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Music of the Batwa: video playlist News

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In November 2011 the Singing Wells team travelled to Kisoro in SW Uganda to record the music of the Batwa, a marginalised group whose music and dance tells the story of their history, culture and the problems they face today. To read the daily field reports from this trip, click here. Video playlist   The trip was facilitated by the generous support of donors to our charity the Abubilla Music Foundation, including a grant from the Institute of In…

The origins of Singing Wells Story

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…ough a series of e-mails that travelled the world, Tabu and I were brought together by Joyce Nyairo, then of the Ford Foundation, East Africa office. After several long e-mail exchanges and a few Skype calls, we agreed to start the Singing Wells project. We both knew we wanted to do something to preserve the music but it took us a while to define exactly what to do. Finally there was a eureka moment – the best thing we could do was to go the music…

Hannah interviews Sabina – Acet, Northern Uganda News

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…, it is never for just entertainment. Our first song, ‘Welo Obino’ is sung to welcome visitors, a celebration for new comers in the village. That is why we sang it for you first. We then sang ‘Dug Gang’ which is to celebrate the end of war, to call the people over to tell them we are in peace. ‘Alocaloca’ was our final song: it is all about change. It is mainly sung to mark the end of a dispute or a war. These songs now mean more to us as the hard…

Returning to Uganda in Autumn 2013 Story

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…Nilotic to the Bantu: We are very excited to confirm that we are returning to Uganda to continue tribal recording in the Autumn 2013. We’ve had extraordinary trips to Kisoro to record the Batwa and Northern Uganda to record the Nilotic tribes (Alur, Acholi, Iteso, Langi and Lugbara). For this upcoming trip we will focus on Central and Eastern Uganda which is home of the Bantu tribes (the Baganda, the Basoga, the Bagisu and the Banyoro to mention a…

‘Missing’ – Singing Wells fundraising song for 2013 News

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…March 2013 saw the release of an original track from Abubilla Music, re-mixed for the Influences series. The song is called (The only thing that’s) Missing and it was first recorded for the Abubilla Music album Misery Marmalade and other Spanish Jams. Here is the video of the new ‘Influences’ version, featuring musicians from Kenya, Uganda and the UK collaborating in this a unique song to celebrate and support Singing Wells….

Meet our ‘Influences’ artists News

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…African contemporary and urban music in languages like Acholi (her mother tongue), luganda, abit of Kiswahili and English, among other languages. Akello started her musical journey as a young girl in her junior school leading in school musicals. Later on at 13 years she began participating in church, where she sang during conferences, believers’ gatherings and conventions. As her passion for music grew, she has later shared stages with such great…

Akello sings ‘Influences’ songs for Singing Wells News

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…nd urban music performer who sings in most popular languages like Acholi, Luganda, Swahili and English..After years of working with a few of Uganda’s leading contemporary and world music greats such as Kaweesa, Susan Kerunen, Myko Ouma, Tshila and Kinobe Herbert..she is indeed a rare talent with a rich textured organic voice. Akello begins a new journey of performing her own music compositions that she chooses to call “Hybrid” a simple cross betwe…

Day 8: Entebbe to Nairobi and Ketebul Studios Story

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…had a chance to interview Tabu about the Uganda trip: Q: What did you want to get out of the trip?. A: In each of our trips I’m trying to focus on the one or two things the region is know for. In the coastal regions of Kenya, I wanted to make sure we recorded their shakers, the Kayamba (hand shaken idiophones with dried seeds inside), the Lungo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones). In the R…

Promotion of Batwa cultural music: UOBDU report March 2013 News

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…knowledge on culture and pass on the knowledge to the young ones in order to promote and preserve the Batwa culture which includes music and dance.   KANYABUKUNGU group As the Batwa group that benefited from the Singing Wells visit, the group is improving very fast in terms of cultural performance and savings as a community. The group is active, committed and promising because they have made savings which has accumulated to UGX 80,000/= from the…

Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story

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…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…

Hannah interviews Evelyn Ojok – Acet, Northern Uganda News

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…their story..     Tell me about your group: Ume Udoko Mit started to sing together before the war, but we had to stop during the war because most of us were moved to IDP camps where we had little time to rehearse together and the conditions were too bad. Now we sing and dance together all the time, we are only women (our style of ‘Apiri’ in Acholi is typically only performed by the women). Today the reason there was a man playing the drums is bec…

Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…ion caused by the war. The name translates tohow much is left’ referring to how the war hasn’t taken everything in the North, they still have happiness. The next song was called ‘Yom Chunya‘ is of a similar style, and it means ‘my heart is happy’. They then sang a song in part English and part Swahili, called ‘Pearl of Africa‘. This was actually written by Jimmy Adokwun around five years ago, but it uses traditional styles to convey their messag…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…g to a clapper board and keep recording through the whole take. We learned to get all the computer and cameras on the same time signature. We learned the roles of each camera (1 is stationary, full group, 2 is politely called fingers/feet and faces and 3 is context and overcoming the weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still…

An Evening with Mserego Mwatela Group News

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…Massai and his grandson, Ali Tungwa :   Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and…