Northern Uganda: Day 0 – London to Entebbe Story
…c and did a paper on drumming in Ghana. So Vicki switched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all settled down to watch Ted before landing about 8 hours later in Entebbe. All bags were gratefully recovered and we took a taxi for an 8 minute journey to the Airport Guesthouse Entebbe, where we were greeted by our old friends, Jan Willem Van De Kamp (the owner of this hotel and the Travelers Rest…
Day 9: Ketebul Studios with Ben Kisinja Story
…rs stayed the morning as well. We had a full crew to support Ben – Johnnie and Bishop on guitar, Nina and Winyo on vocals. Watch this space. We also continued our work to capture new artists for Missing – Global Remix, our 2012 fund raising song. We had Prasad Velankar, a wonderful Indian percussionist join us to put on new percussion. He plays the Tabla at the speed of light and transformed the song. He was so good, we decided to put together a m…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…d to bring them back to the Nairobi studio. That led to 10 Batwa musicians and 5 Batwa babies travelling from Kisoro to Kampala to Nairobi and recording some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the…
Day 6: Recording the Tugen & back to Nairobi Story
…ollection of women from little villages scattered around the Kabarnet area and they want to promote good values of culture and education. They were all dressed in brown, almost terracotta, outfits looking like the red clay we love so much. They make all their own costumes and sew on all their own beadwork. They wear a belt of 5 rows of cowry shells sewn on, symbolising peace. When a woman lays it down on the ground it means a ceasefire (see Kathy’…
Day 5: Recording the Marakwet Story
…ravelled.’ We left Iten on a red, dirt road. The athletes ran on the sides and our car and jeep travelled in the middle. While the countryside was beautiful, the roads left a bit to be desired and we bumped and jostled for about 80 kms. The land is tilled now, waiting for a new planting season, so we are surrounded by red. The red roads, the red tilled soil on either side, the red dust filling our eyes and lungs as cars pass us. We have the opport…
Day 4: the Pokot Tribes Story
…g her arms to the beat. Then she would begin to sing, and then she would stand and sway, and then she would begin to dance around and gradually would join the band. She simply couldn’t help herself. That is the power of music. We will try to put together a video clip of her best moments. Lomuke Group We recorded 9 songs: Anya Kar, Chepo Laleiyo, Kirap, Kiter, Kiyuar, Asoiyen, Adong’o and Montonyo. The women were dressed in white, carrying sticks a…
Day 3 continued – an interview with Steve Kivutia Story
…nt we had to abandon the day, leaving a separate village and two groups stranded and wet. As we write this we are working out how to see them this week. Chelagat Lebo – ‘Chela’ Finally, we have been joined by Chela. She’s amazing and was there taking down the tent during the deluge. It should be noted that most of the Singing Wells crew were in the vans by this time. Chela is a professional documentary maker and Kathy interviewed her in detail. Th…
Day 3: Kitale to Kapsokwony, Kenya Story
…aking the Kalenjin love of cattle to a new level. 50 Cows is a local journalist and student at United States International University (USIU). The Music Groups Ben Kisinja First up for recording was Ben Kisinja, a wonderful guitarist in the typical Kalenjin style. Tabu describes this style as very traditional and the way of singing is very unique to the Sabaot clan of the Kalenjin. The guitar is called a burkandit, and is a homemade guitar somewhat…
Day 2: Nairobi to Kitale & an interview with Pato Story
…. They all love the music I bring home – it is so different from what they listen to and so much like ‘home.’ In Kenya, no matter where you live, your village is always ‘home.’ I was never raised there, but it is where I will retire. And the focus of Singing Wells is village music. It is about home. And my friends love that.” We asked Pato his favourite Singing Wells moment and he said it was Jovah singing Ye Warararaye with Jessie at the studio l…
Day 1: In Nairobi, packing and talking to Tabu Story
…with Singing Wells. “I didn’t really know what to expect of the Batwa of Uganda, and was blown away by the musicianship. I expect to be surprised again!” The last time he was there was about 20 years ago. He thinks the music will be similar to music he has heard in Northern Kenya. He says he is always surprised by the quality of the voices and harmonies. “It’s as if they’ve been professionally trained.” The tribes are generally pastoralists so tra…
Victoria’s reflections on the music of the Batwa Story
…o my name and on Sunday I found myself on a plane to Nairobi to meet Jimmy and Andy who had flown out the day before. It’s midnight in Nairobi when I arrive at the Fairview Hotel – in torrential rain. Jimmy and Andy have been working in the Ketebul Studio all day and are ready to retire for the night. We say a quick hello and arrange to meet for breakfast at 7.00am. Tomorrow we are off to Uganda. MONDAY Tabu, Ketebul Music’s founder, arrives at th…
Return of the Batwa @ Ketebul Music Studios Story
…arrived in Nairobi in the afternoon of the second. ‘They’ were five ladies and five babies and three men, plus Henry. 14 people drove for roughly 48 hours to sing. Second, let’s introduce the team. Each of the ladies brought their baby with them so they also get a mention! Francis Sembagare We met Francis the first day of recording on the hill tops near Kisoro. He played kid golf during his live performances, gently knocking the kids from the ‘sta…
Day 4: Discovery of the Young Stars… Story
…ing three very different groups: the Otacho Young Stars, The Kanindi Jazz Band and Jose Kokeyo himself. The Music Groups The Otacho Young Stars The first group were four young men, playing in the Orutu style. First, let’s introduce them: from left to right, they were playing the Sanduku (Luo: Nyangile, which literally means ‘box’) Orutu, the metal ring (Kengele in Swahili and Ongeng’ in Luo) and a very happy backing vocalist (who also played the N…
Day 3: Homa Bay and the Kochia Dancers Story
…n full dance: One of the dancers plays the Tung’, the Luo horn: Note how beautiful the long head-dress is. After the dancing, we completed an influences session with Winyo and Jesse on guitar: And that concluded the afternoon with the Kochia Dancers. The Singing Well Team 30 November 2011…
Day 2: Focus on the Nyatiti, Orutu and DRUMS! Story
…. We can’t help ourselves: Left to Right: Steve, Winyo (with Bone Guitar), Andy and Tabu. After this shameless tourist stop we head out towards Siaya. We’re still roughly 1 PM on the Lake Victoria clock, 90 minutes NW from Kisumu, but on a slightly different road than Rang’ala. We’re here to focus on the Nyatiti, the core Luo instrument – as played by the best players it is a bass, drum and rhythm guitar combined. And we saw some of the best playe…
Day 1: The music of the Luo – starting at Rang’ala Village Story
…rt at the end, recording Osumba Rateng’s band, the Sega Sega Band: 5-6 vocalists and a couple of guitarists. https://youtu.be/pp_O-MYVbjg https://youtu.be/BUttehOfnKk https://youtu.be/-uRDY4G3_mo https://youtu.be/Z8N3nkdSB5g The Dodo Group Featuring Ogoya Nengo. The group sings in the Do Do style. Ogoya has exremely strong vocals and there are four ‘shaker’ players and amazing drummer and a set of dancers. https://youtu.be/k3vA-sSgurw https://…