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…dern sounds of Benga with more traditional rhythms and instruments, which shows how these young men are still continuing their Luo musical legacy whilst embracing the changing sounds of modern East African music. Winyo Shiphton Onyango adopted his artistic name ‘Winyo’, which is a Luo word (a tribe from the Lake Victoria region of Western Kenya) for “a bird”. The reason for this becomes apparent once you hear him sing. His voice has been likened t…
Culture Musical Club Taarab Orchestra Group
…male singers on instruments. It was clear that this orchestra had played together for a long time and were well rehearsed. They have a total of 45 people in their orchestra. They usually play with about 25 and we saw 15. Instruments in this orchestra we saw: 4 violins, 1 oud, 1 base, 1 qanun, 1 accordion, 2 drums and 1 tramboline. They produced a wonderful rich sound. Performers: Taimour Rukuni Taha (secretary general, accordian), Maulid Haji Mkad…
Support Singing Wells Page
How you can sponsor the Singing Wells Project Singing Wells is a charitable project, managed and funded by the Abubilla Music Foundation a UK registered charity (reg. no: 1142173). Our work to record, archive and share the music of East Africa is funded by donations. Funds are used to support our field recording trips, provide a permanent music archive and also to help the communities we visit gain an income from their music. You can help us sup…
Bukaala Twesitule Troupe Group
…the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. “Akabira” (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are not always well cared for and they then tend to cause havoc with the rest of family members. “Omwenge” (a local brew): This is about how the loc…
Day Four: 10 March 2022 (Rongo) Story
…and are now simply Otacho Stars. For several years the group held regular shows at the Kamus bar in Ranen Centre before Covid 19 interrupted live shows, as in most places. Presently, they only perform on demand. On this live recording Dave Otieno played the guitar while Fiston Lusambo was on bass. Project Summary Upon completion of the ‘Travel to Stream’ tour, we were quite encouraged in seeing that most of the musicians we interacted with were im…
3. Background of the Naizungwe drums Story
…er because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The largest drum is the leader and it comes in once in a while, to assert its position. Medium drums play a continuous pattern over which the other drums paint their syncopations both in lower and higher pitches. Then vocalists yodel, hum and recite poetic passages than compete wit…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Conclusion: Challenges and Recomendations Story
…more focus on nurturing traditional instrument playing skills. Aside from showing the differences in how the elders play as opposed to the younger generation, we should encourage closer collaborations and the creation of a network that could surpass the SW project itself. In order to do this, we should extend the master classes duration to one week (5 working days at least) and consequently enable younger players to learn much more on the tuning,…
Nyati Muchoya Group
…is named after the musical style: Nindo: A medley of songs including chimulombaje, muwalonjere and Nema Uganga, a song against witchcraft Muheme: a song urging all to get up and dance. Muziki: Msunyunsho: both songs showcasing musical styles of similar names and instruments….
Busolwe Post Test Club Group
…about a boy in the village that is going astray. The singers advise him to get a job and settle down and find a woman. “Mabega Dance”: The song is about when you see someone who is happy and you know they have good fortune. But when you see them unhappy you know they are having problems. Magic Moment featuring the Tube Fiddle and Flutes. The flute (Omulelel) player is George Wandela. The two Tube Fiddle players are Wilber Mutanse and Geoffrey Wama…
Day Five: February 20, 2020 (DCMA) Story
…o Fusion – we had seen these two bands earlier in the week and they came together at the DCMA. They consist of a combination of young students in their 20’s and established senior teachers of music. It was wonderful seeing them work together and improvise two songs. They produced a wonderful, dynamic fusion of Taarab, Traditional African rhythms and contemporary Western and African sounds. Performers: Tarajazz: Suleiman Makame (keyboard, director…
Elgon Ngoma Troupe Group
…“Isongja”: a pre-circumcision song and dance where boys are challenged to get ready for the ritual. “Kadodi Imbalu Dance”: this is about the circumcision ritual itself and involves the boy being reluctant and getting help from others to be brave. The song closes with a section about the boy having and surviving the ritual. “In our tradition, if you are 80 years old and have not gone through the ritual of circumcision, you are not a man and cannot…