Day One: January 18, 2019. Assemble in Tanzania Story
…deo team simply follows the group around as they dance and sing. This provides a much more free feel, although it does mean we can miss part of the performance, so we always try to do two versions of the song. Magic Moment: For many songs, we find there is a moment of amazing percussion, or dance, or other instruments that we want to isolate and record, even if only for a minute. So we will ask the group to re-do one section of the song and someti…
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…our Music Map work properly, so you can enjoy the music of the Cookies are also responsible for making sure that you don’t have to view the ‘Splash Screen’ each time you come to the site – thanks to cookies you only see it the first time. Opt-in It is possible to configure your web browser to either accept or reject cookies from a website. If your browser is set to accept cookies, and you continue to visit our site, then we will take this as you…
Day Zero: 6 March 2022 – Travel To Stream Story
…s. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audiences wherever they may be. With the prevailing si…
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…, to their villages, to their ethnic communities. They are united in their desires to keep their music alive and relevant, echoing older generations, speaking to new generations. And, of course, they just loving making great music. We are privileged to have helped share songs and stories with millions of people across the globe, and we hope to continue on for the next 10 years so that this music continues to inspire new artists and new audiences….
Day Four: 10 March 2022 (Rongo) Story
…to Rongo using the newly re-carpeted Katito-Kendu Bay road. We reached our destination in no time, given the vastly improved road network in the region. Along the way, we passed through Rodi Kopany, a small center with an interesting historical background. The name Rodi Kopany was derived from the words ‘Road Company’ because back in the day a campsite for the laborers building the tarmac roads in the region was located there. It would appear the…
Global Influences Project: Artist Submissions Page
…ase of Watmon Cultural Group loop for example, the plucked instrument provides both melodic and a groove to the track.I used that as a starting point and built everything else around it.I used the Otacho Young Stars Shoe Shine Box loop to add some movement to the drums and arpeggio and I was really happy with how the rest of the elements came together in this piece.” To hear more work from Ng’at Maler, you can follow him at @ngatmaler MAKOSSIRI X…
Ketebul Music presents Shades of Benga Online News
…iends Ketebul Music have just launched Episode 2 of their online series Shades of Benga Online, to go alongside their book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban R…
Meeting Ketebul: an interview with Tabu News
…of made up of some seriously hip outlets. The main purpose of my trip, besides hanging out with the team and trying to absorb some of their street cred, was to chat to the main man: Mr Tabu Osusa. Sitting across from me in his office in his bright yellow patterned t-shirt and flat cap he looked laid back as he sipped his cool beverage. His easy smile broke every time I said something that amused him. Here’s our interview: Who are the most exciting…
Music Depositories and Archives around the World News
…funding had dried up. His son, Andrew Tracey, took over as Director and Rhodes University, in the East Cape province of South Africa, agreed to host the ILAM. Its aims are ‘to discover, record, analyze, and archive the music of sub-Saharan Africa, with the object of establishing a theory of music making in Africa and assessing the social, cultural, and artistic values of African music’ and, as it is owned, with the exception of the instrument coll…
Archiving Guidelines News
…and Preservation of Digital Audio Objects (IASA-TC 04) – in 2009, which is described as ‘an accepted authority on digital audio preservation in the sound archiving field.’ It is informed by their other publication, ‘The Safeguarding of the Audio Heritage: Ethics, Principles and Preservation Strategy’ (IASA-TC 03). When researching guidelines for the online archiving of sound, the term metadata is often mentioned and this is the largest part of the…
A History of Recording East African Music News
…mprehend, that traditional African music – with its complexity of rhythms, flair for storytelling and historical richness – was worth preserving. Hugh Tracey 1903 – 1977 Arriving in Rhodesia – now Zimbabwe – in 1921 with his brother, who had been awarded land after his efforts in World War 1, the young man of only 18 years old had the foresight of a wise elder. He was surrounded by disdain for African culture from the Christian missionaries, who f…
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…mp clear out of his clothes… Who could resist such an offer?” Tracey concludes. The charm of the spoken introductions is they make each record like a radio show with real educational value.“ So, thank goodness for the internet, because here’s the song: It was recorded by the Kipsigi people of Kenya, the largest sub-groups of the Kalenjin, and was inspired by a Jimmie Rodgers record left behind in their village by missionaries. We recorded the Ka…
Report from Womex 2013 News
…institute in South Africa. The board of directors of Music in Africa includes our good friend and project advisor to the Singing Wells Bill Odidi. The project is to provide an online portal for African musicians to showcase their work, and it looks great. Hopefully we can help the project and work together in some way in the future. Showcases Visited Mike and I were present at the opening concert – curated by Cerys Matthews at the fantastic Wal…
The origins of Singing Wells Story
…generations dancing together in their village. Andy Patterson, who helped design the mobile studio, noted, ‘I’m a sound engineer and used to recording in professional studios, but I must say, my favourite studios are the ones we create in these villages where even the chickens that wander on to the set add hugely to the essence of the recording.’ So, we piloted the project on Kenya’s Coastal Region around Malindi and Mombasa and have now travelle…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…y on building the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself which you can access easily on our website too, in a few steps, ‘Housekeeping’, ‘The Map Outline’, ‘Prepare Your Data’. I met with Rosie to talk about her experience using the map for the benefit of Singing Wells. How did you discover the mapping software? I am currently reading medicine at UCL, but during my gap year I spend time doing w…
Day 4: the Pokot Tribes Story
…lip of her best moments. Lomuke Group We recorded 9 songs: Anya Kar, Chepo Laleiyo, Kirap, Kiter, Kiyuar, Asoiyen, Adong’o and Montonyo. The women were dressed in white, carrying sticks and the men carried spears and their portable chairs/sleeping pillows. Kalomoywa We recorded 8 songs with them and a magic moment of wonderful chorus. The songs were: Kinyakar, Kamatakar, Chepo Nandi, Kamitoi, Kaperwo, Chemining Tie, Chepo Chepkai, Kimnakiy Mitinge…