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…) the better! Muwewesi Xylophone Group Unsurprisingly for the Muwewesi Xylophone Group, the Xylophone is the star of the show. A giant xylophone lays across the floor, played by 8 musicians, alongside vocalists, pipe flute players and tube fiddle players. Based in Nakisenye, East Uganda, we visited the group in 2013, and when we arrived we found that the band had been there since morning preparing – they had dug the pit for the xylophone, with the…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Day Two: February 17, 2020 (Stonetown) Story
Our second day we drove into Stone Town. We recorded the first two groups at the Emerson Spice Hotel along the seaside. This hotel is an Arab style hotel, reminiscent of the rhiads in Marrakech with lots of small courtyards. In the Emerson Spice Hotel we filmed the first two groups in a courtyard usually used for meals in the hotel. While it became very hot as the sun hit the stage for the second group, the overall setting was beautiful –…
Richard Sewanyana Group
We first travelled about an hour from Mukono to the village of Bamusuta B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We first interviewed Richard: “I am Richard Ssewannyana, son of Paulino Kajubi, whos father was Buko Ssempiira. My village is Ndese, in sub-county Kasawo, of County Kyaggwe. My grandfather…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…a beautiful location along the coast surrounded by mango trees. We met the first group there. Sekimbuke – traditional singing and dancing with some Taarab influence. They sing for weddings, celebations and the harvest. They use traditional Zanzibar drums: Vumi – a tall, narrow, large drum based on the floor, Kinganga – a short medium sized drum, a Bati – a high hat, a Chapuo – a long narrow drum held under the arm, a Dutu – a smaller version of t…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…r’s home. We recorded three groups: Group 1: Maisha Bora Suba Group: Our first group, from the Mara Regio (Roria District) was formed in 2012. They are from the Abhasimbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), A…
The Music of the Mijikenda Album
This album documents the first Singing Wells field recording trip – to record the music of the Mijikenda in March 2011. The albums begins as the trip did, and in fact the whole project – with the Nyerere Wa Konde Music Club, and Zaire Ndindingwara – both recorded in the village of Sila. The next day saw 4 groups – and all are included here. Chechemeko Raha and 4 the Mzinga, both captured in Kibarani village, further south from Sila, and then fu…
Day 4 – Tuesday 4th July 2017 Story
…ument and usually gives out the old one to a school teacher who uses it in class. He is equally proud of the fact his son is learning how to play, while he confirms no formal teaching actually happens. Traditionally the only way to learn the nyatiti is by observing and trying out. On the topic of gender taboo, Ogutu commented he does not recall ever seeing a female nyatiti player, yet does not think there exists an actual explicit restriction. We…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Day 9 – Sunday 9th July 2017 Story
…ing the instrument; etc. We also attempted to establish if there was any contact and exchange between neighbouring communities that would give birth to common tunes or influence instruments’ shapes and music styles, etc. 1. Source: Wikipedia 2. The most widely used instruments classification system first devised in 1914 by musicologists Erich Moritz von Hornbostel and Curt Sachs; English version published much later in 1961; most current updated…
The Kalenjin of Kenya Album
…s and the Lomuge Group. The day recording the Pokot tribes was rounded off firstly with Kalomoywa, (the group are represented on the album with the track ‘Kamitol’) and secondly the Takar group – their Korutan and Chepo Mining making it through past technical difficulties on set. The very visual performances of the and the Sagat group (their image is on the cover) and the Embolet are both represented on the album. The final field day of the trip w…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Super Phoenix Band Group
…: This was a song made famous by Jacob Luseno and Julius Intenya when they first played together. Specifically, it refers to a rich man who askes a young man to watch after his house while he travels constantly for business. Soon the young man starts to pretend the house is his and also propositions the man’s wife to be with him. More generally, it is about many Kenyans that are asked to watch cars, or trucks or possessions and begin to tell other…