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…lst embracing the changing sounds of modern East African music. Winyo Shiphton Onyango adopted his artistic name ‘Winyo’, which is a Luo word (a tribe from the Lake Victoria region of Western Kenya) for “a bird”. The reason for this becomes apparent once you hear him sing. His voice has been likened to that of a singing bird. He is a singer/songwriter of great sensitivity and an acoustic guitar player, backed by his 5-piece band of accomplished mu…
Culture Musical Club Taarab Orchestra Group
…d male singers on instruments. It was clear that this orchestra had played together for a long time and were well rehearsed. They have a total of 45 people in their orchestra. They usually play with about 25 and we saw 15. Instruments in this orchestra we saw: 4 violins, 1 oud, 1 base, 1 qanun, 1 accordion, 2 drums and 1 tramboline. They produced a wonderful rich sound. Performers: Taimour Rukuni Taha (secretary general, accordian), Maulid Haji Mk…
Support Singing Wells Page
…o a Paypal donation page, with payments made to the Abubilla Music Foundation to fund the Singing Wells project: — CLICK HERE TO DONATE NOW — Sponsor a Song£25 Your Gift to Us Your money will be used to support the Singing Wells project to record the songs of traditional music groups, help us tell their stories and keep their music traditions alive. Your donation to the project will be spent in East Africa and will go towards supporting music grou…
Bukaala Twesitule Troupe Group
…d the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. “Akabira” (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are not always well cared for and they then tend to cause havoc with the rest of family members. “Omwenge” (a local brew): This is about how the l…
Day Four: 10 March 2022 (Rongo) Story
…recording in Kisumu, Dave Otieno joined us in Rongo and teamed up with Fiston Lusambo to continue our experimental fusion of contemporary elements with traditional sounds of Western Kenya region. Dave and I go back a long way as we worked together on several musical projects under the Nairobi City Ensemble. Other notable projects with Dave were during the period of Spotlight on Kenyan Music, which was a collaboration between Ketebul Music and the…
3. Background of the Naizungwe drums Story
…that eroded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums play…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Albums Introduction Page
…ook through the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Day 1 – Saturday 1st July 2017 Story
…strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be our fixer in the area. Son of late Okumu Orengo, a well‐known nyatiti master previously…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Conclusion: Challenges and Recomendations Story
…being Ketebul and Abubilla partners, who have a long experience of working together, was definitely an important and beneficial fact that facilitated my integration. I also believe that the team’s previous work in the Lake Region together with my own personal research experience converged into an advantageous knowledge of the instrument and the people we were to film. This has influenced and eased our filming mission greatly, as we were able to te…
Nyati Muchoya Group
…ongs is named after the musical style: Nindo: A medley of songs including chimulombaje, muwalonjere and Nema Uganga, a song against witchcraft Muheme: a song urging all to get up and dance. Muziki: Msunyunsho: both songs showcasing musical styles of similar names and instruments….
Busolwe Post Test Club Group
…is about a boy in the village that is going astray. The singers advise him to get a job and settle down and find a woman. “Mabega Dance”: The song is about when you see someone who is happy and you know they have good fortune. But when you see them unhappy you know they are having problems. Magic Moment featuring the Tube Fiddle and Flutes. The flute (Omulelel) player is George Wandela. The two Tube Fiddle players are Wilber Mutanse and Geoffrey W…
Day Five: February 20, 2020 (DCMA) Story
…all to come to the hotel unexpectedly today. After this we drove back to Stonetown to record at the DCMA and the Culture Musical Club. The three groups: Kithara – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa hotel. Performers: Rajab Suleiman (qan…
Elgon Ngoma Troupe Group
…usuf (solo Adungu), Wamumdu Albashir (bass Adungu), Kyasowbayo Joseph (xylophone) and Dkining David (tube fiddle). The songs played were: “Isongja”: a pre-circumcision song and dance where boys are challenged to get ready for the ritual. “Kadodi Imbalu Dance”: this is about the circumcision ritual itself and involves the boy being reluctant and getting help from others to be brave. The song closes with a section about the boy having and surviving…