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…had been there since morning preparing – they had dug the pit for the xylophone, with the bass notes sitting over the deepest part of the pit at 22 inches! We went on this trip with the brilliant James Isabirye, who said: “Their style of music is amazing – they play drumming music on the slabs – they bring the percussion directly onto the instrument. This makes the tone so rich and it is far richer than the skin sound of a drum. The drum sound of…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Richard Sewanyana Group
…ed about an hour from Mukono to the village of Bamusuta B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We first interviewed Richard: “I am Richard Ssewannyana, son of Paulino Kajubi, whos father was Buko Ssempiira. My village is Ndese, in sub-county Kasawo, of County Kyaggwe. My grandfather used to play the…
Maisha Bora Suba Group
…igi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandusbi (beads) and the men carried Omuhiyo (wooden knife) and the woman carried Omughango (spoons). The leg shakers were amazing and we’ve never…
Liwambwe Group
…d off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are a…
South Teso Jazz Group
…BASS – 6-strings instrument played by two people sitting on it; struck as a percussive by player in the back; RHYTHM ADEUDEU – 10-string adeudeu; ADEUDEU SEKETA – 9-string adeudeu; SOLO ADEUDEU – 5-string adeudeu, smallest in size. This string sound is complemented with a home-crafted drum-set they refer to as akicheketin their vernacular language. This is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle t…
Bigwala Cultural Group Group
…you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else. “Mwene Wamwenda”: When you love someone even if they are poor, lame, sick or blind, you just stay with them. Further reading UNESCO: Bigwala, gourd trumpet music and dance of the Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeg…
Bakuseka Majja Matta Group Group
…athan Matta Nyende. Nathan started playing in 1952 and was blinded in 1958 with an eye problem. Their style of music is Kisoga which both educates and entertains. The group are Fred Tavakumuwa on the tube fiddle; Kisame Ndaba on the thumb piano; Kirunda Awali on the flute and Nathan Matta Nyende, the lead vocalist and also playing the thumb piano. Song Meanings “Abalimperekera Baliba Muganda”: When I die, those that will escort me to be buried, wi…
Nile Beat Artists Group
…plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits helper her to conceive so the spirits set the condition that she should never play in the rain. “Amagombe”: This is…
Buganda Music Ensemble Group
…sic style: Kiganda Song Meanings “Ggangalwa”: A king servant tried to play with the princess. All women in the palace, however, are controlled and possessed by the king. He was punished by cutting off his fingers. His friends eventually found out due to all the rumors circulating the palace. They tried to ask him about it but he kept denying that anything had happened. Albert leads the song with the bow harp or Ennanga, a new instrument for us. Al…
Toroka Uje Group
…ebbles….
Recording, archiving and sharing the traditional music of East Africa Page
…sil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth informat…
Unyago Group
…strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her there from all over. The other members included: Fatima Juma (dancer an…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Support Singing Wells Page
…idual song, will directly benefit traditional music groups in East Africa, with royalty payments going straight to the performers wherever possible. The Best of Singing Wells 2011 The Music of the Batwa of Kisoro The Music of the Kalenjin of Kenya Donate any amount We don’t mind whether you want to donate £1 or £100 (or even more). Any amount you give will help the Singing Wells project bring the music of East Africa to more and more people. We gu…