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…tinued to grow as the people of Kampala looked for an escape after the fallout of the war against Idi Amin’s regime. Watmon saw that his cultural heritage still brought joy, escape and peace to so many people and, under his leadership, he continues to provide that for people, young and old, today. Who else is leading the way? Amone Watmon Matthew is just one person who is leading the way for future generations to continue learning about their musi…

Conclusion: Challenges and Recomendations Story

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…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…

Makunga Group

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…s: Intro, Freestyle recording of their entrance. Masasi: the celebration song after circumcision completed Nindo: Song on social issues Muhene: Song during girl ceremony where she reaches puberty and now must be hidden from village for 40 days (song acts out how girl learns to reject the advances of men, represented by two men playing shakers) Muziki: A song to gain support of the people for the music and dance Muziki: Freestyle Muhongwa: another…

Here for the Music? Page

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…we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of insp…

Day One: February 16, 2020 (Ngawala Hotel) Story

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…u don’t really see the subtlety in something. Mbiyo Za Sakafuni: This is about too much haste and costs of being too fast (literally it translates as ‘speed on the floor.’) Hebu Uone Aibu: Means ‘witness the shame.’ Wanawaki Afrika: A Celebration of African Women Unyago: the group is named after the drums they play and the style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innue…

Day 9 – Sunday 9th July 2017 Story

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…h represented by a master musician: Nyatiti – represented by Samson Otieno of Bomas of Kenya; Obokano – represented by Dominic Ogari; Litungu – an 7 string traditional lyre from the Luhya community, represented by Jackson Ingosi (Ingosi Junior); Kodo – represented by Olith Ratego who created the instrument; Classical guitar – represented by Peter Akwabi. Aside from the classical guitar, which served as a perspective on comparing different traditio…

The Singing Wells podcast #3 Podcast

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…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….

The Kalenjin of Kenya Album

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…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….

Day 1 – Saturday 1st July 2017 Story

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…ehind nyatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was…

Fanuel Amimo Group

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…Sammy Osere for Lamore record label, while his third song led to his fall out with Polygram records in 1974. After that, he started producing himself and established his own label entitled African Beat. We recorded five of Amimo’s well known songs: “Safari ya Magadi”; “Ndeshera Omwana”; “Harusi ya Leah”; “Omwana Yenyanga Nyina’ and “Rosa Nokhwebwe”, accompanied by Akwabi’s band members. His guitar plucking technique was extremely interesting to o…

3. Background of the Naizungwe drums Story

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…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…

Mchele Mchele Sanaa Group Group

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…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers).  …

Aynu Traditional Group Group

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…s the Madi, their current name perhaps came to be used after the intrusion of the Khartoum Arab slaves in the second half of the 19th century. Their origins are described in relation to their belief in mythology: with God’s creation of Meme and the universe. The first two human beings Gboro-Gboro (male) and Meme (female) are said to have been superhuman. Some traditions only speak of Meme, whose womb God filled with the living things in the world….

Richard Sewanyana Group

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…to be the starter. But he failed. So they then asked him to play any song of any of the ones they had been playing since he joined the palace. And he couldn’t. And they were very mad because he had taken a salary as a player and they felt he was a robber. So when my father realised he had been found out and that he wouldn’t replace his father there was a panic and a desire that I go to the palace to replace my grandfather. So I played in the plac…

Day Two: 8 March 2022 (Ilesi) Story

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…mbers played the harmonica but it was only in the C key and so it was left out of the recordings of songs on different keys. Guest musicians Fiston, Ben and Gido also had to take a little time to play in sync with the polyrhythmic beats of the Iteso of Western Kenya. When the tuning session was finally figured out the actual recording started at about 17:00 hours. The three sisters and their two brothers have pleasantly matured musically and it wa…

Day Three: 9 March 2022 (Kisumu) Story

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…Western Kenya. The middle child in a family of three Olith Ratego dropped out of school at an early age to help his father, Walter Omondi Onyango, run his carpentry workshop. A self-taught musician, Olith Ratego later used his woodwork skills to create a novel five-stringed instrument he named okoddo after his great-grandfather, Okoddo Madanda, who was known to his peers as a fierce warrior and revered as a mythical figure by members of his commu…