Field Recording Report by Kahithe Kiiru Story
…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…
Instruments Introduction Page
As we travel around East Africa, we find that we are at times, recording instruments that we have never seen or heard before. In some cases we manage to purchase instruments for our own Singing Wells instrument collection back in the UK. Where we find an instrument that we have not seen before, we make sure we record it, photograph it and research it. This page features a selection of the instruments we have found so far on our travels. The i…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Day Zero: 6 March 2022 – Travel To Stream Story
…nd equipment necessary to set up mobile live streaming studio services and travel to provide live concert streaming opportunities for musicians based in remote areas. Our mission to travel and stream in Western Kenya was made possible by funds from Hivos, with the additional support from the Abubilla Foundation. Travel to Stream After one week’s training and familiarization with the new software and equipment, we took the road to Western Kenya on…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Matende Culture Isukuti Youth Group Group
…a loved one. Mwoyo Kulimbila Mwikulu: After you die your heart will be able to rest. Songs for weddings (Shiselelo) Nukhufwale Maua: Giving flowers to the bride after the wedding Wulila Harvsi: The procession of groom coming to church and announcing the wedding at they travel through the village. Songs about the circumcision ceremony (Shishebo) Chambombo (during the circumcision) Bwambo (after) Magic Moment: Kahithi returns. Kahithi had stayed wit…
Day Five: Ilesi, Khayega to Kisumu Story
Thursday, February 22, 2018 We travelled to Ilesi, Khakyega to record three groups. The first was Imachina. They call themselves after the village where they live. As with many groups over the last two days, most of their songs are for processions, like weddings, funerals, bullfights or rites of passage. So they tend to play 3-4 songs in a row to match the procession. We asked them to pick their favourite processions and then play a couple songs…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Global Influences Project: Artist Submissions Page
…ou on a journey to a different world, takes you to dance, and you can also travel to a relaxing space in ur mind in such a way that you forget your struggles and embrace the feeling in the moment. And basing it on the fact that it is traditional simplicity is key for it not to lose it originality in as much as u add a drum pattern to it or when you introduce a modern touch to it. And to be frank, i totally loved conceiving the beat and would love…
Day Four: 10 March 2022 (Rongo) Story
…By 9:30pm we concluded the recordings with Otacho Stars and formally ended Travel to Stream! DAY 4: Thursday, 10 March 2022 Act One: Ontitri Bikundo Genre : Obukano Location: Treat House Resort – Rongo Profile: Ontiri Bikundo Ronald Ontiri Onchuru Bikundo is a versatile obukano player who was born in 1974 in Kisii. Ontiri started playing music in 1985 and recorded his first song ‘Bikundo Obaba mbono’ in 1994 and from then on he has been the main s…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Day 1 – Saturday 1st July 2017 Story
Day one of our field mission was originally reserved for travel, for the road from Nairobi to Kisumu City. However, as our schedule was going to be tight, and some of the preliminary work had not been completed, we opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …