Day Three: Bungoma Town to Kakamega Story
…own age. Khamete: This is a story about a woman who left her husband after lots of rumours. She then came back and he celebrated. Magic Moment: Reprise of percussion from song 2, Isuna. Magic Moment: Reprise of percussion from song 1, Imbira, featuring the Lisanduku. Influences song with Fadhilee Itulya, performing his song Amina with percussion group on Magic Moment for Imbira. From Mumias, we travelled about 10 kilometers to another village to r…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Chibite Group
…rds) and Ilimba (a lamellophone, or modified thumb piano). We will spend a lot of time with Chibite over the next two days and meet many different family members. For this first recording in Boma, the line-up was Ndahani Bwani, the older brother, his sister Ndekwa and two daughters Grace and Leah. They played 4 songs: Dunia Nigahira Samamba: Streamlined. Malugaro: And a Magic Moment with Grace playing the Zeze (large stringed…
Field Recording Report by Kahithe Kiiru Story
…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…
Conclusion: Challenges and Recomendations Story
…epared in advance accordingly. I mention this because we have noted that a lot has been ‘lost in translation’, hence data collection objectives and ways of achieving them should be discussed and explicated in advance. Also, the researcher should be involved in filming schedule preparation, so as to give an input on estimated times for completion of certain interviews. I would also want to comment here briefly on the instrument comparison exercise…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…(good bye dance) – songs 4 and 5 song as one Freestyle: We then recorded the band in freestyle. https://youtu.be/XoaHli19b2U One observation from Day One: These groups have the energy and youth of many of the groups we recorded in Uganda around Lake Victoria, which makes a lot of sense as these groups are from areas very close to Uganda. What you feel when you record these groups is that the music here remains very central to youth culture – th…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Singing Wells Stories Page
…g in front of cultivated hillsides and the Viriunga volcano. Jovah takes a lot of pride in her music and is full of passion for the traditional music of the Batwa people. She was one of the members of the community who travelled to Nairobi to record at Ketebul Studios. One of her recordings was used for a special collaboration with Abubilla Music musicians. To listen to that, click here: http://snd.sc/18Raaae To view the page for the Mperwa Dancer…
Patrick Ondiek Staff Profile
…ove the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music like that. My favourite performance was by Okumu K’Orengo. I was so moved. He was singing about death, about his own father, about his grandfather. He forced you to think about all the people you’ve lost. Secondly, I love the confidence it gives me to…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Page
…) the better! Muwewesi Xylophone Group Unsurprisingly for the Muwewesi Xylophone Group, the Xylophone is the star of the show. A giant xylophone lays across the floor, played by 8 musicians, alongside vocalists, pipe flute players and tube fiddle players. Based in Nakisenye, East Uganda, we visited the group in 2013, and when we arrived we found that the band had been there since morning preparing – they had dug the pit for the xylophone, with the…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…tice that the 23rd and 25th are missing. Think driving. And then think a lot more about driving. From Mwanza to Nzali, from Nzali to Nairobi. But we don’t need to waste blog posts on driving, although we did meet every kind and wonderful Tanzanian police officer on the route. They wanted to know about our safety equipment, our battery covers, our insurance, our plates, and at times, they just wanted to know what we were thinking. So lovely. So…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…