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Day 1 – Saturday 1st July 2017 Story

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…instrument first originated in – South Nyanza or Central Nyanza; ‐ Discussion on the nyatiti gender taboo (whether a woman is or is not traditionally allowed to play the nyatiti and the reasons why); ‐ Mention of a Cultural Festival which takes place every year on 27th December and hosts several local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti mak…

The Singing Wells podcast #3 Podcast

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…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….

Conclusion: Challenges and Recomendations Story

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…g demonstration, it would be advisable for the recording schedule to focus on one individual ‐ one instrument maker per day only. Also, possibilities of postponed sessions and cancellation, technical or other difficulties that may occur should be taken into account when creating a schedule. The timeframe issue could also be ameliorated by a pre‐recording field mission – a recce. In that sense, all participants would be informed on the date they ar…

3. Background of the Naizungwe drums Story

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…o played them? Uganda has about 65 ethnic societies according to the 1995 constitution. Each ethnic society had a way it was organized socially before the advent of colonialism. Most of the societies were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that cl…

Day Five: January 22, 2019 Mwanza Continued Story

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…ear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song about someone who is too mean-spirited to support his community even though he has lots of money, it is about a man “who eats along, without his brother’ Ntelela Engoma: A song about living with respect to traditional ways Basigazi Fura Emyende: A song about overcoming all of life’s challenges by working together Mwije Tuzane: We filmed this freestyle, where the group e…

Day 9 – Sunday 9th July 2017 Story

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…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…

James Allen Staff Profile

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…to developing young recording artists. The following year he began developing the idea for the Singing Wells project with Ketebul Music, sharing their passion for preserving and promoting the traditional music of East Africa. Jimmy has an MBA from Harvard University and an MA in International Economics from Johns Hopkins. He is a dual US-British citizen and has lived in the United Kingdom, with his wife and three children, since 1995. He is chair…

Uganda: music of the Batwa Gallery

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…orded the music of the Batwa. The journey started in Nairobi where the team boarded a flight to Kigali, Rwanda. From there we travelled by road to Kisoro where we stayed at the Traveller’s Rest Hotel. Our hosts were from the United Organisation for Batwa Development in Uganda (UOBDU) who arranged for us to record the performances of six Batwa communities from the district of Kisoro – Birara, Mpwera, Kanyabukunga, Micyingo, Gatera and Kabahenda….

Day One: The Iteso People and their Music Story

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…dongot. Between their core songs, influences and a magic moment, we had a long session with the group. Songs included: Ataikatiaka Kitiso: This song is about the unity of the Teso people. While forces are trying to divide the people, the song encourages everyone to stay united. Akidai Imojong: This song asked everyone to take care of old people and respect them. Asorit: This is a song about poison and refers specifically to Aids, which is the kill…

Mumias United Group

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…Mumias United was founded in 1997 by Francesca Odour. They have 38 members and 22 showed up for our performance. They perform in the Imbira style. They are part of the Wanga tribe, which is a sub-group of the Lua, known for their Kings (Nabongo). We performed next to the mausoleum where four kings were buried, dating back to 1700s….

Our Sponsors Page

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…en we set up our charity, The Abubilla Music Foundation. For more information on their services, head to their website at: http://www.cwj.co.uk/   Sheen Sports, London SW14 Type of sponsorship: donation in kind Thanks to Sheen Sports shop for providing footballs which we took as gifts to Uganda in 2013. During our field trips we often find that the whole village community comes to watch the performances we are recording. We have found that a footb…

Video playlists from Kenya 2018 Story

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…tube.com/watch?v=Jz1eILZlyLE&list=PL6jxUA468Mq-FBWk0X39BrJvKiw8sblnH Johnston Mukabi https://www.youtube.com/watch?v=K9XDnObrl2g&list=PL6jxUA468Mq-nstKtQ3QajcsDJmBBv3v_ Mumia United https://www.youtube.com/watch?v=wPi-qsvbch0&list=PL6jxUA468Mq8_Fi8QkIlmsr9KuVVQQPg2 Dot Com Isikuti https://www.youtube.com/watch?v=idHJE6QL_C4&list=PL6jxUA468Mq_ilLuHcABH8vHJri1c8QCE Super Phoenix Band with Julius Itenya https://www.youtube.com/watch?v=Oy4cBwvCpyE&lis…

FAQ’s Page

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…a recording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to downloa…

Day Three: Bungoma Town to Kakamega Story

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…iriri: Single string instrument (is this really the Shirili?) Mirembe: Xylophone Olwika: Horn Isukuti: Hand-held ‘conga’ drums Kayamba: shakers Likata: sticks Ikengele: Ring Chapuo: Big bass drum They performed six songs, with the sixth song finishing exactly when the rains came crashing down on us. While they had a couple of traditional songs, most of their performances were to allow students to feature specific instruments. Songs were: Mwana Wa…

Albums Introduction Page

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…ook through the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include…

The Kalenjin of Kenya Album

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…n.   The album opens with Ben Kisinja on the Burkandit, recorded in Kapsokwony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in Sila, followed by the Lomut Traditional Dancers and the Lomuge Group. The day recording the P…