Recording Resources Page
…d ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Day One: The Iteso People and their Music Story
…es: The ‘drum set’ of drums, bottle tops for snares and a plate serving as ride. The set is called the Achaeket. The shakers are called the Itwol. The ring is called the Edongot. Between their core songs, influences and a magic moment, we had a long session with the group. Songs included: Ataikatiaka Kitiso: This song is about the unity of the Teso people. While forces are trying to divide the people, the song encourages everyone to stay united. A…
Group 1: Inganzo Ngari Group Story
…da, Uganda, Burundi and parts of Congo). Then the same dancers performed a number about a community, Intwatwa, formerly known as the Batwa, the group we recorded in November 2012. It was a celebration dance with many steps to honour their rich and historic culture. Next we had the Intore – which means a traditional warrior dance. This was a manifestation of each warrior showing the king what he’s made of – his talent, his weaponry, and judging by…
Group 8: Abutazi Story
…nanga with rap. Their flow was such that they often went straight from one number into another, so the set list reflects this. Set list Agahinda (“Sad”) and Inanga. Agahinda is a song about depression that Makare wrote 8 months ago, using a metaphor of a burning house where the smoke can’t be kept in. This went straight into Inanga, an ode to the inanga and its sound and all it does for them. We loved this double number so much we recorded it twic…
Day Three: Bungoma Town to Kakamega Story
…had a big local hit. This made them stars and allowed each band member to buy their own home. Wilbert said at this point they were too big for the small bars and were invited everywhere to preform. They brought in other musicians to form a much bigger band. They then produced their third CD in 2013, Namusia, again with Soundcheck in Kisumu. They started performing all over Kenya. They are now very well established with houses, and Wilbert is marr…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Support Singing Wells Page
…our beautiful Singing Wells commemorative photo book, a full album of the ‘Best of Singing Wells’ and a Singing Wells t-shirt. We will also bring you a unique gift back from the field visit – a traditional, hand made musical instrument typical of the region. Donate £3000 and Sponsor a Recording Day CLICK HERE TO DONATE NOW * Please note: donations are made to the Abubilla Music Foundation, our registered charity which funds the Singing Wells proje…
Day Five: Ilesi, Khayega to Kisumu Story
…s are welded into metal pouches and then he plays. Moses is considered the best Shikhorli maker in the area. Here’s the band. Their songs included: Mukhana Mulabu: This is about a brown girl, that is whiter than most the girls in the village. Isimbiilalila: This is a bullfighting song. Balina Wanje Ndiranga: This is a song about being tired and in a bad state. Mama Mulai: Rosie: This is praising a lady named Rosie. Influences: Fadhilee than joined…
Arrival to Rwanda, Background and Objectives Story
…itional music (‘cow poems, et al’) and their beautiful dances, finding the best Inanga players. But we are also here to capture what we call the ‘hillside blues’, the great set of old acoustic guitar playing singer-songwriters that are so well known in Rwanda. Over the course of nine spectacular artists and groups we can’t wait to bring this music to you. Now let’s move on to our team, a team that for the most part has stayed together for 12 yea…
Day 4 – Tuesday 4th July 2017 Story
…the arms (ogwero, milinginda, apindi, mago), while confirmed siyala is the best type for the head. His method deferred from the previously interviewed nyatiti makers essentially in two points: He never sells an uncomplete nyatiti (includes painting ad strings); All of the instrument’s components are fixed and left to dry together (resonators, skin, arms and head). Finally, he makes a clear difference between clients who are traditional and/or loca…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…