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…#19 – Makunga & The Visuals of Singing Wells Makunga The Makunga are from Dodoma and the Wagogo Community, which they argued is the main indigenous community of Tanzania (always from the land, never migrated into Tanzania.) The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega (Animal Skins), the Muheme (Drums), th…
Here for Research? Page
…ast Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind at present) Groups Detailed information about each group we meet on our Field trips. Head here to browse through groups by Location or Genre, or to search directly for a Group that we have met. Each page has information…
Global Influences Project: Artist Submissions Page
…orcing us to lay back some more. I think the end result leans more towards dodo, at least to my ears.” We love what Stefano has done to make this track sound truly his own. If you want to see more of his work, you can follow him on… Instagram: @stefanositanne Twitter: @stefanositanne Soundcloud: https://soundcloud.com/stefanositanne Want to get involved in the #GlobalInfluencesProject ? Head to https://www.singingwells.org/global-influences-projec…
Aynu Traditional Group Group
…were their leaders. They formed friendly alliances with neighbouring chiefdoms to ensure their security against attacks from other ethnic groups. Rather than an army, every able-bodied man had the duty to protect his village hence all able-bodied men were automatically considered a soldier though this was not a permanent duty. Language: They are divided into many mutually intelligible dialects, but mainly they speak their own Lugbara language. Or…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
The Kalenjin of Kenya Album
…e that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in Sila, followed by the Lomut Traditional Dancers and the Lomuge Group. The day recording the Pokot tribes was rounded off firstly with Kalomoywa, (the group are represented on the album with the track ‘Kamitol’) and secondly the Takar group – their Korutan and Chepo Mining making it through past technical difficulties on set. The very…
Day Four: January 21 2019 Mwanza Story
…ble beat. Ng’oma ya Asilia: a traditional song Ali Nilihali: A lady turned down Man 1 because he was poor and settled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a song Ndono. They then did a lot of dances with ‘modern’ music on speakers. https://youtu.be/uRfFn7ZgUrU Group 2: Camera: Camera, who has been performing since 1999, is from Nzega and from the…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Day 9 – Sunday 9th July 2017 Story
…ing to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood);…
Conclusion: Challenges and Recomendations Story
…and 3 as well. In this exercise, I believe, it is not necessary to involve more than 3 additional instruments in comparison to the central one. Finally, yet perhaps mostly importantly, I believe the Masters series should put more focus on nurturing traditional instrument playing skills. Aside from showing the differences in how the elders play as opposed to the younger generation, we should encourage closer collaborations and the creation of a net…
3. Background of the Naizungwe drums Story
…lves into bigger administrative units that culminated into the eleven chiefdoms that later united to form Busoga [kingdom]. When the central government abolished kingdoms in 1967, the bigger administrative structures were weakened. Clans remained because they represent people’s birth, life and death. The larger more political structures [ie. the eleven chiefdoms] were demonized by the central government and all meetings at that level stopped. When…
Royal Entenga Drummers Group
…and much of the music was lost in 1966 when the palace of the Buganda Kingdom was attacked by government troops. The palace and instruments were destroyed, the King exiled, the royal musicians disbanded and much of the music forgotten. But in 2015 James discovered the sixty-something Musisi, possibly the last surviving drummer. Musisi was just a teenager at the time of attack and barely survived the night of the attack itself (more on this here)….
Kochia Traditional Dancers Group
…a and dance moves to match. Their brightly coloured outfits (replacing the more traditional clay colours that dancers would adorn themselves with) are augmented by attention-grabbing ostrich feather headdresses (the ostrich, a symbol of beauty and courage, represents the courage they will need to entertain) and monkey fur. They are accompanied by drumming, and the Tung’, the Luo horn. You can contact the Kagan Kochia group for bookings on +254 700…
Recording, archiving and sharing the traditional music of East Africa Page
…icologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring performances…