Central Uganda: Day 5 – Jinja to Kampala Story
…he only festival since 2005. Many people are performing around the country today due to those festivals. The group is very literate in music and we had a clear vision from 1990 of what we wanted to do. We are not doing badly and have a comfortable life from the performances. Some musicians who didn’t even have a bicycle not have houses. We are showing you can have a musical career. We are growing our knowledge and getting better at representing th…
Interview: fusion band Ndoto Afrika News
…logy that they no longer are willing to sit by the evening fire and listen to stories. So we will have to transmit these stories to their iPhones and iPads in the form of music, the universal language. Where are you from? From Kenya, in the East of Africa. To be more specific, we hail from a small village in Siaya County where most of the renowned Luo musicians come from. Ever heard of Otieno Aloka (the famous Ohangla artist)? He is our next door…
Central Uganda: Day 4 – Jinja Story
…casional monkey. The staff has been warm and helpful and offered the hotel today as our recording studio. We have been able to set up the computers in the kitchen of one of our cottage rooms and have the groups either perform on our dining patio or our porch. We had three groups today and the drivers were sent out to round them up from the surrounding areas. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala,…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…aced – either has orphans or from severely disadvantaged homes. He started to go to University but found that gathering the funds for tuition each time extremely difficult. He had raised the funds for another semester and then asked himself, “Do I want another semester of education, with no promise I will be able to fund another, or can I take this money and start to make a difference?” So he took the money and invested in instruments for children…
Before They Pass Away News
…t to sustain the musical heritage of East Africa, we want to promote it in today’s world. With this in mind, we’ve been following the work of British photographer Jimmy Nelson with interest, who spent four years travelling to meet and photograph some of the world’s last surviving tribes. His book, Before They Pass Away, is a fascinating insight into these communities’ ways of life. Nelson’s breathtaking photographs capture how these last remaining…
Central Uganda: Day 2 – Kampala to Budaka Story
…, but then handed over to the second group to give a full performance. So, for story telling purposes, we’ll move the drum solo to later in the narrative and switch the first group to later. Are you following this? The Music Groups Busolwe Post Test Club Our first group to perform fully was the Busolwe Post Test Club, a reference to aids testing. What were really striking about this group were the beautiful vocal harmonies; this was some of the be…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…trying to set up (and stay standing up). We were here to record two groups today. The Kidinda Cultural Group Our first group was the Kidinda Cultural Group, which were 8 men who collectively played the Amadinda, a 22 key wooden xylophone. There total group size is 15. The musical style is Kadinda. The group lead is Waswa Hood and he started playing when he was 17. There were two other original members: Kiwuwa Buruhan and Sulayiman Sserubiri. The g…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are Jimmy Allen (Founder), sound engineer Andy Patterson and Vicki Denison, charity administrator and fundraiser. Our BA flight from London arr…
Who’s looking at you? Story
…This little fan joined us along Lake Victoria to record some of the best Nyatiti players in Kenya in November 2011….
Discussions on music and culture with a young Kenyan News
…music mix – they were popular! So not all hope is lost for young Kenyans? Look, we aspire to a western life and we enjoy western music, but we have our own way of speaking in Kenya, our own slang – our own twist. There’s still some authenticity but it’s about mixes and making the most of these influences. We can’t go backwards but you could try and ensure that going forwards all is not lost for traditional music. How do you think Singing Wells co…
Meeting Ketebul: an interview with Tabu News
…n’t get these artists out into the market very well at the moment. We need to look for a platform to promote our stuff, whether it’s online, digital radio, TV – we need to make the music more accessible to all. Why is Singing Wells important? Singing Wells is important because we’re trying to capture our East African heritage. Many of the musicians we record from remote tribes are old and we run the risk of the traditional music in Kenya dying out…
Our top 5 Singing Wells songs for March News
…ya in December 2011. They were later invited to Ketebul Studios in Nairobi to form part of our influences series. I love this song because it’s cheery and upbeat. It’s the kind of song everyone should listen to when they wake up to start the day with positive vibes. 2. Ochieng Nelly – Osare I’ll admit, a few weeks ago I knew very little about the history of Benga. But the more I’ve found out, the more meaningful this song is. Ochieng was one of th…
Ten More Singing Wells Stories News
I had a chance to meet with a good friend yesterday to talk about Singing Wells. As usual, I just couldn’t help telling stories. And I told her the one sad fact of Singing Wells – we have at least 250 stories, one for every video of a performance, and yet we are miserable at getting these stories out to folks. But we will keep trying… Here’s a few of the 250 stories – pull up a chair: The Batwa: Providing a Soundtrack to the Costs of ‘Simple Solu…
The story of Anyim Lac Story
…rved to protect the recording equipment but was also the ideal viewing platform for the younger members of the audience. We recorded four music groups that day, starting with the Rubanga Kingom Awach Boys, champions of the likembe. Two further groups, Kal Ker Kware and Waroco Tewkaro, gave us loud and very energetic performances featuring the pulsating rhythms of the bul (drums) and agwara (calabash drum) and some highly charged dancing. But sandw…
Current Leading Figures News
…s the project coordinator of the Retracing Series, documentaries which aim to to research, archive and document the musical culture of Kenya, the latest of which ‘Retracing Kenya’s Songs of Protest — Music as a Force for change in Kenya 1963-2013’, was released recently. His extensive background of involvement in the East African music industry can be found on his About Page at Ketebul Music and his thoughts on some of the central issues surroundi…
Amone Watmon Matthew Story
…eat of the equatorial sun and then invited the Watmon Cultural Group to perform for us. Their performance was exactly that – the group of dancers and musicians playing the calabash walked in from the right hand side of our ‘stage’ dancing and singing. We recorded two tracks in this lineup. He then began to perform on a stringed instrument, while singing along, in close rhythm with another player and a third playing simple percussion on a calabash….