Day One: 7 March 2022 (Shikangania and Mukumu) Story
Act One Artiste: Johnstone Mukabi and Omutibo Stars Genre: Omutibo Location: Small Matters Park – Shikangania Field Notes: After an early breakfast the following morning we drove from Ilesi to Mukumu Girls’ High School, situated along the Kakamega-Kisumu road. Our first recording of the day was to be with Johnstone Mukabi, son of the legendary guitarist George Mukabi. The senior Mukabi is regarded by all as the pioneer of omutibo, arguably the mo…
Day 1 – Saturday 1st July 2017 Story
…ing: ‐ Differences between the two most commonly used trees for nyatiti resonator – ngowu (oak tree) and poch ondero (fig tree); ‐ Trees used or arms and head of the instrument – powo, siala (vernacular names, corresponding Latin and/or English names TBC); ‐ Dispute over which part of the region the instrument first originated in – South Nyanza or Central Nyanza; ‐ Discussion on the nyatiti gender taboo (whether a woman is or is not traditionally…
Kochia Traditional Dancers Group
…dancers from the Rangwe Sub-County in Homa Bay, Kenya. The group has a strong history, being found in 1965, and since then its members have dedicated themselves to entertaining guests at countless national celebrations and holidays, private events, as well as internationally as part of the Folklife Festival in the UK and in the USA at the Smithsonian Folk Festival. As well as this they are determined with their performance to preserve the incredi…
Day One: January 18, 2019. Assemble in Tanzania Story
…and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving camera to provide a second angle on the performance and c) we interview all group leaders to understand group musical styles and background, instruments and songs. In almost every village, we struggle…
Field Recording Report by Kahithe Kiiru Story
…ion, Obasie was accompanied by a percussionist on a drum called atenus amwatonitand by Mzee Ikobulo on a traditional wind instrument made out of a plastic pipe and a gourd. They called it etuo aporutu. We were all mesmerised by the Elder’s robust yet sweet voice and unique style of performance – a perfect end to a fruitful day of recording. DAY 3 – Monday 19th February 2018 The third day of our field recordings started in Kulisiru village of Siris…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Albums Introduction Page
…ook through the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
The Kalenjin of Kenya Album
…he Embolet are both represented on the album. The final field day of the trip was spent recording the Tugen. The vocal harmonies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for I…
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Conclusion: Challenges and Recomendations Story
…g demonstration, it would be advisable for the recording schedule to focus on one individual ‐ one instrument maker per day only. Also, possibilities of postponed sessions and cancellation, technical or other difficulties that may occur should be taken into account when creating a schedule. The timeframe issue could also be ameliorated by a pre‐recording field mission – a recce. In that sense, all participants would be informed on the date they ar…
Aynu Traditional Group Group
…the second half of the 19th century. Their origins are described in relation to their belief in mythology: with God’s creation of Meme and the universe. The first two human beings Gboro-Gboro (male) and Meme (female) are said to have been superhuman. Some traditions only speak of Meme, whose womb God filled with the living things in the world. Customs: They are traditionally a farming people and are the predominant keepers of guinea fowl in Ugand…
Day Zero: 6 March 2022 – Travel To Stream Story
…rge of the technical aspects of the recordings. Shunkyz was assisted by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video section was manned by Patrick (Sapat) Ondiek assisted by Drix Muyeshi and Cliffe Munyasa. Nick Abonyo was the tour’s coordinator and Spade was our driver. The drive was slow and uninterrupted with only one stop for lunch in Nakuru. We reached Kisumu City just befo…
FAQ’s Page
…Singing Wells via our YouTube channel. Each music video has a donation button associated with it and you can donate £1, £5, £10,£20 or £50 to help support a music group you particularly like. Find us on YouTube here. If I support you where will the money go? How do I know it will be well spent? Donations to Singing Wells can be made through The Abubilla Music Foundation. Your donation will be restricted for use in East Africa to support the proje…
Page
…lst embracing the changing sounds of modern East African music. Winyo Shiphton Onyango adopted his artistic name ‘Winyo’, which is a Luo word (a tribe from the Lake Victoria region of Western Kenya) for “a bird”. The reason for this becomes apparent once you hear him sing. His voice has been likened to that of a singing bird. He is a singer/songwriter of great sensitivity and an acoustic guitar player, backed by his 5-piece band of accomplished mu…
3. Background of the Naizungwe drums Story
…that eroded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums play…