Page
…eating new fusions, what is a common thread tying all of these experiences together is the longing to remain true to their families, to their villages, to their ethnic communities. They are united in their desires to keep their music alive and relevant, echoing older generations, speaking to new generations. And, of course, they just loving making great music. We are privileged to have helped share songs and stories with millions of people across…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Support Singing Wells Page
…is funded by the Abubilla Music Foundation, the below link will direct you to make a donation to the Abubilla Music Foundation: — CLICK HERE TO DONATE NOW — Donate your time, products or services We are always keen to hear from people who are happy to offer their time to help the project and from companies which may be able to support us with products or services free of charge. If you can help out in this respect please contact: info@singingwells…
Day Two: 8 March 2022 (Ilesi) Story
…resume the recording session. However it took a bit of time for the group to get some of their traditional instruments, including the adeu deu, in tune in with the guitars that were to back them up. One of the band members played the harmonica but it was only in the C key and so it was left out of the recordings of songs on different keys. Guest musicians Fiston, Ben and Gido also had to take a little time to play in sync with the polyrhythmic be…
Day Five: February 20, 2020 (DCMA) Story
…oups: Kithara – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa hotel. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali…
Recording, archiving and sharing the traditional music of East Africa Page
…sic heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new music…
Day 4 – Tuesday 4th July 2017 Story
…ad strings); All of the instrument’s components are fixed and left to dry together (resonators, skin, arms and head). Finally, he makes a clear difference between clients who are traditional and/or locally famous players, for whom he does a sacrifice upon completion of job, and outsiders, commercial clients for whom he does no such thing. Finally, we closed our day with an indoors interview at Namsagali hotel in Siaya. There we talked to Thadayo…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day 1 – Saturday 1st July 2017 Story
…strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be our fixer in the area. Son of late Okumu Orengo, a well‐known nyatiti master previously…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
Conclusion: Challenges and Recomendations Story
…being Ketebul and Abubilla partners, who have a long experience of working together, was definitely an important and beneficial fact that facilitated my integration. I also believe that the team’s previous work in the Lake Region together with my own personal research experience converged into an advantageous knowledge of the instrument and the people we were to film. This has influenced and eased our filming mission greatly, as we were able to te…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Albums Introduction Page
…ups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. CDs may also be available in the future. Join the mailing list to find out when…
Nyati Muchoya Group
…is named after the musical style: Nindo: A medley of songs including chimulombaje, muwalonjere and Nema Uganga, a song against witchcraft Muheme: a song urging all to get up and dance. Muziki: Msunyunsho: both songs showcasing musical styles of similar names and instruments….
Day Four: 10 March 2022 (Rongo) Story
…sounds of Western Kenya region. Dave and I go back a long way as we worked together on several musical projects under the Nairobi City Ensemble. Other notable projects with Dave were during the period of Spotlight on Kenyan Music, which was a collaboration between Ketebul Music and the Alliance Française in Nairobi. Mention should also be made of the Smithsonian Folklife Festival in Washington, D.C. in the summer of 2014, a trip that included Onti…