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…w those from the most marginalized communities within East Africa continue to find joy with their musical heritage and traditions. Of the many groups we have met, the Batwa community in Kisoro, Uganda have faced significant hardship and yet create such beautiful and hopeful music. Their spirit and energy is infectious and our meetings with the Batwa community have always been memorable. One man we simply cannot forget is Francis Sembagare, the mus…
Day Four: January 21 2019 Mwanza Story
…th his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to singer for papers Tudumishe mila: about honouring our culture Raisi Ametamka: politicians must support education https://youtu.be/Hmp4zM3kSaM Sadly, we then got rained out and went back to hotel. We scheduled additional groups for same location the next…
Mohamed Uthman Kidumbak Group Group
…eld perpendicular to the box with a string going from the top of the stick to the top of the box. He changed notes by holding the string less or more taut as well as holding the end of the string down against the stick. Pretty amazing bass sounds came out of this. The two dancers danced with almost a belly dancing movement where they moved their hips and buttocks completely independently of the rest of their bodies. They wore a sash around their h…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
Conclusion: Challenges and Recomendations Story
…and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a proper research preparation should be put in place as a standard. The ideal approach to pre‐recording preparations should thus include: short pre‐interviews with identified interviewees (this would later allow better and easier data collection and create a certa…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Adagha Nalya Drama Group Group
…l Waiswa of old who used to shy away from women. It is a common folk song. “Omuntu Kyakola”: When someone is jealous about what someone else is doing; when some one works hard, others want to bring you down. “Yoyenda”: The one you love. The song invites everyone to show who they love to the rest of the community. Performed at introduction ceremonies – a traditional party where a girl introduces the man to her parents. “Nsomesa Nsomesa”: When a chi…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
The Revival of the Entongooli Page
…le but Effective Tools Getting things Dung! Meet the Students From Embaire to Entongooli Part 1 From Embaire to Entongooli Part 2 Creating the Base Part 1 Creating the Base Part 2 Stringing it Together Check back soon for more episodes of our Revival of the Entongooli journey! A Musical Education What makes this project so different from any of the other revival projects we have documented, is how focused this project is on young people. Mr Mukadi…
Busolwe Post Test Club Group
…is about a boy in the village that is going astray. The singers advise him to get a job and settle down and find a woman. “Mabega Dance”: The song is about when you see someone who is happy and you know they have good fortune. But when you see them unhappy you know they are having problems. Magic Moment featuring the Tube Fiddle and Flutes. The flute (Omulelel) player is George Wandela. The two Tube Fiddle players are Wilber Mutanse and Geoffrey W…
Stories Page
…ing stories with the work that we do at Singing Wells. Use the links below to delve into some of the stories behind the scenes of the field trips, our ongoing projects and some of the incredible people we have met. Music Read some of our articles and stories behind the Music of East Africa. Dive into musical genres, different instruments and the musicians keeping these traditions alive. Picture We manage to take some beautiful photos on our trip….
Recording Resources Page
…ment Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please do get in touch if you find these helpful!…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ny stops. But we digress. From the Dodoma Hotel, we drove about 90 minutes to Nzali to record four groups: Group 1: Makunga: This group is from Dodoma and the Wagogo Community, which they argued is the main indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn…