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Video playlists from Kenya 2018 Story

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…?v=JtkGVQFNoPw&list=PL6jxUA468Mq-RUCpUdIrKZrrZyRF216Mz Pius Wafula https://www.youtube.com/watch?v=lUa3LzYZ8G8&list=PL6jxUA468Mq-JL9a_FMhl3js2eQdqUBVn Shem Tube https://www.youtube.com/watch?v=cewr4zGeAXo&list=PL6jxUA468Mq_qagUS8lrS4ItNX84ceQc_ Peter Awkabi https://www.youtube.com/watch?v=Yn-XGp22MhY&list=PL6jxUA468Mq8jxHLbNS6k_pYHTbUBBZMz Fanuel Amimo https://www.youtube.com/watch?v=Jz1eILZlyLE&list=PL6jxUA468Mq-FBWk0X39BrJvKiw8sblnH Johnston Muk…

The Revival of the Entongooli Page

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…e look at how to shape these trees to create and tune each note on the Xylophone. From Embaire to Entongooli: Part 2 In this video, we continue to learn about the process of building the Embaire, also known as the xylophone, to help educate our young music scholars about music, melody and instrument building. We are shown how they finish off their Embaire and then talk to some young students about what they have learned. What is clear from our tri…

Kochia Traditional Dancers Group

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…nkey fur. They are accompanied by drumming, and the Tung’, the Luo horn. You can contact the Kagan Kochia group for bookings on +254 700 600881 Sources: www.hivisasa.com www.allafrica.com Homa Bay, Kenya Leader: William Odero Ondiek…

Day Five: January 22, 2019 Mwanza Continued Story

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…style, where the group encourages the audience to get up and dance https://www.youtube.com/watch?v=LRmP_vEbiMI&feature=youtu.be Group 2: Kidedeya: From Kagera, this group was formed in 2005 or 2009, and performs in the Omusingero style. Their instruments are: Ng’oma (Drums) and Nyimba (Shakers).  This was a group of wonderful dancing and costume changes. Every song a new and wonderful outfit. We recorded six performances: Omusingero:   A song abou…

Watmon Cultural Group Group

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…t Lucy Duran. Their performance was described by Sounds and Colours as an ‘instrumental extravaganza’. Sources: Sounds and Colours www.dailymonitor.co.ug The Guardian…

Andy Patterson Staff Profile

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…e post production back in the UK and is responsible for the Singing Wells podcasts. For more information, please check out Andy’s site at: http://www.andypatterson.co.uk or follow him on Twitter – @aandypatterson…

Day 1 – Saturday 1st July 2017 Story

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…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…

The Singing Wells podcast #3 Podcast

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…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….

Albums Introduction Page

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…h the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…

The Kalenjin of Kenya Album

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…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….

FAQ’s Page

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…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…

Field Recording Report by Kahithe Kiiru Story

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…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…

Conclusion: Challenges and Recomendations Story

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…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…

Contact Page

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…rrey GU9 7PT (A Limited Liability Partnership. Registered no: OC354221) www.abubillamusic.com Abubilla Music Foundation Valiant House 12, Knoll Rise Orpington, Kent BR6 0PG (Registered charity no:1142173) www.abubillamusicfoundation.org.uk Ketebul Music The GoDown Arts Center P.O Box 21737-00505 Nairobi, Kenya (A company limited by guarantee. Registered no: 134230) www.ketebulmusic.org…

Day 9 – Sunday 9th July 2017 Story

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…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…