Recording Resources Page
…gside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are pa…
Day Three: 9 March 2022 (Kisumu) Story
…k almost an hour for the two to figure out Akwabi’s unorthodox, expressive free style for most of his songs before the actual recording began at 2:00pm. After a few false starts we finished the recordings of Peter Akwabi at 4:00 PM with his latest song which is a tribute to D.O. Misiani, the maestro of benga music who died in the lakeside city in May 2006. Next on stage was Olith Ratego, a musician whose unique dodo style is one of the oldest form…
FAQ’s Page
…To find talented and inspirational musicians and groups we rely on local fixers and musicians who spend a great deal of time researching before our visit. They make sure that everyone locally knows what Singing Wells is about and why we are there. Do you pay the musicians you record? Of course – we believe that musicians should be paid for their time performing for us. We pay a recording gratuity on the day of the recording. This amount varies ba…
Ayub Ogada Group
…he clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and playing in a foreign setting (notably in Europe). He said: “When I’m home, I’m free, I don’t care about my tuning…When I’m playing in Europe, now the violin wants to come in, the guitar wants to come in, so now I need tuning.” In any case, both his tunings and his finger plucking techniques are very much dif…
Day 5 – Wednesday 5th July 2017 Story
…he clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and playing in a foreign setting (notably in Europe). He said: “When I’m home, I’m free, I don’t care about my tuning…When I’m playing in Europe, now the violin wants to come in, the guitar wants to come in, so now I need tuning.” In any case, both his tunings and his finger plucking techniques are very much dif…
Day One: January 18, 2019. Assemble in Tanzania Story
…ording session, we will also capture alternative takes; these are called: ‘Freestyle’: We work hard to give our groups the space and freedom to sing and dance as they would during a village performance, but there are constraints. Typically we want the group to be seen by our wide camera and many of the musicians have an attached microphone. While generally this isn’t a problem, there are times when the group is constrained. So, we often do another…
Page
…ums of Buganda with James Isabirye below: Tabu Osusa William Osusa, who is better known in the music circles as Tabu Osusa, is a key part of the East African music industry. A Kenyan native, he is the founding Executive Director of Ketebul Music and for the last 30 years has been involved in the music industry as a promoter, producer, composer and band manager. He has been actively involved in shaping the careers and running some of the top record…
Support Singing Wells Page
…ica, funding the recording sessions in the field. There may be as many as six different music groups performing on one day and your donation will mean that every music group is able to perform and their songs and dance will be recorded by our field team. Funds will be used to provide for two field-recording engineers from Ketebul Music, a non profit organisation in Nairobi and our project partners. Your donation will also provide for gratuity paym…
The Revival of the Entongooli Page
…these youngsters have managed to gain music scholarships so they can get a free education at their local schools. This project is not only providing a future for this instrument, but for the young people involved. Aside from this, Mr Mukadisi has a personal connection to this cross-generational project. His father was a builder of the Entongooli, and didn’t teach all the skills he needed to learn to play. In fact, none of the great players passed…
Martin Fredrick Muyeshi Staff Profile
…ry, specifically the episode “Death in Ten Minutes” as a cameraman. In his free time he was freelancing as a music photojournalist/cameraman to gain more experience. He also joined Royal Media Services’ Citizen TV where he worked on the TV programmes Tabasamu, Nairobi Law andMashtakaas a Director of Photography and a Lighting technician. He later joined Ketebul Studio, where he went on to work on several studio projects, among them the studio’…
Our Sponsors Page
…heir continued support in the Singing Wells project. You can sign up for a free Soundcloud account which will give you the ability to comment on our recordings. To find out more about Soundcloud, go to: http://www.soundcloud.com Nebulo Strata Type of sponsorship: discounted services Nebulo Strata have been on board from the start of The Singing Wells project, helping to design and put into practice our ideas for our website. Our website is the m…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…trip giving three reasons: They are on the endangered list. 15 drums and six musicians is a big expensive ensemble and most villages will have never heard these drums or their performances. Without intervention, they will die. They are unique and extraordinary: if you lose these drums, you lose the peak of Ugandan drumming. No one else is performing the complex tapestries of the Entenga drums, which mirror the xylophones, which are written for si…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…Video 1’s location. This is a balance. We want to give the groups complete freedom to perform as they would normally do, without our intervention. But we also need a good recording – and too often the groups will stray far off camera and far away from the mics. Or, as often can happen, the leader will plant him or herself directly in front of Video 1, meaning we don’t get a take of the groups. Finally, we use lapel mics on the lead singers so ther…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…great to see our old friends at the hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are J…
Music Depositories and Archives around the World News
…e Presented by Lucy Duran, the World Routes programme on BBC Radio 3 is a mixture of interviews with top performers, live concerts, a monthly CD round-up, and special location features. For 13 years the programme has been exploring the globe and making on site recordings of world music, whilst also giving some background on the culture and history of the recording. From East Africa, they have a 60 minute episode on Kenya – you can listen to record…
Report from Womex 2013 News
…with the program. One interesting idea was when they held a Google hangout between guest Moby and a few of his friends and live streamed the result on YouTube – something I am keen to try in the future. The Evolving Markets discussion looked at both the African and Indian markets and how the markets are evolving. India was a particular suprise here – in a population of 1.2 billion, 50 % are under 30 and consuming music. In Africa – 60% have elec…