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…and was carrying what I can only say was a magic electric gun. He told me to stop brushing my teeth and lie down and he began to shoot the government soldiers around us. […] I’m telling you all this to tell you that this was the last day I played drums in the palace. I was arrested and I stayed in jail for a couple of weeks. Then, in 1966, I got employment at the Kyambogo music department for Peter Cooke (who was head of the music department at t…
Tabu Osusa Staff Profile
…ieng,’ Makadem, Suzanna Owiyo, Olith Ratego, Ogoya Nengo, Gargar and Winyo to mention but a few. Together with the director of Alliance Française in Nairobi, Tabu Osusa co-chairs the steering committee of the “Spotlight on Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also th…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
Conclusion: Challenges and Recomendations Story
…and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a proper research preparation should be put in place as a standard. The ideal approach to pre‐recording preparations should thus include: short pre‐interviews with identified interviewees (this would later allow better and easier data collection and create a certa…
Day Four: January 21 2019 Mwanza Story
…th his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to singer for papers Tudumishe mila: about honouring our culture Raisi Ametamka: politicians must support education https://youtu.be/Hmp4zM3kSaM Sadly, we then got rained out and went back to hotel. We scheduled additional groups for same location the next…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…nd motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 y…
Introduction: Project overview and objectives Story
…ata collection part, complementing Abubilla and Ketebul’s work in relation to SW’s mission and to the novelty of this specific series. According to its original concept, the Singing Wells Masters series aims at recording and documenting master players and instrument makers of various Kenyan/African instruments as they: a) Make their respective instruments;b) Tune the said instruments;c) Give master classes to other musicians of those particular…
Nyangile Instrument
…A resonating box – hit by the player with a wooden stick, who often holds ongeng’o rings in their hand and feet to add more rhythmic potential. We heard the Nyangile, also referred to as the Sanduk (Swahili for Box), played by a member of the Otacho Young Stars, when we recorded them at Dinkys Resort Club, Rongo, as part of our field trip to record the music of the Luo in Western Kenya….
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…irges. This dramatic twist of events threw us off guard and we were forced to stop our program temporarily. As required by local custom, we dutifully went to commiserate with the family of the bereaved. We paid our last respects to the unknown dead in the sealed coffin and donated some money to the family to assist with the burial activities on the following day. Seeing that we had appeased the spirit of their departed, the mourners quieted down a…
Tarajazz Group
…henge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about his “chest being opened and empty” In typical Taarab style this has…
All field reports have now been published and provide links to youtube videos! Story
…You can now see all Field Reports for February 2018 trip to Kenya. If you want to link directly to youtube videos you can do in field reports or go direct here. A detailed account of the trip written by Kahithe Kiiru is available here….
Day One: January 18, 2019. Assemble in Tanzania Story
…ravel day. The main Ketebul crew (Steve, Patrick, Drix) left Nairobi early to drive to Kisumu, while Tabu flew with Jimmy and Hunter to Kisumu (Jimmy and Hunter arrived from London on the 17th. We all met at the Kenya/Nairobi border and after two hours, cleared the border and drove to Tarime, where we met Jackline Odhiambo Aringo (Jackie Akinyi), a Tanzanian musician who helped organize our trip (see our interview with Jackie here). We arrived at…
Hunter Allen Staff Profile
…irected and edited Singing Wells’ first Lost Song Books documentary, which told the story of our repatriation project in 2014. The project involved the returning of recordings by Hugh Tracy to the Kalenjin and Luo communities from which he recorded in the 1950s. Hunter graduated from the University of Cambridge in 2015 and aspires to continue a long and fruitful relationship with Singing Wells. Most recently he joined the rest of the team in filmi…