3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Groups Map Page
…Here you can find all of our groups organised by location….
Imachina Group
…e!) Iminyi: This is a type of bird that hides in roofs and is difficult to find, but is a strong bird. The song tells the story that the best fighting bulls are not the ones preening around the village, but rather they keep to themselves until the fight. And then they win. The Shiselelo procession – this is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together…
Elgon Ngoma Troupe Group
…ct Julius at juliuswolimbwa@gmail.com or PO Box 2254 Mbale, Uganda You can find the Troupe on Facebook here. You can watch a video about the group here. Some of the musicians we recorded were: Bikumbi Yusuf (solo Adungu), Wamumdu Albashir (bass Adungu), Kyasowbayo Joseph (xylophone) and Dkining David (tube fiddle). The songs played were: “Isongja”: a pre-circumcision song and dance where boys are challenged to get ready for the ritual. “Kadodi Imb…
The Revival of the Entongooli Page
…start a new generation of skilled players and builders of the Entongooli. Finding the Materials Finding the correct materials is half of the battle of reviving such a unique and rare instrument. The beginning of the Entongooli building process begins with forming the bowl shaped base, the soundbox, of the Entongooli. A specific tree species called Omusita is used to ensure that the word is strong enough to endure the shaping, and to make sure it…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Here for the Music? Page
…ible. Galleries As well as filming and recording, our incredible team also find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set ou…
Here for Research? Page
…you’re looking for in-depth reports from our time in the field, or easy to find information regarding the groups we have met, you are in the correct place. Below you will find all of the research we have collated within our 10 years of experience recording the music of East Africa. Field Reports Our daily reports written from the field during our yearly trips. Head here for detailed information about the performances we record, the musicians we me…
Field Recording Report by Kahithe Kiiru Story
…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…
Page
…itional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global Influences Project Loop Library Here yo…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…As this music moved from the secret rites to more public performance, you find the audience laughing at all the double meanings. To be more specific, the women are laughing and the men are scratching their heads. As we tried to identify the meanings of the lyrics of these songs, the women often laughed with each other as they tried to hint at the hidden meanings of these songs. We met this style on our first day in our third group, named, of…
Day One: January 18, 2019. Assemble in Tanzania Story
…be seen by our wide camera and many of the musicians have an attached microphone. While generally this isn’t a problem, there are times when the group is constrained. So, we often do another take which we call ‘free style’ where we take our cameras off tripods, and our video team simply follows the group around as they dance and sing. This provides a much more free feel, although it does mean we can miss part of the performance, so we always try t…
Global Influences Project: Artist Submissions Page
…what they created just from a percussion sample is amazing! If you want to find out more about Jay P Production, follow them @jay.p_production_kenya NG’AT MALER X OTACHO YOUNG STARS//NYATITI GROUP//WATMON CULTURAL GROUP We are loving this track from Ng’at Maler who utilises several different loops for his submission. He told us how the project has really impacted his current workflow when making new music, making sure to include African sounds, an…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Recording Resources Page
…g Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please do get in touch if you find these helpful!…