Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…at we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we wanted to end this field visit with his recordings Part one: reflections We are sitting on the grounds of the Kampala Museum, surrounded by examples of grass huts from the various regions of Uganda. These are empty, display houses, not homes – put up to give visitors a sense of a rapidly dying village culture. They are beautiful because they reflect the or…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…of the boys had a mother that was close by: she was at Kyaliwajjala. So a group of the young boys all decided to go with him to his mother, and we all climbed in a bus to travel to his house. There was an older man on the bus who knew the village. When he climbed on the bus, he knew Kizito (the boy who’s mum we were visiting and Musisi’s half-brother, shared mother). The gentlemen said that when we reached the village he would bike ahead and tell…
Support for the Elgon Ngoma Troupe News
…gon Ngoma’s gofundme page here! And you can watch one of their brilliant performances, recorded on our 2014 field trip, here: https://www.youtube.com/watch?v=mkyDtBXfunI Watch Julius, the leader of the group, explain who the Elgon Ngoma troupe is, and their mission: https://www.youtube.com/watch?v=d5Wk0YnbByk&fbclid=IwAR27BBeDBEx-5jMqkKxFTL9vtS5NxBwun0psDF9hCNmfQe0PQodki2Cns3U…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…meaning ‘the starter of the song’ Endumirizi: meaning ‘the loudest of the group’ The drums This group had five drums and they were: The Engoma’nene: the big drum The Enduumi: the middle drum The Ngiringidi: the smaller drum, so named because the name sounds like the drumbeat The Engaabe: the long drum with a lizard-skin playing surface The Endyaanga Namaganda: the short drum with a lizard-skin playing surface, and the bass drum The xylophone Here…
The Return of Bigwala News
…er with Bigwala was when we captured a performance by the Bigwala Cultural Group in late 2013. https://www.youtube.com/watch?v=H2HnP36EVK4 The story of bigwala is a fascinating one, and quite unique in its association with the political history of the country. The gourd and musical style were for hundreds of years an integral part the kingdom of Busoga, and would be played at coronations and other royal ceremonies. When Prime Minister Milton Obote…
The Entenga Drums: Part 1 Story
…ave Shaban as our Omukoonezi, a life-long professional drummer who led the group. He also admitted that learning the Entenga was the hardest drumming role he’s ever had. To the left of the ‘starter’, is the OMUNAZI, who plays the 9th, 8th, 7th, 6th and sometimes 5th. And yes, you’ve now noticed. The drummers overlap, playing the drums of others depending on the song. The Omunazi plays the bass lines of the song. Between the Omukoonezi and Omunazi,…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…ople come on influences. We could have rehearsed performances and help the groups reach a far higher level of performance. And in every location, we could have recorded another 20 groups. It is all out there and it is all amazing but fading fast, and we are two teams in two cars chasing after it, trying to capture as much as we can. But as a Kenyan I am frightened that we are devoting so little to this. Where is the supply of talent to help us go…
The History Of Benga Music: A Report by Ketebul Music Story
…ho were interviewed claim the word originated from the Congo. In the 50s a number of Luo people travelled to that vast country for work and adventure and came back home with the term. Other players and enthusiasts maintain that the term is derived from a Luo word, arguing that, in the Dholuo language, describing something as “obeng’ore,” for instance, implies it is in a state of looseness, lacks rigidity or seriousness. They advance that in music,…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…ogether to record some of the most important ‘bridge’ artists in Kenya – a group of musicians that build a connection between the music of their villages and modern music. These were the founders of Benga, the African Twist, ‘Luhya Omutibo’ and the ‘Yoodle sound’ and represent the Luo, Luhya and Kikuyu ethnic communities. We dedicated six days of studio time at Ketebul Music to record a set of legendary musical artists – all of them in their late…
Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story
…word ‘original’ to their name. They are Ameru, of Tharakanithi County. The group plays on all occasions, during harvests, births, weddings, marriages. The play the Mwinjira (Drums) and Biringi (Whistle). This was a tricky set to record because they are such vibrant performers, racing all over the place. When we tried to contain them to get good vocals, we lost the explosive force of the drums. When we let them run wild it was pretty difficult to g…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…en valley below. Here’s our route: Irimbene Cultural Dancers and Self Help Group This group formed in 2000 with 21 young men. They are led by Edward Kiogura. This is Authi style, they are Ameru from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, is performed by John Mwiti. The group was in beaut…
Entenga: Performing twice for the king of Buganda News
…ntemyo, John Ssempeke played the Nakawombe and the younger boys played the rest of the drums. This is a wonderful story for the Entenga players, and it is really encouraging to know that the king continues to support the group so new musicians can thrive. Update: The Entenga players have since performed again in front of the king at the opening ceremony of the 25th Buganda parliamentary session. https://youtu.be/m3FW0jzyh-c?t=3m33s …
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…ed away. We recorded four groups. The Music Groups Gacharaigu Gitiro Women Group The group is led by Fidelia Nyambura Mwangi. They are from Munuga Village, Munuga sub location, Muguru Ward, Muguru Division, Kamgema District and was formed in 2006 and dedicated to self-help. Their style is Ndumo, an old women’s dance purely for entertainment and preservation of culture. For all their songs, the ladies used the Kigamba (leg shakers). The group playe…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…stle). The final group also introduced us to the Kilumi (drums). The Music Groups Twone Mbee The group is led by Christine Kisove, using the Itheke dance styles (Mwen-yenyo, Mutundo). The group is part of the Kamba ethnic community (Ukama wa Kitui), from the village of Kiongwe, Ngungi Sub-Location, Thua Location, Nzambani District. They performed three songs: Asyai: they use the Ileve (Tin Shaker) and Vilingi (Whistle). David Kithome performed wit…
A Tanzanian Effort to Salvage the Music of the Past News
A few years ago we learned about a group in Tanzania who, like Singing Wells, is working to preserve traditional music, but for them the act of preservation is quite literal – the Tanzania Heritage Project is scrambling to digitise reams of reel-to-reel tape recorded between the 1960s and 1980s, which has been literally rotting for decades in the moulding archives of the Tanzanian Broadcasting Corporation. Some has already deteriorated to the poi…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…joined the two of them with guitar and backing vocals. Here’s their music: Group 3: The Entebbe Airport Guesthouse Ensemble Okay, we’ll work on the name. But this is our first super group. The Crosby, Stills, Nash and Young of East Africa. We had Passy, Jacinta, Maita, James (our musical leader in Uganda and co-founder of Nile Beat Artists) and Jovah, the wonderful female singer we first listened to in Kisoro and then again in Nairobi. We will tal…