Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Day Four: January 21 2019 Mwanza Story
…d hard work – this song had an incredible beat. Ng’oma ya Asilia: a traditional song Ali Nilihali: A lady turned down Man 1 because he was poor and settled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a song Ndono. They then did a lot of dances with ‘modern’ music on speakers. https://youtu.be/uRfFn7ZgUrU Group 2: Camera: Camera, who has been performing…
The Kalenjin of Kenya Album
…n. The album opens with Ben Kisinja on the Burkandit, recorded in Kapsokwony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in Sila, followed by the Lomut Traditional Dancers and the Lomuge Group. The day recording the P…
Field Recording Report by Kahithe Kiiru Story
…raditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone composed of a wooden bowl struck with wooden sticks on both the outside and the inside; ENG’OMA – a generic term for drums, use it for several drums of different shapes and sizes; CHICHUKA – shakers made out of gourds; metal ring struck with wooden sticks metal plate used as a drum-set cymbal. The charismatic Namatete played for us 6 songs and did one of his song (“Oc…
Day Zero: 6 March 2022 – Travel To Stream Story
…ed by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video section was manned by Patrick (Sapat) Ondiek assisted by Drix Muyeshi and Cliffe Munyasa. Nick Abonyo was the tour’s coordinator and Spade was our driver. The drive was slow and uninterrupted with only one stop for lunch in Nakuru. We reached Kisumu City just before dusk and settled down for dinner at Kalongolongo restaurant, ru…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Page
…couldn’t miss the opportunity to capture the true sound. With a lapel microphone on our lead lady and another microphone directly on the adungu, we asked the group to continue. At the end of the session we played the recording back and a magical voice and sound emerged – the old lady, sitting on the blanket in the middle of this village surrounded by her whole community, had a beautiful, strong, pitch perfect voice. It is moments like this that ma…
3. Background of the Naizungwe drums Story
…o played them? Uganda has about 65 ethnic societies according to the 1995 constitution. Each ethnic society had a way it was organized socially before the advent of colonialism. Most of the societies were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that cl…
Albums Introduction Page
…ook through the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include…
FAQ’s Page
…a recording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to downloa…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Day 1 – Saturday 1st July 2017 Story
…instrument first originated in – South Nyanza or Central Nyanza; ‐ Discussion on the nyatiti gender taboo (whether a woman is or is not traditionally allowed to play the nyatiti and the reasons why); ‐ Mention of a Cultural Festival which takes place every year on 27th December and hosts several local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti mak…
Conclusion: Challenges and Recomendations Story
…g demonstration, it would be advisable for the recording schedule to focus on one individual ‐ one instrument maker per day only. Also, possibilities of postponed sessions and cancellation, technical or other difficulties that may occur should be taken into account when creating a schedule. The timeframe issue could also be ameliorated by a pre‐recording field mission – a recce. In that sense, all participants would be informed on the date they ar…
2. Naizungwe Drums – progress report 1 Story
…cut down, the logs have been hollowed out and the skins have been formed. One of the early milestones was finding a tree out of which to craft the largest of the drums, no trivial task given the size and type of tree required. Here is our first video, James Isabirye talking about the tree and introducing the project: https://youtu.be/bZUxKhTGmCA The lead drum maker is called Muhamudu Kaziba (in the left of the video above). He comes from a famous…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…oundation Crew (Jimmy, Hunter, Sophie and Elliot) arrived in Nairobi from London the night before. The Ketebul team (Tabu, Steve, Patrick and Nick) spent the evening preparing equipment. After a brief hold up at airport to check documents and buy a chicken burger, we were met by our drivers, Isaac and Abdullah, and drove immediately to our first field visit – to the home of Mzee Morris’s son, Rafael Nyunyusa Morris. “Retracing the lost drums of Mz…