Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…ntho: About a man who was given money to walk to his destination. He had a long walk ahead of him, but funds were covered. To save time and money, however, he choose to walk through the river. Sadly, a crocodile attacked him and ate his legs. A cautionary tale about taking short cuts. Jackie Mosani Wethu: A traditional song of praise and thanks, which was sung for our host, Jackie. Thare Mushi Wakono Okwebora Kodhethre: a song about having kids an…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Makunga Group
…ways from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the Kabati (Shakers), the Kalimba (Thumb Piano), the Zeze (Orutu), the Izeze (5 string large instrument), and the Muhongwa (Wooden water troughs, played on ground like calabash…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Singing Wells Stories Page
…ar her collaboration with the Watmon Cultural Group – Amari – click here: 2011 – 2013 sampler CD Winyo Winyo Shipton is a singer songwriter from Kenya. He joined us on our first trip to coastal Kenya to record the music of the Mijikenda. On the first session we recorded, in Gede, Winyo helped to create the Influences series by recording with Nyerere Wa Konde and his son Mr Bado. You can read more about the first influences session by clicking here…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Day Four: Ikolomani to Amalemba Story
…Culture Isukuti Youth Group, which is led by John Stone Khakabo Asutsi in 2006. There are 35 members of the group. The soloist is Stanley Liai. Their instruments include: The Isukuti Isatsa: The Big Bass Drum Mutibo: The bigger, ‘mother’, of the smaller drums Mutiti: The smaller, ‘son’, of the smaller drums Imbati: The horn Shirili: Single string instrument Tsichenjele: The rings The group dances in ‘processions’ for different ceremonies, so we as…
Day Two: 8 March 2022 (Ilesi) Story
…g session was finally figured out the actual recording started at about 17:00 hours. The three sisters and their two brothers have pleasantly matured musically and it was really encouraging to see them helping to keep their father’s legacy alive. All was done a few minutes to 8:00pm. After the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long…
Conclusion: Challenges and Recomendations Story
…ime, the core of the group being Ketebul and Abubilla partners, who have a long experience of working together, was definitely an important and beneficial fact that facilitated my integration. I also believe that the team’s previous work in the Lake Region together with my own personal research experience converged into an advantageous knowledge of the instrument and the people we were to film. This has influenced and eased our filming mission gre…
The Kalenjin of Kenya Album
…ith Ben Kisinja on the Burkandit, recorded in Kapsokwony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in Sila, followed by the Lomut Traditional Dancers and the Lomuge Group. The day recording the Pokot tribes was rounde…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Mariene Traditional Dancers Group
Mariene Traditional Dancers, formed in 2003, led by Simon Munuki. They are from the Ameru Ethnic Community. Their musical style is Kirarire and Authi. The lead singer wears Murungi, an ornament on both sides of the arms which is worn by the initiator/circumciser; it signifies a man of respect and authority. Their costumes include Lesos, necklaces, face painting, spears, fly whisks, gourds, and head gear, called Nkoroimade out of cow skin, with M…
Toroka Uje Group
…or salad. The drums were from smallest to largest: Chaavo Ndogo – small drum The Kinganga (Makonpe) or Kidalidali (Zaramo) – smaller drum Chapuo Kubwa – big drum. Boi – long drum, one sided Ndungula – big bass drum Nyanga – the shakers, made of empty tins filled with small pebbles….
The Northern Tribes of Uganda Album
…ringed lyre played using the chin). Waroco Terawo were our fourth group. A long drive out west brought us to Fort Murchison and Pakwach. We went on further to Widianga village and the Alur Kingdom Troupe. Later that day we were treated to Cieng Dwong back at Fort Murchison – darkness descending as we recorded. A travel day to Soroti was followed by another Likembe band – the Macedonia band, before the long drive back to Kampala. One night in Kampa…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Liwambwe Group
…called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are about to perform and need you to be quiet’ Nchakacha: A dance with the Lipiko (masked character) Tumpete Mwana: ‘Soothing the ba…