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…w those from the most marginalized communities within East Africa continue to find joy with their musical heritage and traditions. Of the many groups we have met, the Batwa community in Kisoro, Uganda have faced significant hardship and yet create such beautiful and hopeful music. Their spirit and energy is infectious and our meetings with the Batwa community have always been memorable. One man we simply cannot forget is Francis Sembagare, the mus…
Imachina Group
…here!) Iminyi: This is a type of bird that hides in roofs and is difficult to find, but is a strong bird. The song tells the story that the best fighting bulls are not the ones preening around the village, but rather they keep to themselves until the fight. And then they win. The Shiselelo procession – this is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming togeth…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Groups Map Page
…Here you can find all of our groups organised by location….
Elgon Ngoma Troupe Group
…aced – either has orphans or from severely disadvantaged homes. He started to go to University but found that gathering the funds for tuition each time extremely difficult. He had raised the funds for another semester and then asked himself, “Do I want another semester of education, with no promise I will be able to fund another, or can I take this money and start to make a difference?” So he took the money and invested in instruments for children…
Busolwe Post Test Club Group
…is about a boy in the village that is going astray. The singers advise him to get a job and settle down and find a woman. “Mabega Dance”: The song is about when you see someone who is happy and you know they have good fortune. But when you see them unhappy you know they are having problems. Magic Moment featuring the Tube Fiddle and Flutes. The flute (Omulelel) player is George Wandela. The two Tube Fiddle players are Wilber Mutanse and Geoffrey W…
Day One: January 18, 2019. Assemble in Tanzania Story
…ravel day. The main Ketebul crew (Steve, Patrick, Drix) left Nairobi early to drive to Kisumu, while Tabu flew with Jimmy and Hunter to Kisumu (Jimmy and Hunter arrived from London on the 17th. We all met at the Kenya/Nairobi border and after two hours, cleared the border and drove to Tarime, where we met Jackline Odhiambo Aringo (Jackie Akinyi), a Tanzanian musician who helped organize our trip (see our interview with Jackie here). We arrived at…
Global Influences Project: Artist Submissions Page
…any more musicians to go back to their roots and create something special! To find out more about L3GS, follow them on @l3gsmusic JAY P PRODUCTION X RUBANGA KINGDOM AWACH BOYS This upbeat bop has been submitted by Jay P Production for our latest installment of the Global Influences Project. We love how they used this beat to create something that got the whole team wanting to dance! When we asked about their process, Jay P Production said “We have…
Conclusion: Challenges and Recomendations Story
…and treatment of the skin for the instruments; Preparation of the material used to attach the bridge; Final construction and assembly of the instrument. All of these stages are evidently impossible to do and/or film in one day, and we had to therefore substitute the demonstration of some of them with their description in an interview. If we had done detailed preparations for the field and a recce, we could have informed the makers of all the stage…
What We Do Page
…or exciting musician or music group. When this happens we arrange for them to travel to Ketebul Music in Nairobi to record their music in the studio. Many of these studio sessions have contributed to the Singing Wells ‘Influences’ series (see below). A permanent archive of East African Music During our field visits we collect a vast amount of audio and video recordings. Our mobile studio allows us to record audio via up to 8 different professional…
Pius Wafula Group
…with a famous local group called “Webuye Jua Kali” up to 2009, when he founded his own group. Today the group counts 5 members who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of…
Twone Mbee Group
…tempting the position because it is already taken by the one they are praising. ‘Nzembanie na ivinda’: (Chasing After Time). This song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices….
Ayub Ogada Group
…of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti,…
Stories Page
…ing stories with the work that we do at Singing Wells. Use the links below to delve into some of the stories behind the scenes of the field trips, our ongoing projects and some of the incredible people we have met. Music Read some of our articles and stories behind the Music of East Africa. Dive into musical genres, different instruments and the musicians keeping these traditions alive. Picture We manage to take some beautiful photos on our trip….