Albums Introduction Page
…ups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. CDs may also be available in the future. Join the mailing list to find out when…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
The Kalenjin of Kenya Album
…ith Ben Kisinja on the Burkandit, recorded in Kapsokwony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in Sila, followed by the Lomut Traditional Dancers and the Lomuge Group. The day recording the Pokot tribes was rounde…
Day 9 – Sunday 9th July 2017 Story
…st current updated version: “Revision of the Hornbostel‐Sachs Classification of Musical Instruments by the MIMO Consortium” dates from 2011, published by Musical Instruments Museum….
Field Recording Report by Kahithe Kiiru Story
…ies in the Western Region of Kenya in the period from 17thto 25thFebruary 2018. DAY 1 – Saturday 17th February 2018 The first day of recording for “Rhythms of Western Kenya” took place in Busia County, in the Samia sub-county. This sub-county was named after the Samia sub-group of the Luhya ethnic community who make the majority of its’ population. In Nanguba village of Agen’ga location, we met EKHUNJWE YA ABASAMIA folk group. Led by Stephen Bwi…
Conclusion: Challenges and Recomendations Story
…had to deal with is the time limitation. The entire programme was shot in 11 days, which included master classes and a studio session in Nairobi. Considering the ambitious amount of information we wished to gather from each interviewee (as per the original concept) and the accompanying demonstration, it would be advisable for the recording schedule to focus on one individual ‐ one instrument maker per day only. Also, possibilities of postponed se…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Page
Welcome to Singing Wells’ Top 20 Moments It’s been nearly 10 years of travel, discovery and music. We’ve travelled across East Africa with the aim of bringing traditional music to a wider audience. With our Youtube channel now surpassing 5 million views, we wanted to celebrate the last 10 years of sharing the beautiful music of East Africa with you. Each week, we will post a new video counting down our Top 20 Singing Wells moments and memories….
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
FAQ’s Page
…e project? We made our first field recording on the Kenyan coast in March 2011. The Abubilla Music Foundation was granted charitable status in June 2011.We are currently preparing for our 10 year anniversary, and are doing a countdown of our Top 20 Singing Wells moments here. How do you discover the music groups? To find talented and inspirational musicians and groups we rely on local fixers and musicians who spend a great deal of time researching…
Day Zero: 6 March 2022 – Travel To Stream Story
…ew offices at the GoDown Arts Centre on Kayahwe Road off Dennis Pritt by 9:00am. It took us an hour to load the van with the equipment and our personal effects. On our team was Tobias Odhiambo (or Shunkyz as he is known in the music circles) as soundman in charge of the technical aspects of the recordings. Shunkyz was assisted by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video sect…
Day Four: January 21 2019 Mwanza Story
…Mchele Sanaa Group: This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and…
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
Day 2: Sunday, 2017 February 19th Story
…songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing. We learned about the Bi Kidude and Unyago style. Throughout this trip we will enco…
Day 1: Saturday, 2017 February 18th Story
…in 1999. Throughout his long life he drummed. Here’s Leo Mkanyia , our 2017 Influences Artist, describing his experience listening to Mzee Morris’s music: “He wasn’t normal. He plays his drums like a guitar. You have to listen very carefully to realize not only is he keeping the beat, but he’s also carrying a melody. And he uses 10-12 drums, sometimes more. This is not normal. Every drum was a note for him. He picked the skins for the drums and…