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…ge and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the Ford Foundation Office of Eastern Africa, the Retracing Series is a research based documentary project whose main objective is to research, archive and document the musical culture of Kenya. Tabu is the East Africa Project Co-ordinator for Singing Wells. His extensive knowledge of the East African music industry is…
Day Four: 10 March 2022 (Rongo) Story
…smooth drive all the way from Kisumu to Rongo using the newly re-carpeted Katito-Kendu Bay road. We reached our destination in no time, given the vastly improved road network in the region. Along the way, we passed through Rodi Kopany, a small center with an interesting historical background. The name Rodi Kopany was derived from the words ‘Road Company’ because back in the day a campsite for the laborers building the tarmac roads in the region wa…
Day 4 – Tuesday 4th July 2017 Story
…s manufacture process, Ogwe enumerated several types of trees for the resonator (ondero, ng’owo, kuogo, murembe) and for the arms (ogwero, milinginda, apindi, mago), while confirmed siyala is the best type for the head. His method deferred from the previously interviewed nyatiti makers essentially in two points: He never sells an uncomplete nyatiti (includes painting ad strings); All of the instrument’s components are fixed and left to dry togethe…
Martin Fredrick Muyeshi Staff Profile
…a Lighting technician. He later joined Ketebul Studio, where he went on to work on several studio projects, among them the studio’scompilation “retracing” series that include Retracing Benga Music, Retracing Kikuyu Popular Music, Retracing Kenya’s Funk Music, Retracing Songs of Protest and the book Shades Of Benga: The story of Popular Music in Kenya, to which he contributed his photos. His work has also featured on Voice of America’s “Music…
Here for the Music? Page
…h over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musicians.”…
Introduction: Project overview and objectives Story
…d requires a shift in the field team’s customary practices. Suggestions on how to manage this particularity shall therefore constitute the main argument of this report. Hence, the day‐to‐day field report contained herein is of a narrative nature and does not focus on the details of collected data, which will be presented in a finer ethnographic report to follow. “Masters of the Nyatiti” focuses on the nyatiti, an 8‐string lyre originating in the L…
Day Five: February 20, 2020 (DCMA) Story
We started at the Ngalawa Hotel recording Kithara who we had to stop recording on Day 3 because of noise. It was great we could get them all to come to the hotel unexpectedly today. After this we drove back to Stonetown to record at the DCMA and the Culture Musical Club. The three groups: Kithara – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and f…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years ago Usikhofu – mea…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…‘freestyle recording’ – what we mean here is we allow our three camera operators to ‘roam’ and to ‘release the band’ to dance. We are trying to overcome the somewhat artificial nature of ‘archiving’ where the band is constrained into a single shot. Magic Moment: We loved the percussion and wanted to capture this as magic moment. https://youtu.be/u7xcXahAlzI Group 2: Upendo Jazz: The group is from the Murangi Village in the Mara Region and their…
Day One: The Iteso People and their Music Story
…and a magic moment, we had a long session with the group. Songs included: Ataikatiaka Kitiso: This song is about the unity of the Teso people. While forces are trying to divide the people, the song encourages everyone to stay united. Akidai Imojong: This song asked everyone to take care of old people and respect them. Asorit: This is a song about poison and refers specifically to Aids, which is the killing disease. The song tries to educate peopl…
Day 3 – Monday 3rd July 2017 Story
…tuency (Siaya County), who fully demonstrated the making of a nyatiti resonator. We started off by going to a nearby wood and picking a log, which was then transported back to the compound on a bicycle. Upon arrival, Sewe, an elderly man of impressive strength and skill, started working on the resonator (in vernacular referred to as ohodha). He first did some measurements and drew the resonator’s shape on the log with charcoal. Then he went on to…
Day Three: 9 March 2022 (Kisumu) Story
…few surviving omutibo pioneers from the era of George Mukabi. Akwabi’s rubato musical style was quite a challenge for both Fiston Lusambo and Ben Mukabwa. It took almost an hour for the two to figure out Akwabi’s unorthodox, expressive free style for most of his songs before the actual recording began at 2:00pm. After a few false starts we finished the recordings of Peter Akwabi at 4:00 PM with his latest song which is a tribute to D.O. Misiani,…
Day Four: January 21 2019 Mwanza Story
…on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a song Ndono. They then did a lot of dances with ‘modern’ music on speakers. https://youtu.be/uRfFn7ZgUrU Group 2: Camera: Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Ke…
Bukaala Twesitule Troupe Group
…d the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. “Akabira” (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are not always well cared for and they then tend to cause havoc with the rest of family members. “Omwenge” (a local brew): This is about how the l…
Kochia Traditional Dancers Group
…perform traditional Luo music, with their vibrant regalia and dance moves to match. Their brightly coloured outfits (replacing the more traditional clay colours that dancers would adorn themselves with) are augmented by attention-grabbing ostrich feather headdresses (the ostrich, a symbol of beauty and courage, represents the courage they will need to entertain) and monkey fur. They are accompanied by drumming, and the Tung’, the Luo horn. You ca…
Watmon Cultural Group Group
…rdian The Watmon Cultural Group is a collective of musicians led by Amone Watmon Matthew, which promotes the preservation of Ugandan cultural heritage through dance. The group is made up of up to 50 members, the youngest members being only seven years old. Matthew was born on the 25th November 1951 in Kipgum district, Awedi village in the north of Uganda. He was fond of playing music as he grew up, playing the nanga (a harp) in the field as he ten…