. A: In each of our trips I’m trying to focus on the one or two things the region is know for. In the coastal regions of Kenya, I wanted to make sure we recorded their shakers, the Kayamba (hand shaken idiophones with dried seeds inside), the Lungo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones). In the R…
Promotion of Batwa cultural music: UOBDU report March 2013 News
…r the last six month when the project started, UOBDU’s staff has been able to get some contribution on his salary plus office stationery as well as fuel for the community visits and facilitation for Batwa members. All these facilitations have been improving the morale of the staff and the Batwa. Challenges Although the Batwa have special talents and gifted by nature in developing songs and dances they lack technical support in order to package the…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…kum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watm…
Hannah interviews Evelyn Ojok – Acet, Northern Uganda News
…their story.. Tell me about your group: Ume Udoko Mit started to sing together before the war, but we had to stop during the war because most of us were moved to IDP camps where we had little time to rehearse together and the conditions were too bad. Now we sing and dance together all the time, we are only women (our style of ‘Apiri’ in Acholi is typically only performed by the women). Today the reason there was a man playing the drums is bec…
An Evening with Mserego Mwatela Group News
…et your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…g to a clapper board and keep recording through the whole take. We learned to get all the computer and cameras on the same time signature. We learned the roles of each camera (1 is stationary, full group, 2 is politely called fingers/feet and faces and 3 is context and overcoming the weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…second half of the day was, well, not so good. We needed to leave at 13:00 to get to Kampala before nightfall. No night driving is a Singing Wells rule given how scary the roads are. We actually left at 12:45 and got about 20 minutes outside of Soroti only to have a car breakdown. So we had to turn around and get back to Soriti for a quick welding (by a guy on the street in flip flops..). We didn’t leave Soroti until about 15:30, knowing we now fa…
How music archives can help communities News
…the north of the country for our latest field recording visit. It’s a good time to reflect on the importance and relevance a project such as Singing Wells. Why should we record and archive traditional music? Our objectives are not about archiving music for the sake of it. We do not see ourselves as ‘fossil collectors’, merely recording the music and dance performances of traditional groups and then archiving it in sound libraries where it…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…teed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying baskets of nuts and spices, water jugs, charcoal, thatched bundles, etc…. This, of course, gives them a ram rod straight posture, giving them a majectic air and a very practical crown. Before talking about the markets, let’s now talk about the middle of the road, where the vehicles are. There are two types of African roads. r oads in the day. An…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…e was a massive ‘thwump’ as the whole group jumped up and down at the same time to the beat. The combination of 15 drums and 15 dancers all thwumping was fantastic and the night added to the magic as the jumped in and out of the light. We followed the performances with some magic moments, first on ndara and then bul. To be frank, these weren’t as good as their parts during the songs. We often find this the case and it shouldn’t be surprising. Most…
ATTA is following Singing Wells News
…their website under the ‘ATTA Likes’ banner! Thank you ATTA – we will keep you posted on our travels in East Africa with news, photos and wonderful music! Victoria…
Reporting back on recording trip to Kisoro, SW Uganda News
…n Uganda today. The following week, we invited ten of the Batwa performers to the Ketebul Music studios in Nairobi to record more songs, and in particular, collaborate with contemporary music artists to generate new material for ‘Influences’ – a series of new songs influenced and inspired by traditional themes. Our aim is to provide a lasting benefit for the Batwa community in Uganda and we are doing this through our continuing relationship with U…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…d then usual and the 150 kids around us had a great time. We then took the time to solo each instrument given the quality of the musicians. The started with the Rigi Rigi, where Owach Tartizio sang Obimo. We then featured the Adungu, with Okumu Jolly playing Lwangni. And finally, we recorded the Ndara with Omiya Charles playing Mbeta. We loved these musicians the fun of the traditional dances. You got mad at the stubborn girl, you got scared when…
A day in the field with Singing Wells News
Just as we are about to embark our fifth field recording visit, this time to northern Uganda, Andy reflects on a typical day in the field as part of the Singing Wells team. Andy’s notes are also published in our new book ‘Singing Wells – The Story So Far’, newly available in hardback. Click here for more details. A typical field recording day A Singing Wells day in the field usually starts with an early breakfast after which the team assemble…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…en and their stories during and after the war, as they keep their families together through work dawn to dusk. Ker Kal Kwaro In complete contrast to our first band, the second and fourth band were all dance and percussion. First, Ker Kal Kwaro was a full dance band with amazing percussion, similar to some of the groups we met yesterday. The great thing about this band was its youth, with most of the dancers and percussionists under the age of 15….