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…had been there since morning preparing – they had dug the pit for the xylophone, with the bass notes sitting over the deepest part of the pit at 22 inches! We went on this trip with the brilliant James Isabirye, who said: “Their style of music is amazing – they play drumming music on the slabs – they bring the percussion directly onto the instrument. This makes the tone so rich and it is far richer than the skin sound of a drum. The drum sound of…

Kochia Traditional Dancers Group

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…elves as one of the most exciting groups to perform traditional Luo music, with their vibrant regalia and dance moves to match. Their brightly coloured outfits (replacing the more traditional clay colours that dancers would adorn themselves with) are augmented by attention-grabbing ostrich feather headdresses (the ostrich, a symbol of beauty and courage, represents the courage they will need to entertain) and monkey fur. They are accompanied by dr…

Recording Resources Page

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With almost 10 years of experience in the field, we feel incredibly privileged to have worked alongside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trip…

South Teso Jazz Group

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…BASS – 6-strings instrument played by two people sitting on it; struck as a percussive by player in the back; RHYTHM ADEUDEU – 10-string adeudeu; ADEUDEU SEKETA – 9-string adeudeu; SOLO ADEUDEU – 5-string adeudeu, smallest in size. This string sound is complemented with a home-crafted drum-set they refer to as akicheketin their vernacular language. This is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle t…

Royal Entenga Drummers Group

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Along with flutes, trumpets, strings and xylophones, the Entenga were part of a set of ‘royal instruments’ and much of the music was lost in 1966 when the palace of the Buganda Kingdom was attacked by government troops. The palace and instruments were destroyed, the King exiled, the royal musicians disbanded and much of the music forgotten. But in 2015 James discovered the sixty-something Musisi, possibly the last surviving drummer. Musisi was ju…

Liwambwe Group

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…d off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are a…

Nile Beat Artists Group

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…plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits helper her to conceive so the spirits set the condition that she should never play in the rain. “Amagombe”: This is…

Buganda Music Ensemble Group

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…sic style: Kiganda Song Meanings “Ggangalwa”: A king servant tried to play with the princess. All women in the palace, however, are controlled and possessed by the king. He was punished by cutting off his fingers. His friends eventually found out due to all the rumors circulating the palace. They tried to ask him about it but he kept denying that anything had happened. Albert leads the song with the bow harp or Ennanga, a new instrument for us. Al…

Bigwala Cultural Group Group

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…you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else. “Mwene Wamwenda”: When you love someone even if they are poor, lame, sick or blind, you just stay with them. Further reading UNESCO: Bigwala, gourd trumpet music and dance of the Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeg…

Unyago Group

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…strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her there from all over. The other members included: Fatima Juma (dancer an…

Recording, archiving and sharing the traditional music of East Africa Page

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…sil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth informat…

Bakuseka Majja Matta Group Group

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…athan Matta Nyende. Nathan started playing in 1952 and was blinded in 1958 with an eye problem. Their style of music is Kisoga which both educates and entertains. The group are Fred Tavakumuwa on the tube fiddle; Kisame Ndaba on the thumb piano; Kirunda Awali on the flute and Nathan Matta Nyende, the lead vocalist and also playing the thumb piano. Song Meanings “Abalimperekera Baliba Muganda”: When I die, those that will escort me to be buried, wi…

Mchele Mchele Sanaa Group Group

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…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers).  …

Albums Introduction Page

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…h the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…

Day Five: February 20, 2020 (DCMA) Story

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…erations of musicians have played in it. It plays traditional Taarab music with all female solo singers and male singers on instruments. It was clear that this orchestra had played together for a long time and were well rehearsed. They have a total of 45 people in their orchestra. They usually play with about 25 and we saw 15. Instruments in this orchestra we saw: 4 violins, 1 oud, 1 base, 1 qanun, 1 accordion, 2 drums and 1 tramboline. They produ…